Diminished scale for jazz Improvisation licks and application

The most common concept for the diminished scale is to sequence or repeat a motif by a minor 3rd. Below is an example of this.

Below we see and hear “Tetrachords” repeated or sequenced descending with the minor 3rd interval creating a beautiful flowing jazz double timed improvised line.

the diminished scale descending in minor 3rds jazz improvisation

Guitar Tablature and notation of the above diminished scale motif descending in minor 3rds.

Guitar  diminished scale descending in minor 3rds in jazz improv

diminished lick number 2

Below is another set of four note “Tetrachord” groupings descending in minor 3rds from the diminished scale.

diminished scale jazz improvisation lick descending in minor 3rds

Guitar Tablature for the above diminished scale jazz lick

Guitar diminished scale jazz improvisation lick

DIMINISHED CLICHES FOR JAZZ IMPROVISATION

The next lick is a bit of a diminished cliche but it always works and is very useful when improvising in a jazz context.

Again, notice the descending minor 3rds and 4 note tetrachord groupings which is very common in jazz improvisation when doubling the time from 8ths into 16ths.

diminished scale jazz cliche lick in minor 3rds

Guitar tab and notation for the above diminished cliche jazz improvisation lick

Guitar  diminished scale jazz lick descending in minor 3rds

ascending minor 3rds diminished jazz lick

Lastly, we have a diminished scale idea/lick “Ascending” in minor 3rds. Again, a bit of a cliche but very useful for jazz improvisation.

diminished scale ascending in minor 3rds

Guitar tablature and notion of the above diminished scale jazz lick

Guitar diminished scale ascending in minor 3rds

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Neapolitan 6ths and Augmented French, Italian and German 6th Chords

The “Neapolitan 6th” chord is a 1st inversion of the supertonic [chord two] triad but with the  root and fifth lowered a half step. Neapolitan 6th chord lesson example

In modern terms we could think of it as a flattened second chord 1st inversion. Below is a more popular common approach.

Neapolitan 6th chord  modern

Minor Key example:

[In this case only the root is lowered as the C minor key signature already has the Ab in the key signature]

Neapolitan 6th chord minor key

OTHER COMMON AUGMENTED 6 TH CHORDS

French Sixth Italian Sixth German Sixth Augmented 6th Chords

These chords can occur on the flattened submediant [flattened chord 6] of the major scale or the normal submediant [chord 6] of the minor scale.

FRENCH SIXTH

French sixth chord augmented 6th explanation

ITALIAN 6TH

Italian sixth chord augmented 6th

GERMAN 6TH

German 6th augmented chord explanation lesson

9ths 11ths and 13ths harmony:

9th 11th and 13th chords explained music theory

One last idea using the 7th chord as a Diminished chord followed by the dominant 7th 1st inversion to C the Tonic chord.

Diminished 7th chords for cadences

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Fretboard Harmony: Harmonising the Dorian Mode

Harmonising the Dorian Mode video: Please watch for explanation:

In the exercises below you will see how to make the dorian mode sound “Jazzy”. We do this by harmonising the scale [Mode] in chords made of 4ths.

Not all are perfect 4ths though as you will see in the example below:

1

Here is the Dorian mode harmonised in 4ths. This use of 4ths creates what is known as quartal harmony.

C DORIAN MODE HARMONISED IN 4THS [QUARTAL HARMONY]

Dorian Mode Harmonised in chordsC DORIAN MODE BROKEN UP INTO 4THS

Dorian mode chord scale 4ths outlineC DORIAN MODE “CHORDAL PICKING” IN 4THS

Dorian Mode fretboard harmony scale chordFor more on the dorian mode, quartal harmony and modal jazz in general take a listen to the great Jazz pianist Mcoy Tyner.

 

 

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