A Response: to “MAJOR” Modal transposition and improv:Parent Key

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“MAJOR” Modal transposition and improv:Parent Key

The idea that starting on a different note/degree of the C major scale gives you the modes of C is not correct.

"MAJOR", Modal, transposition, and improv,,Parent, Key,
Modes of the Major Scale

As I have written about in many other posts and Vlogged in many other videos the modes have to be transposed. The parent key or root note will then be C. So for example.

[C] D E F G A B C D =D dorian and NOT C dorian

To transpose this we can say if D is the second note of C [or two 1/2 steps up from C] then what is C the second note of [or two 1/2 steps up from]? Well, it would be Bb

So we have the Bb major scale starting on C

C D Eb F G A Bb C

Now, lets take 4 chords to play over with C as the parent key or root note. Notice that C ionian [Major] only exists in one bar [Bar 3]

"MAJOR", Modal, transposition, and improv,,Parent, Key,
Modes of the Major Scale

Now let’s put these chords into a chart and acknowledge the fast moving harmonic rhythm of 2 chords per bar and 2 chord changes per bar.

"MAJOR", Modal, transposition, and improv,,Parent, Key,
Modes of the Major Scale

We will now create an improvised line to play over these chords.

"MAJOR", Modal, transposition, and improv,,Parent, Key,
Modes of the Major Scale

Same line Double Timed

"MAJOR", Modal, transposition, and improv,,Parent, Key,
Modes of the Major Scale

The first 4 notes

"MAJOR", Modal, transposition, and improv,,Parent, Key,
Modes of the Major Scale

The second 4 notes

"MAJOR", Modal, transposition, and improv,,Parent, Key,
Modes of the Major Scale

The penultimate set of 4 notes

"MAJOR", Modal, transposition, and improv,,Parent, Key,
Modes of the Major Scale

The last 4 notes

"MAJOR", Modal, transposition, and improv,,Parent, Key,
Modes of the Major Scale
 George, Russell, "Lydian, Chromatic, Concept, of, Tona,l Organization,"

For further study: George Russell: “Lydian Chromatic Concept of Tonal Organization

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