Chick Corea Piano licks for Guitar

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2 Chick Corea Piano licks for Guitar examples

Hi Guys!

Just a quick look at two Chick Corea “Dominant” piano licks applied to the guitar.

[Please watch the video above for a deeper analysis].

LICK 1:

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Chick Corea Piano licks for Guitar

3/4 VARIATION LICK: 2

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Chick Corea Piano licks for Guitar

PDF CHICK COREA LICKS:

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John Mclaughlin “Dominant” D7#9 Fusion Guitar Lick analysis

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John Mclaughlin analysis of how to improvise over Dominant chords example

Hi Guys,

Just another “Quick” fire lick today from legendary guitar great John Mclaughlin!

This is a short lick doubled in unison with strings [or synth] and played in double time. It employs strict alternate picking starting on a down stroke. The lick exploits two “Dominant” chords, D7#9 and D7#9#11.

John Mclaughlin Guitar Lick:

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John Mclaughlin analysis of how to improvise over Dominant chords example

Ascending John employs a simple pentatonic scale that exploits both the #9 [F natural] and the Major 3rd [F#]. Descending he employs the F melodic [jazz] minor scale.This is because the second dominant chord exploits the #11 [Ab]. It also creates an augmented flavour with the #5 [Bb] note]. This finally resolves to GMaj7#11 with an F#m9 arpeggio that finishes on the C# note [#11 of Gmaj7#11].

Although this line follows musical logic it is also slightly ambiguous which in turn creates an interesting and more original sound:

LICK:

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John Mclaughlin “Dominant” Double Time Fusion Guitar Lick

VARIATION with Chromaticism:

John, Mclaughlin, jazz, fusion, guitar,  lesson,
John Mclaughlin “Dominant” Double Time Fusion Guitar Lick

PDF FILE:

PDF 2:

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Pat Martino Jazz Guitar Lick Over Dominant 7#9 Chord

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Pat Martino Guitar Lick over Dominant chord D7#9

Hi Guys!

Just a short Pat Martino Guitar Lick: This is A minor based with chromaticism and resolution played over a D7#9 “Dominant” chord.

[Please watch the video for a more in depth analysis].

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PDF FILE:

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