“Goodbye Pork Pie Hat” Guitar Chords & FREE Lead Sheet PDF

Goodbye Pork Pie Hat: Chords

Hi Guys,

Today, a quick look at “Goodbye Pork Pie Hat” Fake-book lead sheet.

From Book:

Melody/Guitar Chords:

Image displaying Goodbye Porkpie Hat: Guitar Chords: Melody lead sheet

Here, are the chords for a quick chord melody version that I did in the video above.

These, are quite simple and easy to play guitar voicing’s.

Here, are the chords for the first part that come to rest on a B7b5:

Next, we have the following chord voicing’s:

Notice the “Barring” with the 9th on top and then the wide finger stretch for the 11th:

Goodbye Porkpie Hat: Guitar Chords:

From here, we carry on with more melodic chords outlining the compositions melody.

Goodbye Porkpie Hat: Guitar Chords:

To vary this a bit, and add some power I added octaves just here,

This, follows through with some more simple chord to melody note approach:

Finally, we finish on our Fm9 chord.

To conclude, this was just a quick guitar harmonisation for this classic tune. There are a million ways to do this, but, it is always best to keep to a simple harmonisation, that way it is easier to remember as well as play.

On another note: For accompanying a singer, it can work well with big/rich fully barred chords in the chord melody [or melodic implication] style. But, for a band setting is is best to cut all of the chords down to a 2 or 3 note voiced setting.

FREE PDF DOWNLOAD:

Harmonising Melodies with Diminished Chords: [Chord Melody]

Hi Guys,

Following on from our previous lesson, we will now exploit the diminished 7th chord from our harmonised diminished scale examples.

To recap, here, is our basic shape:

To begin with, let’s take a very basic fragment of melody:

Now, we will simply harmonise this with our diminished 7th shape:

Guitar tab displaying example of how harmonising melodies with Diminished Chords is so easy on guitar. Brilliant lessonthta's easy to understand

Notice, that straight away we have a sophisticated harmonic Palate and accompanying chord melody.

Let’s now stretch this further and broaden out on our diminished 7th chord shape by adding a couple of extra melodic notes:

Lesson in harmonising melodies with Diminished Chords for easy on guitar and all musical instruments

From here, we will now harmonise the same piece of melody with slash chords from our previous lesson/video [on harmonising the diminished scale]:

Guitar tablature displaying how to harmonise melody with slash chords from the diminished scale.

Lastly, here are two examples with diminished 7th chords from the 5th and 6th strings. Both harmonising perfect cadences.

Below, we have an example from “Stella” where we have both the minor7b5 and the diminished 7th [also Dominant7th].

Music notation and guitar tab displaying example how harmonising melodies with Diminished Chords on jazz standards is easy.

In the next example, we have lots of colourful diminished 7th movement from the Gershwin classic “Someone to watch over me”.

Guitar tab displaying jazz standard example how harmonising melodies with Diminished Chords is so easy on guitar and all musical instruments

Here, is the same but with the original Ab13 chord

Guitar tab displaying jazz standard example how harmonising melodies with Diminished Chords is so easy on guitar and all musical instruments

To conclude, we will harmonise a simple ascending melody and add passing diminished 7th chords and vary it:

This was just a quick look at how to exploit melodies with the diminished 7th shape from our lesson on harmonising the diminished scale.

What you will notice, is how easily we can apply them as passing chords and colourful harmonic decorations to create really sophisticated accompaniments and chord melody functions.

For a really in depth take on this, it is a good idea to take a look at some Barry Harris material as this contains a huge wealth of possibilities. Also, for guitarists, Pat Martino’s approach to chords.

Easy Ways to Harmonise the Diminished Scale

How to Easily Harmonise the Diminished Scale Lesson

Hi Guys,

Today, a quick look at an easy way to harmonise the diminished scale.

To begin our study, let’s take the diminished scale and play it on the 1st [E] string of the guitar.

Notice, the half steps and whole steps of the scale.

This scale can now be harmonised with diminished seventh chords.

What’s equally amazing is that with this form we have a separate diminished scale starting on each note of the chord itself.

This in turn gives us four part harmony.

Soprano, Alto, Tenor, Bass. or S.A.T.B

image displaying how to easily harmonise the diminished scale with 4 part harmony like composer Bach.

The other interesting point, is that the first two chords of the scale incorporate all 8 notes of the scale:

image of music notation and guitar tab displaying how to easily harmonise the diminished scale with diminished 7th chords.

So, now let’s harmonise the scale fully with the diminished 7th chord shape ascending:

image of music notation and guitar tab displaying how to easily harmonise the diminished scale with 4 part harmony.

The key from here, is to accentuate an inner or outer voice.

In this case we will accentuate the Soprano [or top line] scale ascending:

image of music notation and guitar tab displaying how to easily harmonise the diminished scale with 4 part harmony all playing the scale

To continue our investigation, we will now accentuate the scale in the Bass.

image of music notation and guitar tab displaying how to easily harmonise the diminished scale

Now, as we look at the chord and scale within the S. A. T. B. we can see the full realm at our fingertips.

The ascending scale of each voice is in full view:

image of music notation and guitar tab displaying how to easily harmonise the diminished scale with 4 part harmony all playing the scale

Another useful device for harmonising the diminished scale is to employ the use of slash chords:

These, will be moving in minor 3rds with the scale on the top.

Below, we have a triad of F Major played over a Gb bass. This is then followed by a D Major triad played over an Eb Bass.

These chords, are now sequenced: Moving up in minor thirds whilst carrying the scale on top.

Music notation and guitar tablature showing how to harmonise the diminished scale with slash chords easily.

In the next example, we will use another diminished favourite:

The minor7b5: Or Half diminished:

We, will follow this with our B/C slash chord form our lesson a little while back:

Now, let’s view the full chord scale:

Be amazed!…..Yes, this works out in all 4 parts once again:

Music notation and guitar tab showing how to harmonise the diminished scale with slash chords

To complete this, here are the two most common chord movements in minor 3rds for our scale.

This is NOT harmonised, but still essential to look at as it really displays the minor 3rd movement in both major and minor tonality within this scale.

This was just a quick look at how to harmonise the diminished scale.

These concepts are quite basic in many regards but contain a wealth of power for both on the spot Re-harmonisation and 4 part voicing for composition.

Traditional harmony and as we can see in this blog/lesson contemporary harmony both work well for the task.