Messiaen’s 3rd Mode Backing Track

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Messiaen’s 3rd mode Backing Track

Hi Guys,

Today we will look at a backing track for Messiaen’s 3rd Mode of limited transposition.

Here is the 3rd mode in its most commonly used form in jazz/fusion: [This is a 9 note scale]

messiaen-3rd-mode-backing-track

Here is the outline to the chords in the backing track: Remember, these are all formed from the same 3rd mode.

messiaen-3rd-mode-backing-track-chords
messiaen-3rd-mode-chords-outline
messiaen-3rd-mode-backing-track-chords

Here is the Chord Chart and Video/Track:

Messiaen’s 3rd mode Backing Track

CHORD CHART:

messiaen-3rd-mode-backing-track-chord-chart

PDF DOWNLOAD:

Here is some more information/Examples on Messiaen’s 3rd Mode: [Video and Tab/Notation]

 

Messiaen Modes and Compositional/Improvisational Technique: Modern Music Theory Lesson

Mode 3 has 4 Transpositions and is very useful for jazz. The second transposition was Messiaen’s favourite of his modes.

Messiaen, mode 3, 2nd transposition, detailed, lesson, music theory, examples,
Messiaen Modes and Compositional/Improvisational Technique: Modern Music Theory Lesson
Messiaen mode 3 lesson
Messiaen Modes and Compositional/Improvisational Technique: Modern Music Theory Lesson

Below are some examples employing this scale for improvisation which in turn can be used to create interesting composition.

MESSIAEN MODE 3 [2ND TRANSPOSITION]: EXAMPLE 1

Messiaen, 3rd mode, improvisation, composition, lesson, example, transposed, jazz, fusion, classical, music
Messiaen Modes and Compositional/Improvisational Technique: Modern Music Theory Lesson

INTERVALLIC IDEA: EXAMPLE 2

Messiaen, intervallic, mode, 3, example, intervals, improvisation, composition, technique, transposed, 5rd, mode,
Messiaen Modes and Compositional/Improvisational Technique: Modern Music Theory Lesson

Many composers like Tora Takemitsu and improvisers like Allan Holdsworth have manipulated this mode in one form or another. In the example below this mode sort of weaves in and out of itself. nother. As you can see in the example belomode sort of weaves in and out of itself.

Weaving in and out of F major 7th: EXAMPLE 3

Messiaen, mode, 3, transposed, Weaving, in and out, of F major 7th, lesson, improvisation, composition, how, to
Messiaen Modes and Compositional/Improvisational Technique: Modern Music Theory Lesson

WEAVING IN AND OUT OF A ALTERED: EXAMPLE 4

Messiaen, mode 3, improvisation, Composition, example, for jazz, classical, music
Messiaen Modes and Compositional/Improvisational Technique: Modern Music Theory Lesson

Below is a Short Compositional Study where I use Messaien’s Modes.

Messiaen Modes and Compositional/Improvisational Technique: Modern Music Theory Lesson

IF THESE EXAMPLES WERE OF USE TO YOU THEN PLEASE SUBSCRIBE TO US BELOW ON YOUTUBE, THANKS!

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Melodic Minor 2 5 1 Variation [Re-Post]:Alternate Picking Guitar

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John Mclaughlin Melodic Minor Scale Jazz Guitar Lick Lesson

Please watch video above for detailed analysis:

Hi Guys,

Just a quick re-post of a video I did a while back that a few of you wanted but couldn’t find the PDF/TAB on this website.

Here is the Chart/Tab/Download:

This is a minor ii V7 I that resolves to the I Maj7 Chord. So we have Am7b5 to D7b9 to Gmaj7 [and not Gm7]

Chord Chart for Lick:

John-Mclaughlin-chord-chart
John Mclaughlin Melodic Minor Scale Jazz Guitar Lick Lesson

Melodic “Jazz” Minor Scale Guitar Lick:

john-mclaughlin-jazz-guitar-lesson-melodic-minor-scale
John Mclaughlin Melodic Minor Scale Jazz Guitar Lick Lesson

PDF DOWNLOAD:

IF THIS LESSON WAS OF VALUE TO YOU THEN PLEASE SUBSCRIBE TO US ON YOUTUBE BELOW, THANKS!

John Mclaughlin Jazz Acoustic Guitar Line:

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John Mclaughlin Jazz Acoustic Guitar Line

Hi Guys,

Just a quick iim7b5 V7+ IMaj7 guitar lick in the style of John McLaughlin.

This employs alternate picking starting on a downstroke:

The first bar moves between D dorian mode and F melodic minor scale.

John-Mclaughlin-Jazz-Guitar-Lesson-acoustic

The next bar employs tetrachords with Eb pentatonic, C minor pentatonic and Dorian b2/C melodic minor leaning for an altered sound. [This resolves the flattened third to a B natural in the last tetrachord].

John-Mclaughlin-Jazz-Guitar-Lesson-acoustic

PDF DOWNLOAD:

FULL LICK:

John-Mclaughlin-Jazz-Guitar-Lesson-acoustic

IF THIS LESSON WAS OF VALUE TO YOU THEN PLEASE SUBSCRIBE TO US ON YOUTUBE BELOW, THANKS!