There are 6 “Tetra-tonic” Scales. They all have four notes. Below, is our scale for this blog and video and will be the Tetratonic scale starting on the note B.
Alternate Picking the Scale: Starting on a “Downstroke”
We will make a short Robert Fripp-esque line from this scale and employ “Cross Picking” Guitar Technique.
In order to create a line like this it is a good idea to take “Triplets” and make them into chord pairs.
Here are the Guitar Picking patterns that I used. They are very Fripp-esque as they employ Alternate picking and Crosspicking.
We can also make “Chords” out of this scale.
Triplet Chordal/Cross picking Robert Fripp style “Tetratonic” Chords
This next Robert Fripp lick employs “Dyads” which are 2 note chords made from this Tetra-tonic scale.
Next, we will use alternate picking and play the “Dyads” in a single note fashion:
Lastly, we will take 2 chords “NOT” from the Tetratonic Scale but a “Tri-tone” apart. These will be B and F.
Descending:
Ascending:
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Clifford Martin is a trained classical musician and composer. His 1st study being piano and composition and a deep study into the meticulous world of modern music theory. He also studied jazz piano and jazz drums privately.
Clifford later came back to the guitar and studied in the jazz fusion style of John McLaughlin and Al di Meola. It was at this point that he put all of his years of learning together into one musical form
This website is a sort of cataloging of ideas and musical concepts for exploitation and development in the arts of musical composition and improvisation. What started out as a jazz improvisation site has grown into a full blown, harmony, timbre, pitch and rhythm library. Peace, Enjoy!
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