Enclosure/Target tones/Approach notes/Encircling and How to use them #2

Posted on May 2, 2020May 2, 2020 by Jazz fusion guitar Improvisation lessons and modern music theory

Exercise 1: “Off beat” enclosure starting on the 5th string of the guitar creating chromatics for a fluid jazz improvised line.

enclosure /target tones set up off the beat for jazz improvisation — Jazz Chromatic improvised line

Notice: After the first “Off beat” enclosure there are two more set-ups for enclosure starting “On” the beat. Both starting on the 3rd beat.

Enclosure target tones jazz lesson — “Off” Beat and “On” Beat Enclosure to set-up chromatics for the improvised jazz line

Off beat set-up

Off the beat Enclosure Target tones — “Off” Beat Enclosure [Anacrusis] set-up

Set-up “On” the Beat

On beat Enclosure — “On” the beat Enclosure set-up for chromatic jazz improvisation

Enclosure jazz improvisation how to use it

Variation: Starting the Enclosure/Target tones from the 6th string of the guitar.

: Enclosure/Target tones from the 6th string of the guitar

As before we start with an “Off-beat” and then employ two more sets of enclosure “On” the beat. Both starting on the 1st beat of the bar.

Target tone and jazz improvisation how to — “Off” beat and “On” beat Enclosure

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Alternate Picking Guitar Acoustic Fusion

Posted on March 23, 2020 by Jazz fusion guitar Improvisation lessons and modern music theory

This little alternate picking guitar exercise is taken from John Mclaughlin’s acoustic jazz fusion C.D “Belo Herozonte”.

Although this is a simple and short exercise it displays the way to open up and extend long fluid alternate picking improvised jazz fusion guitar lines.

You can either employ orthodox fingering or the fingering that I use.

John Mclaughlin Alternate Picking “Belo Herozonte’ Guitar lick/Exercise:

alternate picking jazz fusion john mclaughlin guitar lesson

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Jazz/fusion improvisation Altered scale Theory Lesson

Posted on December 11, 2019December 26, 2019 by Jazz fusion guitar Improvisation lessons and modern music theory

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Today we will look at a John Mclaughlin alternate picking Jazz/Fusion improvisation cadence employing the altered dominant chord! Please watch the video below and then try it out yourself.

As you will see this cadence employs the Altered scale. It is a 2 [minor 7 flat 5] going to 5 [ “Altered Dominant”] 1 [major 7th]. This being Dm7 flat 5 G7 altered resolving to C major7.

I also employ a flat 5 substitution on the Dm7 flat 5. All of this resolves though and slips nicely into the altered dominant 5 chord. I also use pentatonics within the altered scale for rhythmic flow. Please look at the TAB/MUSIC below and play through it yourself to see and feel how it all “Naturally” unfolds. I employ alternate picking the same as John Mclaughlin.

John Mclaughlin alternate picking altered scale line Music/Tab

John Mclaughlin Alternate picking Altered scale jazz improviser line

VARIATION With an A flat Pentatonic shape replacing A flat minor/Major Arpeggio for the flat 5 substitution.

Altered scale jazz improvisation, jazz improviser lesson

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John Mclaughlin Guitar Jazz/Fusion Lick/Lesson

This John Mclaughlin Jazz/Fusion guitar lesson employs alternate picking for solid rhythmic fluidity. I start on the down stroke with the guitar plectrum. The first part is simple Pentatonic scale cells.The second part uses scale fragments 4ths, and Arpeggios. The last part Uses 4ths and a Pentatonic Shape

Alternate Picking 16ths Acoustic Jazz/Fusion Guitar Lesson

ALTERNATE PICKING RHYTHMIC GUITAR SET-UP EMPLOYS THE 8TH NOTE AND TWO 16TH NOTES. THIS IS A USEFUL RHYTHM AS IT GIVES YOUR PICKING RIGHT HAND A MOMENT TO SET UP THE “UP STROKE” AND FIRE THE PHRASE FORWARD LEADING TO A SMOOTH ALTERNATE PICKING LICK/LINE.

Metronome BASIC ideas #1

The keys to start metronome practice. Hear the first Beat of the bar. Hear the difference between 8th notes and double timed 16th notes