Michael Brecker “Outside” Jazz/Fusion playing for guitar

Breaking down Michael Brecker!

When looking at musical notation it can seem like random notes. But if we break down each group into 4 note groupings called “Tetrachords” we can break down the music theory and play each group on our instrument.

We can then remember the “Sound and Shape” of each cell and then join them together. In turn we can then apply these cells to our own instrumental playing/improvisations.

FULL SOLO LINE/PHRASE

Jazz improvisation Michael Brecker Lesson

 

1st Grouping of 4 notes [Tetrachord]=E flat Pentatonic shape/sound [Mixolydian]

Jazz improvisation Michael Brecker Lesson

 

2nd Tetrachord=A flat Minor triad and 4th interval [or #11  #9 and #5] [SAME AS 7TH TETRACHORD]

Jazz improvisation Michael Brecker Lesson

 

3rd Tetrachord=Minor scale fragment [#11 Lydian]

Jazz improvisation Michael Brecker Lesson

 

4th Tetrachord=Changing cell. [From flat 9 to C Jazz melodic minor] [SAME AS 9TH TETRACHORD]

Jazz improvisation Michael Brecker Lesson

 

5th Tetrachord=Very “Outside” D major pentatonic/4ths

Jazz improvisation Michael Brecker Lesson

 

6th Tetrachord =D major Pentatonic sound/shape [very “Out”]

 

Jazz improvisation Michael Brecker Lesson

7th Tetrachord=C minor arpeggio and 4th

Jazz improvisation Michael Brecker Lesson

 

8th Tetrachord=B flat major Pentatonic sound/shape

Jazz improvisation Michael Brecker Lesson

 

9th Tetrachord=C Melodic “Jazz” minor [Augmented] sound/shape [same as 4th Tetrachord]

Jazz improvisation Michael Brecker Lesson

 

10th Tetrachord = Perfect 4th and major 3rd creating triad pairs sound/shape [or E flat minor 11 implication or G FLAT/a flat]

Jazz improvisation Michael Brecker Lesson

 

Lastly= Flat 6 for C minor

Jazz improvisation Michael Brecker Lesson

FULL LENGTH “INDEPTH” VIDEO BELOW

CONCLUSION:

In terms of fingering and musical application on our instruments learning shapes and “Connections” and breaking phrases down into 4 note cells [Tetrachords] is really useful because complex lines can be understood and learnt quickly.

In turn this gives us lots of patterns for improvisation and theoretical knowledge to improvise with as opposed to just playing scales and arpeggios.

If you found this easy then try and break this solo down into“Hexatonic” scale application. You might find it really interesting!

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MICHAEL BRECKER #2

CHROMATICS AND CELL [TETRACHORD] REPLICATION 

Jazz improvisation Michael Brecker lesson

Played 8va

To begin with we have a bit of standard Be Bop chromaticism

Jazz improvisation Michael Brecker lesson

BUT!

If we look further we can see that we have an exact replicated cell that descends in minor 3rds weaving in and out of the harmony.

4 note  cell

Jazz improvisation Michael Brecker lesson

2 four note cells descending in minor 3rds replicated

Jazz improvisation Michael Brecker lesson

We can now look at the whole line and see and hear where the descending replicated cells in minor 3rds start and how they serve their purpose.

Jazz improvisation Michael Brecker lesson

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Breaking Down Jazz Improvisation “OUTSIDE” Playing

Breaking down Michael Brecker!

When looking at musical notation it can seem like random notes. But if we break down each group into 4 note groupings called “Tetrachords” we can break down the music theory and play each group on our instrument.

We can then remember the “Sound and Shape” of each cell and then join them together. In turn we can then apply these cells to our own instrumental playing/improvisations.

FULL SOLO LINE/PHRASE

RE DO

 

 

1st Grouping of 4 notes [Tetrachord]=E flat Pentatonic shape/sound [Mixolydian]

jazz improvisation michael brecker outside solo

2nd Tetrachord=A flat Minor triad and 4th interval [or #11  #9 and #5]

jazz improvisation michael brecker outside solo

3rd Tetrachord=Minor scale fragment [#11 Lydian]

jazz improvisation michael brecker outside solo

4th Tetrachord=Changing cell. [From flat 9 to C Jazz melodic minor]

jazz improvisation michael brecker outside solo

5th Tetrachord=Very “Outside” D major pentatonic/4ths

jazz improvisation michael brecker outside solo

6th Tetrachord =D major Pentatonic sound/shape [very “Out”]

jazz improvisation michael brecker outside solo

 

7th Tetrachord=C minor arpeggio and 4th

jazz improvisation michael brecker outside solo

8th Tetrachord=B flat major Pentatonic sound/shape

jazz improvisation michael brecker outside solo

9th Tetrachord=C Melodic “Jazz” minor [Augmented] sound/shape [same as 4th Tetrachord]

jazz improvisation michael brecker outside solo

10th Tetrachord = Perfect 4th and major 3rd creating triad pairs sound/shape [or E flat minor 11 implication or G FLAT/a flat]

jazz improvisation michael brecker outside solo

Lastly= Flat 6 for C minor

jazz improvisation michael brecker outside solo

CONCLUSION:

In terms of fingering and musical application on our instruments learning shapes and “Connections” and breaking phrases down into 4 note cells [Tetrachords] is really useful because complex lines can be understood and learnt quickly.

In turn this gives us lots of patterns for improvisation and theoretical knowledge to improvise with as opposed to just playing scales and arpeggios.

If you found this easy then try and break this little solo down into” Hexatonic” scale application. You might find it really interesting!

Thanks for reading this post and Please subscribe to our youtube channel!

yt_logo_rgb_light CLICK SUBSCRIBE!