“Goodbye Pork Pie Hat” Guitar Chords & FREE Lead Sheet PDF

Goodbye Pork Pie Hat: Chords

Hi Guys,

Today, a quick look at “Goodbye Pork Pie Hat” Fake-book lead sheet.

From Book:

Melody/Guitar Chords:

Image displaying Goodbye Porkpie Hat: Guitar Chords: Melody lead sheet

Here, are the chords for a quick chord melody version that I did in the video above.

These, are quite simple and easy to play guitar voicing’s.

Here, are the chords for the first part that come to rest on a B7b5:

Next, we have the following chord voicing’s:

Notice the “Barring” with the 9th on top and then the wide finger stretch for the 11th:

Goodbye Porkpie Hat: Guitar Chords:

From here, we carry on with more melodic chords outlining the compositions melody.

Goodbye Porkpie Hat: Guitar Chords:

To vary this a bit, and add some power I added octaves just here,

This, follows through with some more simple chord to melody note approach:

Finally, we finish on our Fm9 chord.

To conclude, this was just a quick guitar harmonisation for this classic tune. There are a million ways to do this, but, it is always best to keep to a simple harmonisation, that way it is easier to remember as well as play.

On another note: For accompanying a singer, it can work well with big/rich fully barred chords in the chord melody [or melodic implication] style. But, for a band setting is is best to cut all of the chords down to a 2 or 3 note voiced setting.

FREE PDF DOWNLOAD:

Mastering Slash Chords: The B/C Explained

B/C GUITAR SLASH CHORDS GUITAR LESSON AND EXAMPLES

Hi guys,

Today, a quick look at the idea of employing slash chords.

To do this we will focus on one specific chord that of B/C.

In the notation/tablature below, notice the use of a B Major triad over a C bass:

John McLaughlin guitar Slash Chord B/C Example in TAB and music notation

Here, are a few more voicing’s:

1]

2]

3]

4]

This chord works well with the diminished scale. But, in order to come up with something unique we are going to take a different approach.

Because, we have the B Major chord we can exploit Pat Martino’s minor conversion technique.

In this case, we will employ the minor a Major 3rd up. This will be D#/Eb as the minor key:

Here, we will employ the simple Eb minor arpeggio:

This time, we will employ scale movement inside of the Eb minor arpeggio shape in a horizontal form.

diagram depicting guitarist John McLaughlin improvisation over Slash Chord B/C Example in music notation and guitar tablature

Let’s do the same, but, play with the notation and give it a diminished flavour:

Now, let’s take a B Major arpeggio and ascend it by making sure our C bass note is within it.

NOTE: There are also two open string notes of D natural [minor 3rd] and the open E. I used these as they make the arpeggio flow easily when alternate picking.

How to play a John McLaughlin guitar arpeggio example for altered slash chord of B/C

We can also add some chromaticism for smooth movement.

Finally, let’s see how composition can be exploited with our slash chord.

To do this, we will create a ii V7 I cadence:

diagram depicting guitarist John McLaughlin cadence and jazz composition

NOTICE: In the example above, we can see that the minor becomes diminished and the Dominant becomes 13b9 and the I chord becomes our slash chord that resolves yet hangs in the air.

Exploring the Minor Flat 6th Chord in Modern Music:Jobim/Piazolla

Hi Guys,

Today, a look at the amazing minor flat 6th chord as used in the compositional styles of Carlos Jobim, John McLaughlin, Astor Piazolla and Al Di Meola.

Most people seem to have a preference for the minor 6th chord, [which in this case has the F# or the Major 6th].

Musical notation showing a chord structure of A minor 6th, highlighting the major 6th note in red.

But, the minor flattened 6th chord [F natural in this case] has an amazing character of its own, [especially when it resolves to the first inversion, as we will see].

Musical notation showing a minor chord with a highlighted flattened 6th note.
Musical notation showing a Db minor flat 6th chord resolving to an Ab Major chord in first inversion, highlighting the flattened 6th note.
Illustration of the Db minor flat 6th chord to 1st inversion Ab Major chord, highlighting the flattened 6th note.
Sheet music showing a D flat minor flat 6th chord resolving to a first inversion A flat major chord, and B minor chord, with annotations indicating flattened sixth notes and first inversions.
Diagram illustrating the transition from Db minor to Ab major first inversion, highlighting the flattened 6th note.

Let’s now add some more first inversion chords:

Here, we employ F#m/A with the bass resolving a half step down to the G # note.

Once again, we have a wonderful melodic transition, this time going to the E first inversion chord.

Musical notation showing first inversion chords F#m/A and E/G# with indicators for 'tone' and 'semitone' resolutions
Illustration of F#m/A and E/G# first inversion chords highlighting tone and semitone relationships.

In order to move away from cliche-dom we will now alter the harmony a bit.

Here, we will add a chord of D9/F# [1st inversion] and let the bass move down a semitone to a chord of F7 [but with a Maj7th also and a #11th].

Musical notation showing D9/F# chord in first inversion and F7Maj7#11 chord for altered  harmonic cadence
Chord diagram illustrating the first inversion D9/F# and F7Maj7#11 chords

To complete this example, we will exploit chains of 7 Sus4 chords: Here, are the first three chords moving up in semitones.

Music notation showing how to use 7sus4 chords  Bb/C, B/C#, and C/D chords.
Illustration of 7sus4 chord transitions in semitones, featuring Bb/C, B/C#, and C/D for musical composition.

Here are the next three chords moving up in semitones :

Musical notation showing 7sus4 chords Db/Eb, D/E, and Eb/F with corresponding finger positions.
Chord progression analysis showcasing 7sus4 chords Db/Eb D/E Eb/F

Finally, we come to a conclusion and rest on an E/F# Chord, up a semitone once again.

Musical notation displaying the 7sus4 chord E/F# with labeled fret positions on a guitar neck.