My Al di Meola Intervallic Picking Style “SHORTS” Explanation:

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Al di Meola Intervallic Picking Style Explanation: Right Hand Technique

PLEASE WATCH VIDEO ABOVE FOR DETAILED ANALYSIS:

Hi Guys,

This is a response and explanation to the Youtube “Shorts” video I posted employing Al Di Meola’s wide intervallic string skipping right hand guitar technique.

The first part of the pattern is:

Down Down Up Up Up Down

al-di-meola-intervallic-string-skipping-guitar-explanation

But, why pick like this?

Surely, just stick to strict alternate picking?

In theory yes: But in practice there is a chance with alternate picking that open strings will get plucked/struck by mistake due to the down stroke.

The Upstroke means that this is cancelled out: [please see video above]

The next part employs:

Down Down Up:

al-di-meola-intervallic-string-skipping-guitar-explanation

Also notice the change in rhythm from 3/4 to 6/8. This is a simple concept that works really well with wide intervallic playing and composing.

BOTH PARTS: 3/4 and 6/8 Rhythmic Feel

al-di-meola-intervallic-string-skipping-guitar-explanation

Finally we finish with the “Down Down Up” pattern again.

al-di-meola-intervallic-right-hand-guitar-technique

Also an up-beat works well with this sort of playing: Here I pluck the low open E.

al-di-meola-intervallic-right-hand-guitar-technique

FULL PHRASE:

al-di-meola-intervallic-right-hand-guitar-technique-example-lesson

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How to apply Simple Target Tones as Jazz Chromatics:

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How to apply Target Tones for jazz chromaticism in improvisation

PLEASE WATCH VIDEO ABOVE FOR DETAILED ANALYSIS:

Hi Guys,

Today a repost on how to apply and set up Jazz chromatics with target tones/enclosure/approach notes:

The key to understanding this is to look where the little target tones/enclosure motif/melody starts.

Here we have two.

The first is “OFF” the BEAT

and the second is “ON” the beat

Example 1: “Off Beat” classic target tone/enclosure set-up

target-tones-jazz-chromatics-how-to-example-off-beat

Example 2: “On the beat” and in the bar set-up in the improvised line [Target tone/Enclosure]

target-tones-jazz-chromatics-how-to-example-on-beat

THEORY:

What you will notice is that the Chord tones are “on” the beat [Strong] whilst the chromatic or unessential notes are “Off” the beat.  

This is the key to how it works and how to create beautiful flowing lines easily!

target-tones-jazz-chromatics-how-to-example
Chord tones on the “Strong” Beats for jazz enclosure

Full Target tones/Enclosure Jazz Chromatics improvisation lick/line

target-tones-jazz-chromatics-how-to-example-guitar

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Short Alternate Picking [Jazz/Fusion] Style 140 Bpm Exercise

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Short Alternate Picking [Jazz/Fusion] Style 140 Bpm Exercise

Hi Guys,

Today, just a short alternate picking ascending and descending Exercise/lick.

This employs simplified fretboard fingering for quick, clean picking and fretting. This is essential for jazz/fusion tempo’s and also world music.

When adding the simple fingering outlined in the video above and accenting the 1st and 3rd notes in each four note grouping the rhythm and momentum will move forward naturally.

alternate-picking-guitar-technique

Accents on the 3rd note keep the fingering secure, the picking rhythmical and makes sure each group of four is completed properly.

alternate-picking-guitar-technique

PDF DOWNLOAD:

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