Alternate Picking:Guitar Technique-Part 2- [Fretting Hand]

Posted on December 18, 2022December 22, 2022 by Modern Music Theory and Application

Alternate Picking:Guitar Technique-Part 2 [Fretting Hand]

Please watch video above for a detailed analysis:

Hi Guys,

Today we will look at part 2 on alternate picking guitar technique.

The key to these exercises is to “Accent” the third note of each 4 note [Tetrachord] grouping . [You can also accent the first note].

Why do we do this?

This is because the accents push the music along.

This also works like links in a chain that connect the notes together for smooth and rhythmical phrases.

So, before we attempt this sort of phrasing,

We need to make sure that have our basic 8ths to 16 notes rhythmical and really tight.

In the first exercise we will ascend in one position and then descend in another:

We will start on a down stroke and employ strict alternate picking:

alternate-picking-guitar-technique-accents

In the next example we will ascend and descend in one position:

PDF DOWNLOAD:

alternate-picking Download

Finally,

it is a good idea to use a simple pentatonic scale with a simple guitar fingering and play over a 2 5 1 loop to get the accents, rhythm and musical phrasing tight.

Chord II V7 I Example:

Simple 2 finger scale example:

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“Jazz Target Tones”- Alternate Picking Guitar Set-Ups Technique

Posted on October 15, 2022October 19, 2022 by Modern Music Theory and Application

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https://youtu.be/Ws_fsHQ0_HU

Target Tones- Alternate Picking Guitar Set-Ups Technique

Please watch video above for in depth analysis:

Hi Guys!

Today we will have a look at setting up “Jazz Target Tones” with alternate picking guitar technique for fast fluid improvising lines.

target, tones, jazz, guitar, — Target Tones- Alternate Picking Guitar Set-Ups Technique

The example above is the most common and best example of how target tones work and how they are set up. Notice that the weak beat or off beat is the starting note. So, we have [4] e and a as an “Up Beat” [or Anacrusis]. This leads to the strong beat 1 in bar 1.

Now, for alternate picking we need to be aware of what picking stroke we will start on for this weak “Off” beat. Being the “Off” beat and syncopated it will be the “Up Stroke” as in [Down] Up down Up.

In the Exercise below we will now employ Target Tones within the improvised line itself from the second beat. Again, notice that the target tones start on the “Up Stroke” and resolve to the on [1st] beat of the next chord smoothly with the down stroke.

With this method you will always know where you are in the bar rhythmically, when you are on the off beat [Up Stroke] and what stroke you will start the next “On” beat with [Down stroke].

Here’s another example:

It’s also helpful to accent the 1st note in each four note grouping as this will create the jazz feel and thrust the target tones along rhythmically whilst moving your fretting hand into position.