Jazz Guitar Alternate Picking Exercises: ii V7 i [Double Time]

Modern Jazz Fusion Chords part 2. Steely Dan, Dan Chord and Slash Chords

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Jazz Guitar Alternate Picking Exercises: ii v7 I [Double Time]

Hi Guys,

Today, we will look at some alternate picking guitar technique exercises for jazz improvisation when double timing

We will exploit ii V7 I’s as a basis for honing our alternate picking skills whilst employing 4 note tetrachord groupings.

In the first exercise it’s a good idea to accent the third note in each four note grouping. We are also starting on a downstroke:

jazz-guitar-alternate-picking-lesson-exercies

Here is the same exercise but with a variation in the second bar:

jazz-guitar-alternate-picking-lesson-exercies
jazz-guitar-alternate-picking-lesson-exercies

The next exercise will employ groups of 6 notes called sextuplets: As an exercise we will start with an “Upstroke” this time. This will be played over an AmMaj7 pad:

First Part:

jazz-guitar-alternate-picking-lesson-exercies-sextuplets

2nd Part:

jazz-guitar-alternate-picking-lesson-exercies-sextuplets

Full Exercise/Line:

jazz-guitar-alternate-picking-lesson-exercies-sextuplets

The following exercise uses some chromatic movement that smoothly connects to pentatonic movement starting on a downstroke:

jazz-guitar-alternate-picking-lesson-exercies
jazz-guitar-alternate-picking-lesson-exercies

In our final exercise we will join together some of these principles.

jazz-guitar-alternate-picking-lesson-exercies-double-time
jazz-guitar-alternate-picking-lesson-exercies-double-time

This was just a brief look at how to create alternate picking guitar exercises for improvisation through chord changes by applying simple patterns/fingerings that work naturally.

This was only around 140 bpm. But, this is essential before moving onto much quicker tempos with the alternate picking guitar technique.

With the 4 note “Tetrachord” groupings you will get fluidity through the changes. They will give you stability. They can then be broken up to create anticipation and syncopation-which will in turn create the natural expression of musical phrasing.

Modern Jazz Fusion Chords part 2. Steely Dan, Dan Chord and Slash Chords

Alternate Picking “Upstroke” Guitar Exercise

Modern Jazz Fusion Chords part 2. Steely Dan, Dan Chord and Slash Chords

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Alternate Picking Guitar explained in detail-“The UP STROKE”

Hi Guys,

Today, just a short alternate picking guitar technique exercise starting on an “Upstroke”.

The first part of the exercise employs a scale fragment that starts on an upstroke .

alternate-picking-guitar-explained

Although, this creates an odd grouping of 5 notes, it works really well because when you cross over the strings you will be starting on a “Down stroke”

alternate-picking-guitar-explained

This, also works well because this is a simple two finger pentatonic movement.

alternate-picking-guitar-explained-how-to

In the second bar we imitate the first part of the first bar by starting on the “Upstroke” again, creating another 5 note grouping,

alternate-picking-guitar-explained

In the next part we start on the “Down stroke” again. Also, note the fingering as we cross the strings. This is a favourite of guitarist John McLaughlin. This is crossing with the 2nd finger.

alternate-picking-guitar-explained-lesson

Here is the 2nd bar in full,

alternate-picking-guitar-explained-lesson

FULL EXERCISE 1:

alternate-picking-guitar-exercise

Here, is a variation for the second part of the exercise.

alternate-picking-guitar-exercise-lesson

Note, the semitones and the crossing over with the second finger to easily cross the strings:

alternate-picking-guitar-exercise-technique

FREE DOWNLOAD OF EXERCISE:

Modern Jazz Fusion Chords part 2. Steely Dan, Dan Chord and Slash Chords

Fripp/King Crimson style Guitar Picking Exercise:

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Robert Fripp/King Crimson Style Guitar Picking Exercise: Alternate Picking/Cross Picking

Hi Guys,

Today, a “Quirky” Fripp-esque/Crimson-esque guitar picking exercise.

Here is the first part:

fripp-king-crimson-guitar-techniques-lesson-example

As you can see this is very intervallic and as Robert Fripp might call it, “Finickity” picking pattern.

Alternate picking starting on an upstroke works really:

fripp-king-crimson-guitar-techniques-lesson-example

Also, the pattern “Down Down Down Up” works well: [with a short amount of alternate picking on the C B E notes in the bass]

Fripp-king-crimson-cross-picking-guitartechnqiue-example-lesson

Moving on from this we have chromatic movement: So from here on in we employ strict alternate picking starting on an “Upstroke”:

fripp-king-crimson-guitar-techniques-lesson-example

In this next phrase we have a contrapuntal effect with arpeggio and scale movement put to good use.

fripp-king-crimson-guitar-techniques-lesson-example

We finish the first part with more descending chromatic movement with the last line imitating the phrase before it.

fripp-king-crimson-guitar-techniques-lesson-example

  

In the 2nd part we exploit whole tone scale movement:

fripp-king-crimson-guitar-techniques-lesson-example

We will decorate this by employing 4ths:

fripp-king-crimson-guitar-techniques-lesson-example

Now we will dismantle the whole tone scale by making a chordal quartal melody and strum this up a semitone and back to create a colourful sound:

fripp-king-crimson-guitar-techniques-lesson-example

This is then repeated up in Major thirds.

fripp-king-crimson-guitar-techniques-lesson-example

Up another Major third:

fripp-king-crimson-guitar-techniques-lesson-example

Finally we descend from the 12th fret with this little motif:

fripp-king-crimson-guitar-techniques-lesson-example

Modern Jazz Fusion Chords part 2. Steely Dan, Dan Chord and Slash Chords