PART 2:
Simple 1st inversion 9th “Dan”chords: [Steely Dan] example.
Variation with melody notes and the usual “Steely Dan” rhythmic syncopation movement:
STATIC CHORDING TO BASS MOVEMENT:
Bass Walk down technique: Minorising-Dm9 extended vamp with the harmony held in the top with a bass walking down: [More aggressive and not really swung in fusion]
MORE COMPLEX CHORDING
Diminished Scale: “Slash Chords”
B and F Triad Pairs as Chords:
Whole Tone Scale Chord Movement: 20 c Classical meets Jazz Fusion.
BACK TO BASICS:
Example : Creating a coherent sound via simple chord inversions:
TOP DOWN CHORD CONCEPT:
Exercise : “Top Down” Harmonisation. Chromatically Harmonising the top note A natural.
CHORDS FOR HARMONISATION AND SONG DEVELOPMENT
Song Extended Endings: #1
Song Extended Endings: #2
CLICK HERE FOR MODERN JAZZ FUSION CHORDS PART 1
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