modern music theory and application
Lessons from Jazz/World to 20 Century Classical Music Harmony Rhythm and Theory
The first part of this Stockhausen guitar concept: 5/4 and 3/8 Rhythms
The Second Stockhausen Guitar Part: Back to 5/4 Rhythm and “Atonal Intervals”
The Third Part: 12/8 Rhythm
The Fourth Part: 7/8 Rhythm to 4/4 for Chordal Ending
The Fifth and Final Part of this Stockhausen Guitar Line: 4/4 Chords Accented:
Full Stockhausen Guitar Notation and Tablature for Guitar Concepts:
IF THIS LESSON WAS OF USE TO YOU THEN PLEASE SUBSCRIBE TO US BELOW ON YOUTUBE, THANKS!
These are a few concepts taken from the compositional thinking of composer Karlheinz Stockhausen.
The first idea is a 5/4 Vamp. This employs alternate picking starting on an upstroke.
The next idea is to employ an atonal line in triplets moving from the “Bass strings to Treble strings”
The next ideas are a variation of the beginning vamp but they employ semitones as the answer effect.
Lastly we employ our old friend the atonal triplet figure again:
This are just a few basic ideas from Stockhausen for creative modern Guitar Thinking, Composing and Improvising.
IF THIS LESSON WAS OF USE TO YOU THEN PLEASE SUBSCRIBE TO US BELOW ON YOUTUBE, THANKS!
