Messiaen, Fripp, Mclaughlin, Schoenberg, 21st century harmonic concepts

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DETAILED ANALYSIS IN THE VIDEO BELOW:

Messiaen, Fripp, Mclaughlin, Schoenberg, 21st century harmonic concepts

In this blog we will look at improvising over one chord. This will be D minor [D Dorian].

Messiaen, Fripp, Mclaughlin, Schoenberg, 21st century harmonic concepts

The key is to use chromaticism, tertian harmony, superimposition and outside harmonic content in order to create interesting improvised lines and move away from the cliches of scales and modes to create originality.

For example:

Messiaen, Fripp, Mclaughlin, Schoenberg, 21st century harmonic concepts

The key for smoothness is to be aware of where the 1/2 steps [Semitones]are in the “Connections”.

If we look below we can see where the 1/2 steps connect and how to play off of the tonic note with this. In this case we play off of the tonic D note resolving straight into the Eb note for Eb melodic minor. We can then resolve down a half step to C#m and back down into D Dorian

Messiaen, Fripp, Mclaughlin, Schoenberg, 21st century harmonic concepts
Fripp ,Brecker, Mclaughlin chromatic Improvising method for jazz fusion improvisation
Chromatic jazz improvisation Brecker, Mclaughlin and creative Fripp improvising concepts

So as you can see it is easy to weave in and out of the harmony and get back to D Dorian via the 1/2 step.

Fripp ,Brecker, Mclaughlin chromatic Improvising method for jazz fusion improvisation

Below is a line that beautifully weaves in and out of D minor

Messiaen, Fripp, Mclaughlin, Schoenberg, 21st century harmonic concepts

In this next example we will use tertian harmony and exploit superimposition. We will employ D melodic minor and and keep extending via C melodic minor.

Fripp ,Brecker, Mclaughlin chromatic Improvising method for jazz fusion improvisation

Now we will extend the whole line:

Fripp ,Brecker, Mclaughlin chromatic Improvising method for jazz fusion improvisation

As another idea, there are still useful concepts like “Target Tones”. These can be manipulated without resorting to cliches.

Fripp ,Brecker, Mclaughlin chromatic Improvising method for jazz fusion improvisation

Lastly we will exploit the use flat 5 concepts. In this case there is an Abmaj7/D and a Cmaj7/F# with which we can be creative.

Fripp ,Brecker, Mclaughlin chromatic Improvising method for jazz fusion improvisation

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Fripp, Mclaughlin, Messiaen,Stockhausen,Schoenberg jazz guitar improvisation lines

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Modern jazz fusion chromatic improvisation licks, Brecker, Liebman, Mclaughlin and Fripp etc

Lick lines from modern jazz fusion improvisation guitar:

LINE 1

Guitar Licks ONLY from Modern chromatic jazz/fusion improv

LINE 2

Target Tones Chromatic Jazz improvisation Modern approach

LINE 3

Chromatic Jazz improvisation Modern approach

LINE 4

Melodic Minor Chromatic Jazz improvisation Modern approach

LINE 5

Melodic Minor Chromatic Jazz improvisation Modern approach

LINE 6

Flat 5 Modern jazz improvisation chromatic example

As requested, I have made a video and blog page with guitar lines only;

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Messiaen Mode 4 Improvisation Concepts for jazz/20c improvisation

Messiaen’s 4th mode: Concepts for this blog are taken from the excellent:

“Dick de Graaf – Beyond Borders. Broadening the Artistic Palette of (Composing) Improvisers in Jazz”.

CLICK HERE Research Catalogue Website

Messiaen mode 4 one octave

Messiaen Mode 4 of limited transposition Scale
La technique de mon langage musical mode 4

Messiaen mode 4 Improvisation Concept 1

Messiaen Mode 4 Music Lesson
Messiaen mode 4 Improvisation Concept 1

Messiaen mode 4 Improvisation Concept 2

Messiaen mode 4 Improvisation Concept 4

Messiaen mode 4 Improvisation Concept 3

Messiaen mode 4 Improvisation Concepts lessons

Messiaen mode 4 Improvisation Concept 4

Messiaen mode 4 Improvisation Concept 4

Messiaen mode 4 Improvisation Line Development #1

4th Mode Messiaen improv jazz

VARIATION:

mode 4 messiaen jazz improvisation lick
Mode 4 Improvised line extension jazz fusion guitar

Messiaen mode 4 Improvisation Line Development #2

Messiaen 4ths mode of limited transposition

VARIATION:

Messiaen Mode 4 Classicalimprovisation

Messiaen’s Book La technique de mon langage musical “Techniques of my musical language” treatise.

 La technique de mon langage musical ("The Technique of my Musical Language")

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Messiaen Modes of limited Transposition Composition

Messiaen: La technique de mon langage musical.

Modes of Limited Transposition Composition for piano.

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