Plectrum Picking “BACH” Baroque/Classical Guitar patterns

Posted on July 2, 2020July 2, 2020 by Jazz fusion guitar Improvisation lessons and modern music theory

In this video I employ, chordal picking, alternate picking, hybrid picking and double stroke picking. If you play through the tab below all of this will become very clear and you will learn how to apply all of this naturally with the guitar pick. It’s amazing what can be achieved especially in regards to counterpoint!

Bach Concepts/Etude for the plectrum picking guitarist Music/Tab:

Picking Bach Baroque Guitar music lesson Alternate picking Bach Baroque guitar music

Below is another video employing these guitar plectrum picking concepts in the Bach style. Alternate picking, Hybrid picking and Al di Meola’s chordal picking plectrum patterns.

I hope this Blog was of use to you, if so then please click below and subscribe to our youtube channel! Many thanks!

PLEASE SUBSCRIBE!

Chord Reharmonization on common chord sequences

Posted on June 29, 2020June 29, 2020 by Jazz fusion guitar Improvisation lessons and modern music theory

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In this Blog/Vlog we are just re harmonising and altering common chord sequences like, 6 2 5 1 or 1 to 5 first inversion.

Reharmonizing VI II V I

Reharmonizing VI II V I VARIATION

Reharmonizing VI II V I chord sequence

I TO V [FIRST INVERSION] IDEA

Reharmonizing chords 1 5b or I Vb

I TO V IDEA VARIATION

Steely Dan chord sequence guitar and piano

John Schofiled chord voicing sequence style

THANKS for viewing this blog. I hope it was of value to you!

Alternate picking guitar technique.Right hand mechanics secrets lessons!

Posted on June 27, 2020June 27, 2020 by Jazz fusion guitar Improvisation lessons and modern music theory

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ALTERNATE PICKING FOR GUITAR IMPROVISATION:

Alternate picking is a strict Up/Down or Down/Up Picking Movement as opposed to a hammering on and pulling off technique. We do this by employing a relaxed wrist motion plucking up and down or down and up from the WRIST. Never do we pick from the elbow, forearm or shoulder!. We sometimes use a floating motion across the strings and sometimes a pivoting or anchoring technique by resting our palm lightly on the bridge of the guitar. The exercise below demonstrates the basic “Down Up” and “Up Down” Strict alternate picking movement.

When Holding the pick [plectrum] the thumb needs to be “Rigid” but not tense [Flexible is the best definition]. There must be zero tension in the hand either.
[ With a loose thumb it is easy to drop the pick and lose fluidity.]

Ex.2 Simple exercise for holding the Pick:

Put out your hand as if to shake hands

How to grip the plectrum

Bring the fingers in as if to hold a cup

Holding the pick with the proper plectrum grip

Bring down the thumb. It can remain “Flexible” but not wobbly and helpless.

Inside of the hand of the plectrum grip

Inside of plectrum grip. [Fingers Lightly Folded In]

How to hold the guitar pick

Basic Grip with the THUMB as the “Powerhouse” [Never the arm/elbow]

Angle of the hand holding the guitar pick

Ready to Play! Although the thumb is gripping the plectrum firmly there is no tension in the hand or wrist.

The Classic Plectrum Grip [My Style]

The hand is closed but it is not tense. The fingers are lightly tucked in. The wrist is loose. This is a very common grip. This is a really excellent grip if you are having problems with your picking hand . This is the grip as used by the great improvisers like John Mclaughlin and Al Di Meola.

Other Plectrum picking Grips:

alternate picking guitar plectrum grips examples and demonstrations

Different players grip the pick in different fashions. I use the classic John Mclaughlin grip because I feel it is the best one when it comes to jazz/fusion improvisation and complex rhythms. Whichever grip you choose always remember that regardless of how you hold the plectrum the Principles remain the same. The Thumb being the powerhouse that takes any “Pressure” as we “Pluck/alternate with the wrist”.

THE MECHANICS!

If we look at the diagram below we can see what is PHYSICALLY taking place when we are crossing the strings.

If you pluck UP on your 1st string you will have to SKIP OVER the second string before plucking DOWN on it.

So when we are plucking across the strings we are in a way string skipping. Most people I have taught are completely unaware of this. This is why so many people find/assume that alternate picking is difficult.

From the "outside" of the strings it is Up skip over pluck down pluck up

[DOWN SKIP OVER PLUCK UP-reverse


From the “Inside” of the strings it is Down skip over pluck up.

[UP SKIP OVER PLUCK DOWN-reverse

VERY COMMON EXAMPLES/EXERCISES

Down skip over pluck up-when crossing

UP skip over pluck down-when crossing

Paul Gilbert alternate picking guitar exercise for the up stroke

Coming UP on the Up stroke Exercises

These 3 simple exercises emphasise the coming “UP” on the upstroke creating a rolling effect. These are “EVEN” groupings meaning that the picking pattern repeats itself.

Exercise 1

2 strings crossing repetition alternate picking “EVEN” Groupings

alternate picking guitar exercise crossing the first 2 strings

Exercise 2

2 strings crossing and left hand shifting whilst alternate picking “EVEN”Groupings

alternate picking guitar exercise number 2 for beginners

EXERCISE 3: JAZZ DOUBLE TIMING 16ths Semiquavers

Start with a downstroke and feel the last stroke in the group of 16th notes which will be an upstroke. Use this to be aware in order for you to pluck and accent the 1st stroke in the next group of four 16th notes. Repeat the pattern.This is essential to get the double timing 16th notes rhythmic and precise whilst alternate picking.

alternate picking guitar 1 string exercise

The exercise/lick below on a 2 5 1 is built on 4 note groupings of 16ths called “TETRACHORDS”.Take it slowly using the rhythmic method from the 16ths exercise above.

Alternate picking guitar exercise tetrachords jazz fusion guitar line

Exercise 4: GROUPS OF 6 NOTES “ODD” Groupings

Start on a DOWN STROKE and then come “UP” on the second group of triplets and follow the sequence. These are repeated patterns but are “ODD” Groupings meaning that on every 3 notes the picking pattern changes, e,g down 2 3 Up 2 3. [Although as a group of 6 it would be an even grouping].

FREVO “Rasgado” INTRO By John Mclaughlin/Paco De Lucia

frevo Rasgado guitar trio John Mclaughlin Paco De Lucia guitar intro lesson

ALTERNATE PICKING ALIGNMENT

In the diagram below we can easily see the right hand crossing the strings picking each string naturally as it comes. We can also see that the right hand is always aligned with the string it wishes to pluck.

Aligned with the 6th string Open E

alternate picking plectrum alignment

Aligned with the 5th string Open A

pick alignment 5 string

Aligned with the 4th string Open D

pick alignment 4th string

Aligned with the 3rd string Open G

plectrum alignment for alternate picking on the guitars 3rd string

Aligned with the 2nd string Open B

plectrum alignment for correct alternate picking

Aligned with the 1st string Open E

1st string plectrum alignment

BE AWARE!

If you do alternate picking properly and pluck each string and each note of a phrase with a loose wrist and and relaxed arm/hand then you will avoid injury.

But if you just do a tremolo and hammer on then you will put yourself at risk.

The principles outlined in this short book are very simple and easy to understand. They are not only here to help you  progress but also to help you avoid injury.

PALM ANCHORING/FLOATING

Anchoring means pivoting on the bridge lightly

Floating means not resting on the bridge for support. Although this support could come from resting the arm on the body of the guitar [mainly acoustic].

Below is an example of what I do which is a mixture 70% FLOATING with 30% Anchoring.

Floating and pivoting when alternate picking guitar demonstration

alternate picking lesson

Angling the pick

Some people prefer to angle the pick. Some people do this naturally.

Angling the guitar pick for alternate picking

It is best to use a “Hard” Plectrum for alternate picking. [Jim Dunlop do some very good hard plectrums].

METRENOME

metronome digital metronome

Employing the metrenome is the only way to learn quickly and effectively. This amazing device will have you alternate picking smooth and precise rhythms on your guitar. Wether it’s jazz, fusion, improvisation or heavy metal the metronome is the best way to achieve mastery with the guitar pick.

Conclusion:

This website page is only a guide and was written for the main purpose of helping a beginner/or anyone struggling to understand alternate picking and avoid injury whilst learning it.

Alternate Picking "Triplet" Style   Al di Meola  CLICK

Alternate Picking Jazz Fusion Improvisational Style of John Mclaughlin CLICK

John Mclaughlin This is the way I do it

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Jazz II V I Improvisation Book Review.

Posted on June 18, 2020June 18, 2020 by Jazz fusion guitar Improvisation lessons and modern music theory

This is a very useful book if you are “New’ to jazz improvisation. It covers all of the needs of the beginner as it starts with the classic II V I cadence. It then progresses through the II V I with various altered dominants, different scale choices and chromatic embellishments. There is also a written harmonic explanation for each variation.

The other half of the book goes through modes, scales, chords, arpeggios, triad pairs and all of the essential music theory and explanations for quality jazz practice. This also helps the reader to make sense of the harmonic alterations,scale choices and substitutions commonly found in the world of jazz improvisation and apply them.

The book is available in AMAZON CLICK

TOTAL II V I JAZZ PUZZLE: Improvisation Guitar Practice & Theory

Thanks for viewing this post, I hope it was interesting and useful. Please subscribe to us on youtube!

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Dennis Sandole Guitar Lore/ Scale Lore

Posted on June 12, 2020June 15, 2020 by Jazz fusion guitar Improvisation lessons and modern music theory

In this Vlog/Blog we will take some inspiration from Dennis Sandole’s guitar lore/scale lore concepts.

If we look below we will see an example of a polytonal scale chromatically linking together through different keys.

DENNIS SANDOLE EXAMPLE:

dennis sandole guitar lore

We also see this in common scales too although not to such a degree.

For Instance:

ALTERED

DIMINISHED

Screen Shot 2020-06-11 at 13.41.34

OKAY, SO LET’S MAKE SOME IMPROVISED MUSIC OUT OF IT ALL!

HEXACHORDS:

Below is a chromatic linking idea counting in groups of 6 notes over an A7 Alt chord.

Hexatonic DENNIS SANDOLE GUITAR LORE

CHROMATIC RESOLUTIONS ON The OFF BEAT:

This idea relies upon starting the alternate picking by playing off the beat [Missing the first semiquaver]. This creates “Forward Momentum” and puts most of the chromatic notes on the off beat, and at other times creates the illusion of it.

DENNIS SANDOLE off beat CHROMATIC SCALE

DENNIS SANDOLE’S LEGENDARY BOOK GUITAR LORE: Click Image for Amazon:

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“Echoes from then” Glimpses of John Mclaughlin 1959-75

Posted on June 5, 2020June 5, 2020 by Jazz fusion guitar Improvisation lessons and modern music theory

BOOK REVIEW:

A video [Vlog] review of “Echoes from then” Glimpses of John Mclaughlin 1959-75 by Colin Harper.

A truly fantastic book and if you enjoyed “Bathed in lightning” then you will really enjoy “Echoes from then” Glimpses of John Mclaughlin 1959-75

jazzimproviser.com Book Review — “Echoes from then” Glimpses of John Mclaughlin 1959-75 by Colin Harper BOOK REVIEW

To purchase the book go to: WWW.COLIN-HARPER.COM

If you enjoyed this post then please subscribe to our youtube channel, Thanks!

Plectrum Picking “BACH” Baroque/Classical Guitar patterns

lternate picking, chordal picking and cross picking. This is really useful for creating counterpoint and playing in a much more sophisticated and harmonically rich manner. The plectrum stokes/patterns differ depending on the distances between treble and bass.

Chord Reharmonization on common chord sequences

In this Blog/Vlog we are just re harmonising and altering common chord sequences like, VI II V I or I Vb first inversion.

Alternate picking guitar technique.Right hand mechanics secrets lessons!

Alternate picking is a strict Up/Down or Down/Up Picking Movement as opposed to a hammering on and pulling off technique. We do this by employing a relaxed wrist motion plucking up and down or down and up from the

Bach Concepts/Etude for the plectrum picking guitarist Music/Tab:

Below is another video employing these guitar plectrum picking concepts in the Bach style. Alternate picking, Hybrid picking and Al di Meola’s chordal picking plectrum patterns.

I hope this Blog was of use to you, if so then please click below and subscribe to our youtube channel! Many thanks!

PLEASE SUBSCRIBE!

FOLLOW US

FOLLOW US

PLEASE HELP US GROW BY SUBSCRIBING TO OUR YOUTUBE CHANNEL! THANKS!

In this Blog/Vlog we are just re harmonising and altering common chord sequences like, 6 2 5 1 or 1 to 5 first inversion.

Reharmonizing VI II V I

Reharmonizing VI II V I VARIATION

I TO V [FIRST INVERSION] IDEA

I TO V IDEA VARIATION

John Schofiled chord voicing sequence style

THANKS for viewing this blog. I hope it was of value to you!

PLEASE HELP OUR CHANNEL GROW BY SUBSCRIBING! THANKS!

ALTERNATE PICKING FOR GUITAR IMPROVISATION:

When Holding the pick [plectrum] the thumb needs to be “Rigid” but not tense [Flexible is the best definition]. There must be zero tension in the hand either. [ With a loose thumb it is easy to drop the pick and lose fluidity.]

Ex.2 Simple exercise for holding the Pick:

The Classic Plectrum Grip [My Style]

The hand is closed but it is not tense. The fingers are lightly tucked in. The wrist is loose. This is a very common grip. This is a really excellent grip if you are having problems with your picking hand . This is the grip as used by the great improvisers like John Mclaughlin and Al Di Meola.

Other Plectrum picking Grips:

THE MECHANICS!

If we look at the diagram below we can see what is PHYSICALLY taking place when we are crossing the strings.

If you pluck UP on your 1st string you will have to SKIP OVER the second string before plucking DOWN on it.

So when we are plucking across the strings we are in a way string skipping. Most people I have taught are completely unaware of this. This is why so many people find/assume that alternate picking is difficult.

VERY COMMON EXAMPLES/EXERCISES

Down skip over pluck up-when crossing

UP skip over pluck down-when crossing

Coming UP on the Up stroke Exercises

These 3 simple exercises emphasise the coming “UP” on the upstroke creating a rolling effect. These are “EVEN” groupings meaning that the picking pattern repeats itself.

EXERCISE 3: JAZZ DOUBLE TIMING 16ths Semiquavers

The exercise/lick below on a 2 5 1 is built on 4 note groupings of 16ths called “TETRACHORDS”.Take it slowly using the rhythmic method from the 16ths exercise above.

Exercise 4: GROUPS OF 6 NOTES “ODD” Groupings

Start on a DOWN STROKE and then come “UP” on the second group of triplets and follow the sequence. These are repeated patterns but are “ODD” Groupings meaning that on every 3 notes the picking pattern changes, e,g down 2 3 Up 2 3. [Although as a group of 6 it would be an even grouping].

ALTERNATE PICKING ALIGNMENT

In the diagram below we can easily see the right hand crossing the strings picking each string naturally as it comes. We can also see that the right hand is always aligned with the string it wishes to pluck.

BE AWARE!

PALM ANCHORING/FLOATING

Anchoring means pivoting on the bridge lightly

Floating means not resting on the bridge for support. Although this support could come from resting the arm on the body of the guitar [mainly acoustic].

Below is an example of what I do which is a mixture 70% FLOATING with 30% Anchoring.

Angling the pick

Some people prefer to angle the pick. Some people do this naturally.

METRENOME

Employing the metrenome is the only way to learn quickly and effectively. This amazing device will have you alternate picking smooth and precise rhythms on your guitar. Wether it’s jazz, fusion, improvisation or heavy metal the metronome is the best way to achieve mastery with the guitar pick.

Conclusion:

This website page is only a guide and was written for the main purpose of helping a beginner/or anyone struggling to understand alternate picking and avoid injury whilst learning it.

Alternate Picking Jazz Fusion Improvisational Style of John Mclaughlin CLICK

PLEASE SUPPORT OUR CHANNEL BY SUBSCRIBING TO US ON YOUTUBE! THANKS!

The book is available in AMAZON CLICK

Thanks for viewing this post, I hope it was interesting and useful. Please subscribe to us on youtube!

In this Vlog/Blog we will take some inspiration from Dennis Sandole’s guitar lore/scale lore concepts.

If we look below we will see an example of a polytonal scale chromatically linking together through different keys.

DENNIS SANDOLE EXAMPLE:

We also see this in common scales too although not to such a degree.

For Instance:

ALTERED

DIMINISHED

OKAY, SO LET’S MAKE SOME IMPROVISED MUSIC OUT OF IT ALL!

HEXACHORDS:

Below is a chromatic linking idea counting in groups of 6 notes over an A7 Alt chord.

CHROMATIC RESOLUTIONS ON The OFF BEAT:

This idea relies upon starting the alternate picking by playing off the beat [Missing the first semiquaver]. This creates “Forward Momentum” and puts most of the chromatic notes on the off beat, and at other times creates the illusion of it.

DENNIS SANDOLE’S LEGENDARY BOOK GUITAR LORE: Click Image for Amazon:

If you enjoyed this post then please subscribe to our youtube channel, Thanks!

BOOK REVIEW:

A video [Vlog] review of “Echoes from then” Glimpses of John Mclaughlin 1959-75 by Colin Harper.

A truly fantastic book and if you enjoyed “Bathed in lightning” then you will really enjoy “Echoes from then” Glimpses of John Mclaughlin 1959-75

To purchase the book go to: WWW.COLIN-HARPER.COM

If you enjoyed this post then please subscribe to our youtube channel, Thanks!

When Holding the pick [plectrum] the thumb needs to be “Rigid” but not tense [Flexible is the best definition]. There must be zero tension in the hand either.
[ With a loose thumb it is easy to drop the pick and lose fluidity.]