“Taal” Mclaughlin Guitar Indian Raga Shakti Lesson

Posted on August 6, 2020August 6, 2020 by Jazz fusion guitar Improvisation lessons and modern music theory

This “Teen Taal” 16 beat John Mclaughlin guitar tune employs alternate picking. This is a shakti guitar concept. This tune is based around the idea of a 16 beat cycle for guitar and Tabla, Shruti, Tanpura etc.

Below is the music notation and tablature lasting 4 bars. This makes a 16 beat cycle. From this we can make an Indian Raga tune nicely on our guitars!

Teen Taal Mclaughlin tabla; guitar 16 beat cycle lesson — 16 Beat Cycle

keep the alternate picking rhythmical and count in groups of four 16th notes “1 e and a” [“Tetrachords”]. Or use the Konokol rhythm system counting “Ta Ka Di Me”. Try to accent the first beat of each 4 note grouping as you alternate pick with the guitar plectrum.

Please subscribe to us on youtube!

12 TONE CHORDS IN 4THS for jazz improvisation/composition

Posted on August 1, 2020 by Jazz fusion guitar Improvisation lessons and modern music theory

This concept is a quartal harmony idea using chords in 4ths to create a 12 tone line. It is presented here for guitar and piano moving in octaves.

Tetrachords in 4ths descending in major 3rds creating a 12 tone Piano example.

Screen Shot 2020-08-01 at 15.08.40
Clifford Earle Martin · Piano 12 tone 4ths idea

Guitar “Tetrachords” in 4ths descending in major 3rds creating a 12 tone example.

Screen Shot 2020-08-01 at 15.08.55.png

Thanks for viewing this post, I hope it was interesting and useful, if so then Please subscribe to us on youtube!

Alternate picking guitar technique Blog.

Posted on July 28, 2020July 30, 2020 by Jazz fusion guitar Improvisation lessons and modern music theory

PLEASE HELP OUR CHANNEL GROW YOU WONDERFUL PEOPLE BY SUBSCRIBING TO US ON YOUTUBE!

ALTERNATE PICKING FOR GUITAR IMPROVISATION:

Alternate picking is a strict Up/Down or Down/Up Picking Movement as opposed to a hammering on and pulling off technique. We do this by employing a relaxed wrist motion plucking up and down or down and up from the WRIST. Never do we pick from the elbow, forearm or shoulder!. We sometimes use a floating motion across the strings and sometimes a pivoting or anchoring technique by resting our palm lightly on the bridge of the guitar. The exercise below demonstrates the basic “Down Up” and “Up Down” Strict alternate picking movement.

When Holding the pick [plectrum] the thumb needs to be “Rigid” but not tense [Flexible is the best definition]. There must be zero tension in the hand either.
[ With a loose thumb it is easy to drop the pick and lose fluidity.]

Ex.2 Simple exercise for holding the Pick:

Put out your hand as if to shake hands

How to grip the plectrum

Bring the fingers in as if to hold a cup

Holding the pick with the proper plectrum grip

Bring down the thumb. It can remain “Flexible” but not wobbly and helpless.

Inside of the hand of the plectrum grip

Inside of plectrum grip. [Fingers Lightly Folded In]

How to hold the guitar pick

Basic Grip with the THUMB as the “Powerhouse” [Never the arm/elbow]

Angle of the hand holding the guitar pick

Ready to Play! Although the thumb is gripping the plectrum firmly there is no tension in the hand or wrist.

The Classic Plectrum Grip [My Style]

The hand is closed but it is not tense. The fingers are lightly tucked in. The wrist is loose. This is a very common grip. This is a really excellent grip if you are having problems with your picking hand . This is the grip as used by the great improvisers like John Mclaughlin and Al Di Meola.

Other Plectrum picking Grips:

alternate picking guitar plectrum grips examples and demonstrations

Different players grip the pick in different fashions. I use the classic John Mclaughlin grip because I feel it is the best one when it comes to jazz/fusion improvisation and complex rhythms. Whichever grip you choose always remember that regardless of how you hold the plectrum the Principles remain the same. The Thumb being the powerhouse that takes any “Pressure” as we “Pluck/alternate with the wrist”.

John Mclaughlin style Grip Lesson

THE MECHANICS!

If we look at the diagram below we can see what is PHYSICALLY taking place when we are crossing the strings.

If you pluck UP on your 1st string you will have to SKIP OVER the second string before plucking DOWN on it.

So when we are plucking across the strings we are in a way string skipping. Most people I have taught are completely unaware of this. This is why so many people find/assume that alternate picking is difficult.

From the "outside" of the strings it is Up skip over pluck down pluck up

[DOWN SKIP OVER PLUCK UP-reverse


From the “Inside” of the strings it is Down skip over pluck up.

[UP SKIP OVER PLUCK DOWN-reverse

VERY COMMON EXAMPLES/EXERCISES

Down skip over pluck up-when crossing

UP skip over pluck down-when crossing

Paul Gilbert alternate picking guitar exercise for the up stroke

Coming UP on the Up stroke Exercises

These 3 simple exercises emphasise the coming “UP” on the upstroke creating a rolling effect. These are “EVEN” groupings meaning that the picking pattern repeats itself.

Exercise 1

2 strings crossing repetition alternate picking “EVEN” Groupings

alternate picking guitar exercise crossing the first 2 strings

Exercise 2

2 strings crossing and left hand shifting whilst alternate picking “EVEN”Groupings

alternate picking guitar exercise number 2 for beginners

EXERCISE 3: JAZZ DOUBLE TIMING 16ths Semiquavers

Start with a downstroke and feel the last stroke in the group of 16th notes which will be an upstroke. Use this to be aware in order for you to pluck and accent the 1st stroke in the next group of four 16th notes. Repeat the pattern.This is essential to get the double timing 16th notes rhythmic and precise whilst alternate picking.

alternate picking guitar 1 string exercise

The exercise/lick below on a 2 5 1 is built on 4 note groupings of 16ths called “TETRACHORDS”.Take it slowly using the rhythmic method from the 16ths exercise above.

Alternate picking guitar exercise tetrachords jazz fusion guitar line

Exercise 4: GROUPS OF 6 NOTES “ODD” Groupings

Start on a DOWN STROKE and then come “UP” on the second group of triplets and follow the sequence. These are repeated patterns but are “ODD” Groupings meaning that on every 3 notes the picking pattern changes, e,g down 2 3 Up 2 3. [Although as a group of 6 it would be an even grouping].

FREVO “Rasgado” INTRO By John Mclaughlin/Paco De Lucia

frevo Rasgado guitar trio John Mclaughlin Paco De Lucia guitar intro lesson

ALTERNATE PICKING ALIGNMENT

In the diagram below we can easily see the right hand crossing the strings picking each string naturally as it comes. We can also see that the right hand is always aligned with the string it wishes to pluck.

Aligned with the 6th string Open E

alternate picking plectrum alignment

Aligned with the 5th string Open A

pick alignment 5 string

Aligned with the 4th string Open D

pick alignment 4th string

Aligned with the 3rd string Open G

plectrum alignment for alternate picking on the guitars 3rd string

Aligned with the 2nd string Open B

plectrum alignment for correct alternate picking

Aligned with the 1st string Open E

1st string plectrum alignment

BE AWARE!

If you do alternate picking properly and pluck each string and each note of a phrase with a loose wrist and and relaxed arm/hand then you will avoid injury.

But if you just do a tremolo and hammer on then you will put yourself at risk.

The principles outlined in this short book are very simple and easy to understand. They are not only here to help you  progress but also to help you avoid injury.

PALM ANCHORING/FLOATING

Anchoring means pivoting on the bridge lightly

Floating means not resting on the bridge for support. Although this support could come from resting the arm on the body of the guitar [mainly acoustic].

Below is an example of what I do which is a mixture 70% FLOATING with 30% Anchoring.

Floating and pivoting when alternate picking guitar demonstration

alternate picking lesson

Angling the pick

Some people prefer to angle the pick. Some people do this naturally.

Angling the guitar pick for alternate picking

It is best to use a “Hard” Plectrum for alternate picking. [Jim Dunlop do some very good hard plectrums].

METRENOME

metronome digital metronome

Employing the metrenome is the only way to learn quickly and effectively. This amazing device will have you alternate picking smooth and precise rhythms on your guitar. Wether it’s jazz, fusion, improvisation or heavy metal the metronome is the best way to achieve mastery with the guitar pick.

Conclusion:

This website page is only a guide and was written for the main purpose of helping a beginner/or anyone struggling to understand alternate picking and avoid injury whilst learning it.

Alternate Picking "Triplet" Style   Al di Meola  CLICK

Alternate Picking Jazz Fusion Improvisational Style of John Mclaughlin CLICK

PLEASE SUPPORT OUR CHANNEL BY SUBSCRIBING TO US ON YOUTUBE! THANKS!

CLICK SUBSCRIBE!

String Writing Practice using spitfire audio sample libraries

Posted on July 25, 2020 by Jazz fusion guitar Improvisation lessons and modern music theory

Composition practice writing for strings using Spitfire Audio chamber strings and Albion. Short pieces with some programming involved.

Fast frantic circling piece for strings.

Thanks for viewing this post, I hope it was interesting and useful. Please subscribe to us on youtube!

CLICK SUBSCRIBE!

Alternate Picking Guthrie Govan-“Upstroke”-Off-Beat

Posted on July 17, 2020July 17, 2020 by Jazz fusion guitar Improvisation lessons and modern music theory

Off-Beat: Notes in between being on the “UP STROKE”

Guthrie Govan Alternate Picking guitar

Rhythmic Groupings: quarter note. eighth note. sixteenth note.

Screen Shot 2020-07-12 at 13.47.37

“Up” skip over pluck down-OFF-BEAT on Upstroke.

Guthrie Govan Alternate Picking guitar

For Original Video please Click below!

Thanks for viewing this post, I hope it was interesting and useful, if so then Please SUBSCRIBE to us on youtube!

CLICK SUBSCRIBE!

Mastering Coltrane changes in all 12 keys

Posted on July 13, 2020July 12, 2020 by Jazz fusion guitar Improvisation lessons and modern music theory

Today we are looking at Jazz improvisation master John Coltrane and his approach to chord changes.

Both “Countdown” and “Giant steps” have become classic “Trane changes”.

If you look at the diagram below you will see the reharmonisation of the basic 2 5 1 cadence resulting in the “Coltrane changes”.

We will now take the first 4 bars of John Coltrane’s Composition “Countdown” and play it in all 12 keys moving in 4ths. Below are two examples of what to play using 4 note groupings [Tetrachords}

Coltrane’s countdown first 4 bars idea starting with D minor 7th

Coltrane countdown guitar changes

John Coltranes’s Countdown up a 4th starting with G minor 7th

Mastering Coltrane countdown chord changes

Coltrane’s “Countdown” changes chart

Play through all 12 keys for fluid jazz improvisation development in the John Coltrane style.

Countdown coltrane changes jazz improvisation sheet

Mastering Coltrane changes chord chart

Thanks for reading! If this Blog was of interest to you then-Please subscribe to our youtube channel below!

M	T	W	T	F	S	S
					1	2
3	4	5	6	7	8	9
10	11	12	13	14	15	16
17	18	19	20	21	22	23
24	25	26	27	28	29	30
31

This “Teen Taal” 16 beat John Mclaughlin guitar tune employs alternate picking. This is a shakti guitar concept. This tune is based around the idea of a 16 beat cycle for guitar and Tabla, Shruti, Tanpura etc.

Below is the music notation and tablature lasting 4 bars. This makes a 16 beat cycle. From this we can make an Indian Raga tune nicely on our guitars!

keep the alternate picking rhythmical and count in groups of four 16th notes “1 e and a” [“Tetrachords”]. Or use the Konokol rhythm system counting “Ta Ka Di Me”. Try to accent the first beat of each 4 note grouping as you alternate pick with the guitar plectrum.

Please subscribe to us on youtube!

This concept is a quartal harmony idea using chords in 4ths to create a 12 tone line. It is presented here for guitar and piano moving in octaves.

Tetrachords in 4ths descending in major 3rds creating a 12 tone Piano example.

Guitar “Tetrachords” in 4ths descending in major 3rds creating a 12 tone example.

Thanks for viewing this post, I hope it was interesting and useful, if so then Please subscribe to us on youtube!

PLEASE HELP OUR CHANNEL GROW YOU WONDERFUL PEOPLE BY SUBSCRIBING TO US ON YOUTUBE!

ALTERNATE PICKING FOR GUITAR IMPROVISATION:

When Holding the pick [plectrum] the thumb needs to be “Rigid” but not tense [Flexible is the best definition]. There must be zero tension in the hand either. [ With a loose thumb it is easy to drop the pick and lose fluidity.]

Ex.2 Simple exercise for holding the Pick:

The Classic Plectrum Grip [My Style]

The hand is closed but it is not tense. The fingers are lightly tucked in. The wrist is loose. This is a very common grip. This is a really excellent grip if you are having problems with your picking hand . This is the grip as used by the great improvisers like John Mclaughlin and Al Di Meola.

Other Plectrum picking Grips:

John Mclaughlin style Grip Lesson

THE MECHANICS!

If we look at the diagram below we can see what is PHYSICALLY taking place when we are crossing the strings.

If you pluck UP on your 1st string you will have to SKIP OVER the second string before plucking DOWN on it.

So when we are plucking across the strings we are in a way string skipping. Most people I have taught are completely unaware of this. This is why so many people find/assume that alternate picking is difficult.

VERY COMMON EXAMPLES/EXERCISES

Down skip over pluck up-when crossing

UP skip over pluck down-when crossing

Coming UP on the Up stroke Exercises

These 3 simple exercises emphasise the coming “UP” on the upstroke creating a rolling effect. These are “EVEN” groupings meaning that the picking pattern repeats itself.

EXERCISE 3: JAZZ DOUBLE TIMING 16ths Semiquavers

The exercise/lick below on a 2 5 1 is built on 4 note groupings of 16ths called “TETRACHORDS”.Take it slowly using the rhythmic method from the 16ths exercise above.

Exercise 4: GROUPS OF 6 NOTES “ODD” Groupings

Start on a DOWN STROKE and then come “UP” on the second group of triplets and follow the sequence. These are repeated patterns but are “ODD” Groupings meaning that on every 3 notes the picking pattern changes, e,g down 2 3 Up 2 3. [Although as a group of 6 it would be an even grouping].

ALTERNATE PICKING ALIGNMENT

In the diagram below we can easily see the right hand crossing the strings picking each string naturally as it comes. We can also see that the right hand is always aligned with the string it wishes to pluck.

BE AWARE!

PALM ANCHORING/FLOATING

Anchoring means pivoting on the bridge lightly

Floating means not resting on the bridge for support. Although this support could come from resting the arm on the body of the guitar [mainly acoustic].

Below is an example of what I do which is a mixture 70% FLOATING with 30% Anchoring.

Angling the pick

Some people prefer to angle the pick. Some people do this naturally.

METRENOME

Employing the metrenome is the only way to learn quickly and effectively. This amazing device will have you alternate picking smooth and precise rhythms on your guitar. Wether it’s jazz, fusion, improvisation or heavy metal the metronome is the best way to achieve mastery with the guitar pick.

Conclusion:

This website page is only a guide and was written for the main purpose of helping a beginner/or anyone struggling to understand alternate picking and avoid injury whilst learning it.

Alternate Picking Jazz Fusion Improvisational Style of John Mclaughlin CLICK

PLEASE SUPPORT OUR CHANNEL BY SUBSCRIBING TO US ON YOUTUBE! THANKS!

Composition practice writing for strings using Spitfire Audio chamber strings and Albion. Short pieces with some programming involved.

Fast frantic circling piece for strings.

Thanks for viewing this post, I hope it was interesting and useful. Please subscribe to us on youtube!

Off-Beat: Notes in between being on the “UP STROKE”

Rhythmic Groupings: quarter note. eighth note. sixteenth note.

“Up” skip over pluck down-OFF-BEAT on Upstroke.

For Original Video please Click below!

Thanks for viewing this post, I hope it was interesting and useful, if so then Please SUBSCRIBE to us on youtube!

Today we are looking at Jazz improvisation master John Coltrane and his approach to chord changes.

Both “Countdown” and “Giant steps” have become classic “Trane changes”.

If you look at the diagram below you will see the reharmonisation of the basic 2 5 1 cadence resulting in the “Coltrane changes”.

We will now take the first 4 bars of John Coltrane’s Composition “Countdown” and play it in all 12 keys moving in 4ths. Below are two examples of what to play using 4 note groupings [Tetrachords}

Coltrane’s countdown first 4 bars idea starting with D minor 7th

John Coltranes’s Countdown up a 4th starting with G minor 7th

Coltrane’s “Countdown” changes chart

Play through all 12 keys for fluid jazz improvisation development in the John Coltrane style.

Thanks for reading! If this Blog was of interest to you then-Please subscribe to our youtube channel below!

When Holding the pick [plectrum] the thumb needs to be “Rigid” but not tense [Flexible is the best definition]. There must be zero tension in the hand either.
[ With a loose thumb it is easy to drop the pick and lose fluidity.]