A Response: to “MAJOR” Modal transposition and improv:Parent Key

yt_logo_rgb_light CLICK SUBSCRIBE!

mmm

The idea that starting on a different note/degree of the C major scale gives you the modes of C is not correct.

Modes of the Major Scale

As I have written about in many other posts and Vlogged in many other videos the modes have to be transposed. The parent key or root note will then be C. So for example.

[C] D E F G A B C D =D dorian and NOT C dorian

To transpose this we can say if D is the second note of C [or two 1/2 steps up from C] then what is C the second note of [or two 1/2 steps up from]? Well, it would be Bb

So we have the Bb major scale starting on C

C D Eb F G A Bb C

Now, lets take 4 chords to play over with C as the parent key or root note. Notice that C ionian [Major] only exists in one bar [Bar 3]

Modes of the Major Scale

Now let’s put these chords into a chart and acknowledge the fast moving harmonic rhythm of 2 chords per bar and 2 chord changes per bar.

Modes of the Major Scale

We will now create an improvised line to play over these chords.

Modes of the Major Scale

Same line Double Timed

Modes of the Major Scale

The first 4 notes

Modes of the Major Scale

The second 4 notes

Modes of the Major Scale

The penultimate set of 4 notes

Modes of the Major Scale

The last 4 notes

Modes of the Major Scale

Thanks for viewing this post. If it was of use then please Subscribe to us on Youtube below!

yt_logo_rgb_light CLICK SUBSCRIBE!

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.