Dennis Sandole [Guitar] SCALE LORE-Poly/multi scales:

Modern Jazz Fusion Chords part 2. Steely Dan, Dan Chord and Slash Chords

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Hi Guys,

In this blog we will have a brief look at scales from a different perspective.

These ideas/concepts mainly come from Dennis Sandole and his development of poly/multiple scales.

This [Guitar] scale lore as an approach is extremely useful for both composition and improvisation.

Below, we have the B Altered scale. Notice that half of it contains a Whole tone scale whilst the other half contains a Diminished scale: This creates its exotic beauty.

Next let’s look at the Diminished scale: Here we find two Mixolydian Tetrachords. The first with [C] as the root and the second with [F#] a tritone away.

Next, we will create a “Never ending” scale with Tetrachords and you will see how easy it is to be creative with a basic scale cell.

 Dennis Sandole Polytonal scales for SCALE LORE Music Theory TETRACHORDS INTERWEAVING

From the above example notice the Lydian movement that is created in the cycle of 5ths:

dennis-sandole-scale-lore-guitar-example

PolyScales and Bi-Tonal Scales:

Below we have an example of “Blending” scales. Notice how the scale connects with semitones [in blue circles] and the movement follows that of Sandoles student John Coltrane.

dennis-sandole-scale-lore-guitar-example

Now, we will mix it all up in a much more random manner:

dennis-sandole-scale-lore-guitar-example

In this next example we will go the opposite way and create smooth connecting scale fragments by employing triplets:

Now we will use this concept and create a superimposed arpeggio.

SUPER-ULTRA-HYPER-MEGA-META  "Lydian" and Multi Octave Extended Scales Lesson Explanation

Note the intervals as the two Maj7th chords/arpeggios connect:

Lennie Tristano Cmaj7.Dmaj arpeggios. #11 #15th diagram lesson
SUPER-ULTRA-HYPER-MEGA-META  "Lydian" and Multi Octave Extended Scales Lesson Explanation

SCALE COMBINATIONS

We will now join two common scales together. For this we will employ the Lydian Dominant scale and connect it with the Enigmatic scale

SUPER-ULTRA-HYPER-MEGA-META  "Lydian" and Multi Octave Extended Scales Lesson Explanation

Example 1:

Chord to short run.

dennis-sandole-scale-lore-guitar-example

Example 2:

“Double time” 16th’s ascending and descending:

dennis-sandole-scale-lore-guitar-example

Example 3:

In this last example we will employ triplets once again and create arpeggio/triads from the two connected scales:

Multi scales as arpeggios/triads:

dennis-sandole-scale-lore-guitar-example

To finish with here are a couple of examples written by Dennis Sandoles own hand:

Example 1:

Example 2:

Modern Jazz Fusion Chords part 2. Steely Dan, Dan Chord and Slash Chords

Polytonal Scales [Mirror Harmony]

Polytonal and polymodal mirror harmony via scales

Each mode of the major scale has it’s mirror [modal] opposite because the whole diatonic scale system can be symmetrically inverted.

Inverted Symmetrical Reflection. The intervals are the same both in harmonisation and contrary motion.

MIRROR SCALE AND HARMONY

OR:

MIRROR HARMONY SCALES MODES OF MUSIC

Lydian-Locrian=Mirror pair

Ionian-Phrygian=Mirror Pair

Mixolydian-Aeolian=Mirror pair

Dorian-Dorian=Palindromic [Produces the same scale either way].

modessss

MIRROR SCALES

Major scale mirrors

polytonality major scale example
Major Polytonal scales

Polymodality modal mirrors

polymodality music scales
Polymodal scales [Modes]

Hungarian Minor Polytonal mirrors

Hunmgarian minor scales polytonality
Polytonal Hungarian Minor Scales

Polytonality exotic scales

Enigmatic scales and Superlocrian scale lesson
Polytonal Exotic Scales

Polymodality Modes in contrary motion

Polymodal scale example
Polymodal “Contrary Motion” example

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