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Music Theory Modern Jazz Improvisation and 20th Century Classic lessons, Guitar Jazz Fusion John Mclaughlin Al di Meoala improvisation techniques explanations in notation, tablature and video
Hi Guys!
Just a quick look at two Chick Corea “Dominant” piano licks applied to the guitar.
[Please watch the video above for a deeper analysis].
LICK 1:
3/4 VARIATION LICK: 2
PDF CHICK COREA LICKS:
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Hi Guys,
Just another “Quick” fire lick today from legendary guitar great John Mclaughlin!
This is a short lick doubled in unison with strings [or synth] and played in double time. It employs strict alternate picking starting on a down stroke. The lick exploits two “Dominant” chords, D7#9 and D7#9#11.
John Mclaughlin Guitar Lick:
Ascending John employs a simple pentatonic scale that exploits both the #9 [F natural] and the Major 3rd [F#]. Descending he employs the F melodic [jazz] minor scale.This is because the second dominant chord exploits the #11 [Ab]. It also creates an augmented flavour with the #5 [Bb] note]. This finally resolves to GMaj7#11 with an F#m9 arpeggio that finishes on the C# note [#11 of Gmaj7#11].
Although this line follows musical logic it is also slightly ambiguous which in turn creates an interesting and more original sound:
LICK:
VARIATION with Chromaticism:
PDF FILE:
PDF 2:
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Hi Guys!
Just a short Pat Martino Guitar Lick: This is A minor based with chromaticism and resolution played over a D7#9 “Dominant” chord.
[Please watch the video for a more in depth analysis].
PDF FILE:
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