Sextuplets John Mclaughlin guitar style into 4+2 Alternate Picking

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Sextuplets John Mclaughlin guitar style into 4+2 Alternate Picking

In this post we will go one further than the last post. This time we will take a group of six [Sextuplets] and make a tetrachord and a half from it.

This will make 4+ 2 which will make us nail the changes with 4 notes on the first chord and 2 notes on the second chord with a short rest to reset our fretting hand to repeat the pattern again on the next two chords.

Alternate picking exercise warm up in Sextuplets/Triplets

Sextuplets John Mclaughlin guitar style into 4+2 Alternate Picking

Why do this?

Because the groups of six are quite easy to play on the guitar and there a heaps of variations on each pattern. They flow easily and can be alternate picked rhythmically to create musical phrasing.

The first pattern for playing through the changes in Sextuplets

Sextuplets John Mclaughlin guitar style into 4+2 Alternate Picking

The first pattern is now changed into 16ths. From 1 2 3 4 5 6 into 1 e and a 2 e

Sextuplets John Mclaughlin guitar style into 4+2 Alternate Picking

The second part of the chord sequence in sextuplets

Sextuplets John Mclaughlin guitar style into 4+2 Alternate Picking

The second pattern is now changed into 16ths. From 1 2 3 4 5 6 into 1 e and a 2 e

Sextuplets John Mclaughlin guitar style into 4+2 Alternate Picking

Finally, the full one bar alternate picking chord sequence nailing the changes

Sextuplets John Mclaughlin guitar style into 4+2 Alternate Picking

VARIATION:

Sextuplets John Mclaughlin guitar style into 4+2 Alternate Picking

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Altered Scale Jazz Fusion Guitar/piano unison lick/Line

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In this riff/line I employ alternate Picking but I start with an upstroke for the first phrase. After that I start the remaining phrases on a down stroke.

Jazz/Fusion altered scale chromatic guitar/piano unison riff

Although this line is D altered in terms of scalic concept it could also be thought of as shifting between D minor, D Dorian and Eb Melodic Minor.

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John Mclaughlin “QUICK” Lick #1

Today we will take a look at a John Mclaughlin jazz fusion acoustic guitar lick in the style of the “Belo Herozonte” C.D/LP.

It consists of a “Pentatonic scale” and an “Arpeggio” fingering.

John Mclaughlin Quick Lick #1

alternate picking John Mclaughlin guitar lesson
“Belo Herozonte” John Mclaughlin style guitar lick #1

Notice the 2 finger Pentatonic ascending shape and the Arpeggio Descending shape

Shakti John Mclaughlin guitar lick lesson
“Pentatonic” 2 finger guitar shape and “Arpeggio” shape

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Alternate Picking 16ths Acoustic Jazz/Fusion Guitar Lesson

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THE FOUR MAIN ALTERNATE PICKING GUITAR RHYTHMS FOR CREATIVE ACOUSTIC GUITAR JAZZ/FUSION IMPROVISED LINE SET-UPS

John Mclaughlin right hand  alternate picking rhythms pattersns
Basic Rhythms

THE FIRST ALTERNATE PICKING RHYTHMIC SET-UP EMPLOYS THE 8TH NOTE AND TWO 16TH NOTES. THIS IS A USEFUL RHYTHM AS IT GIVES YOUR PICKING RIGHT HAND A MOMENT TO SET UP THE “UP STROKE” AND FIRE THE PHRASE FORWARD LEADING TO A  SMOOTH ALTERNATE PICKING LICK/LINE.

John Mclaughlin alternate picking guitar right hand patterns.
Alternate Picking Guitar Set-up

THE NEXT RHYTHMIC SET UP EMPLOYS A DOTTED 8TH NOTE AND A 16TH NOTE. AGAIN THIS SLIGHT DELAY BEFORE THE PHRASE TAKES OFF GIVES YOUR RIGHT HAND TIME TO FLICK UP AND FIRE OFF THE PHRASE WITH CONFIDENT ALTERNATE PICKING.

John Mclaughlin right hand alternate picking patterns for guitar
Alternate Picking Guitar Set-Up for Jazz/Fusion Improvisation

THE PHRASE BELOW IS THE “OFF-BEAT” PHRASE AND IS ONE OF THE MOST IMPORTANT BECAUSE IT CREATES ANTICIPATION AND SYNCOPATION IN YOUR ALTERNATE PICKING WHICH IS ESSENTIAL FOR JAZZ AND FUSION GUITAR PLAYING. [AS I SUGGEST IN THE VIDEO YOU WILL FIND THIS A LOT IN THE JOHN MCLAUGHLIN ALBUM/CD CALLED “BELO HEROZONTE]

John Mclaughlin off beat syncopated alternate picking guitar pattern
Off-Beat Alternate Picking Guitar Acoustic jazz/fusion set-up

FINALLY WE HAVE BASIC ALTERNATE PICKING 16THS STARTING ON THE BEAT. I SAT ON THE DOWN STROKE WITH THE PLECTRUM ON MY GUITAR FOR THIS PHRASE.

John mclaughlin alternate picking on the beat guitar pattern
Alternate Picking 16th’s Guitar Jazz/Fusion Rhythmic set-ups On the beat

ALL OF THESE PHRASES USE A SIMPLE PENTATONIC SCALE BECAUSE THIS IS THE BEST WAY TO GET THESE RHYTHMS PRECISE WHEN STARTING OUT WITH ALTERNATE PICKING.

ALL OF THESE PHRASES USE A SIMPLE PENTATONIC SCALE BECAUSE THIS IS THE BEST WAY TO GET THESE RHYTHMS PRECISE WHEN STARTING OUT WITH ALTERNATE PICKING.

Recommended listening:

“BELO HEROZONTE” JOHN MCLAUGHLIN THE TRANSLATORS

John_McLaughlin_Belo_Horizonte
John Mclaughlin “Belo” Acoustic alternate picking Jazz/Fusion Masterpiece!

“MUSIC SPOKEN HERE” JOHN MCLAUGHLIN THE TRANSLATORS

McLaughlin_Music_Spoken_Here

John Mclaughlin Acoustic Alternate Picking “Music Spoken Here” C.D. brilliant Compositions, Improvisations and Alternate Picking Guitar Technique.

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Metronome BASIC ideas #1

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The keys to start metronome practice on the first basic level.

1] Hear the first Beat of the bar

2] Hear the group of 4 notes [Tetrachords]

Western Classical tradition

SEIMIQUAVERS 16TH NOTES

Konokol

Konokol Counting 16th notes

Hear the difference between 8th notes and double timed 16th notes

8th Notes [Quavers]

16th Notes [Semiquavers] Same exercise but twice as fast [Double Timed]

Exercise to “Connect” 4 note [Tetrachord] Motifs. Hear the connection “On” the beat as you go from the first to the second bar.

16th note double timing metronome tetrachord connecting motifs exercise

How rhythms work against the metronome pulse.

Basic metronome Rhythmic groupings for understanding time development

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alternate picking 2 Finger guitar Arpeggios #2

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Alternate Picking guitar arpeggios #2. Right hand technique and rhythmic precision.

Examples below in notation and tab. Also, remember to subscribe to us on youtube, thanks!

Arpeggio 1

Arpeggio 2 Variation

Arpeggio 3 Pentatonic

Arpeggio 4 Variation

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