Hi guys, I hope you enjoyed my two stories about why I like to use the plectrum and why I do alternate picking. If you did then please click the link below and Subscribe to our youtube channel, Thanks.
Making Music Theory and Jazz Improvisation work for you
Music Theory Modern Jazz Improvisation and 20th Century Classic lessons, explanations in notation, tablature and video
Hi guys, I hope you enjoyed my two stories about why I like to use the plectrum and why I do alternate picking. If you did then please click the link below and Subscribe to our youtube channel, Thanks.
In the video above I look at how I write 20th century classical atonal music at the piano. Although this video touches on the basics it does point out the essential compositional elements and emotional make up needed for successful atonal compositions. Regardless of the atonal style which could be, 12 tone serial music, Messiaen modes or Boulez atonality, for the composer/writer the building blocks and perception remain the same.
This lick requires a bit of patience because the fingering is quite finickety due to the un- guitarist nature of the quartal set up, pentatonics and the nature of the intervals and their positioning on the guitar fingerboard.
McCoy Tyner Piano Lick employing alternate guitar picking for rhythmic fluency.
Chords for the lick: 1st Part.
Guitar Chord Shape for 1st part
Chords for the lick: 2nd Part.
Chord Shape for 2nd Part.
If you enjoyed this blog then please Subscribe to us on Youtube below!