John Mclaughlin “Shakti” Guitar Lesson

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In this Shakti Raga/Fusion Guitar Lesson, we look at how jazz/fusion guitarist John Mclaughlin builds “Raga’s” through the Harmonic minor scale. The key to this style and lesson is to build 4 note groupings of 16th notes called “Tetrachords”. In this lesson we use the A harmonic Minor Scale and employ John Mclaughlin’s specific guitar fingering which turns and propels the Raga forward with strict alternate picking.

A HARMONIC MINOR RAGA STYLE GUITAR SHAKTI LINE

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Keep the alternate picking rhythmical and tight as you tap your foot and count in groups of four 16th notes [Tetrachords] for fluency and good timing.

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John Mclaughlin Alternate Picking Jazz Fusion guitar lesson!

John Mclaughlin left hand fingering guitar Lesson and fingering technique “Secrets” for fast Jazz fusion guitar lines explained.

 

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JOHN MCLAUGHLIN LEFT HAND FINGERING LESSON MUSIC TAB
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The key to getting fluidity and developing the ability to play long jazz/fusion guitar phrases up tempo relies on good left hand fingering. Most people focus on the right alternate picking hand and then find it impossible to join/link up the improvised line phrasing /rhythm

The phrases and guitar fingering get generally “Un-guitaristic” when weaving in and out of altered [Dominant] harmony on the guitar fingerboard. This is why it is essential to manipulate the “Left fretting hand” fingering. The fingering that John Mclaughlin employs in much of his jazz guitar playing is available to all as is shown in my two guitar tab/notation examples and video. The secret fingering is actually quite simple and logical.

John Mclaughlin talks about fingering a lot in interviews and even said to Larry Coryell that “Fingering is everything”. When the fingers can move effortlessly and weave in and out of the complex harmonic lines it does become natural to articulate musical phrases into improvisation that way.

THE “SECRET” JOHN MCLAUGHLIN ALTERNATE PICKING GUITAR FINGERING! Revealed!

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Above, is a very common John Mclaughlin fingering that he employs to get through fast uptempo phrases. It is actually quite repetitive and very useful for building any scale regardless of that scales intervals or complexity. This is the key to his explosive and effortlessness when alternate picking fluid modern jazz fusion guitar lines. Also, with this fingering it is possible to display excellent chromatic mastery,approach notes and jazz encircling set ups with ease.

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