Music Theory Modern Jazz Improvisation and 20th Century Classic lessons, Guitar Jazz Fusion John Mclaughlin Al di Meoala improvisation techniques explanations in notation, tablature and video
JULIAN LAGE JAZZ GUITAR STYLE NEW EXAMPLES AND LESSON PART 2
In this first example Julian Lage makes good use of “Arpeggios” with Smooth Transitions
JULIAN LAGE JAZZ GUITAR “ARPEGGIOS” STYLE LESSON BREAKDOWN AND ANALYSIS
Julian sequences the “Whole Tone” Scale in this next example
JULIAN LAGE JAZZ GUITAR WHOLE TONE SCALE STYLE BREAKDOWN AND ANALYSIS
Julian Lage’s use of Inventive chromatics. [But notice that they always link back and resolve to the tonic note C].
JULIAN LAGE JAZZ GUITAR ” CHROMATICS” STYLE BREAKDOWN AND ANALYSIS
Here Julian employs C#Maj7 to replace Dm7 and G7. It acts as a superimposition [Line] and substitution [Chord]. He quickly moves back to G though to finally cadence back to C.
JULIAN LAGE JAZZ GUITAR “SUPERIMPOSITION” STYLE BREAKDOWN AND ANALYSIS
Superimposition/Substitution: Julian lage’s Chord and Improvised Line example. ii and V [Dm7 G7] are replaced with F#m and Bbm. He again employs the bIIMaj7 [C#Maj7 enharmonically DbMaj7]in order to finally resolve [Slip down a semitone] back into C Maj.
JULIAN LAGE JAZZ GUITAR SUPERIMPOSITION/SUBSTITUTION STYLE BREAKDOWN AND ANALYSIS
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