Contrapuntal Atonal Guitar string skipping intervallic Concept: Fripp/20c classical composing

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Atonal string skipping guitar “Mirroring” compositional effect

Today we will look at a concept that I have been asked about a lot recently. This is a contrapuntal string skipping intervallic “Mirroring” technique. It is intervallic by design and employs a Bachian Atonal “Question and answer” effect between the “Bass and Treble” with wide intervals. The string skipping inherent within this works especially well for atonal music, awkward intervals and polytonal scales.

Idea 1

String, Skipping, guitar, Fripp, Lesson, 20c, Classical, composing, technique,
Atonal string skipping guitar “Mirroring” compositional effect
String, Skipping, guitar, Fripp, Lesson, 20c, Classical, composing, technique
Contrapuntal Atonal Guitar string skipping intervallic Concept: Fripp 20c classical composing

Idea 2

String, Skipping, guitar, Robert, Fripp, Lesson, 20c, Classical, composing, technique
Contrapuntal Atonal Guitar string skipping intervallic Concept: Fripp 20c classical composing

Idea 3

Atonal string skipping guitar “Mirroring” composing device

String, Skipping, guitar, Fripp, Lesson, 20c, Classical, composing, technique

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Published by Modern Music Theory and Application

Clifford Martin is a trained classical musician and composer. His 1st study being piano and composition and a deep study in the application of modern music theory. He also studied jazz piano and jazz drums privately. This website is a catalogue of ideas and musical concepts for improvisation and composition.

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