Alternate Picking “Nailing the changes” GuitarJazz/Fusion

yt_logo_rgb_light CLICK SUBSCRIBE!

PLEASE: Watch VIDEO Below to understand!

This simple “Rhythmic Unit” of a group of 5 notes can be broken up into sub divisions to give clarity when nailing the changes when alternate picking at a very fast tempo of 180 BPM Plus at the guitar when improvising.

Although we might view and hear this as alternate picking and plucking a group of 5 on the guitar like the example below,

Alternate Picking 5’s John Mclaughlin 180 bpm jazz improv “Nailing the Changes”

The Group of 5 now becomes one “Tetrachord” and the 5th note becomes the first note of the next chord [Dbmaj9]. This way the changes are “Nailed” by the rhythmic subdivision.

Alternate Picking 5’s John Mclaughlin 180 bpm jazz improv “Nailing the Changes”

So, as we can see the “Ta Ka Di Me Thom” or 1 2 3 4 5

Alternate Picking Fives Rhythmic Subdivision

Becomes, “1 e and a” ” 2″

For anybody having problems with their alternate picking at fast tempos whilst nailing the changes this will really help you because you will automatically land on the first note of the next chord.

There are many more rhythms that are employed like 6’s, 7’s and 2×4 groupings. But I will go into these in another blog. In the meantime her are a few examples from John Mclaughlin himself phrasing by employing 5’s.

John Mclaughlin 5’s alternate picking rhythmic subdivision
John Mclaughlin 5’s alternate picking rhythmic subdivision
John Mclaughlin 5’s alternate picking rhythmic subdivision

Thanks for viewing this blog. If it was of use to you then please SUBSCRIBE to us on YOUTUBE below, Thanks!

yt_logo_rgb_light 

CLICK SUBSCRIBE!

12 Tone Tri-Chord Guitar Improvisation Composition Technique SECRET

yt_logo_rgb_light CLICK SUBSCRIBE!

12 Tone Row [Hexachords]

12 TONE ROW Hexachords SCHOENBERG /HAUER GUITAR IMPROVISING-COMPOSITION

12 Tone Row “Retrograde”

12 TONE ROW SCHOENBERG /HAUER GUITAR IMPROVISING COMPOSITION

12 Tone Row “Inversion”

12 TONE ROW SCHOENBERG /HAUER GUITAR INVERSION

“Retrograde Inversion” 12 Tone Row

12 TONE ROW SCHOENBERG /HAUER GUITAR Retrograde Inversion

Building “Tri-Chords” from the first Tone Row [and carry on with all four 12 tone row bars]

12 Tone Row “Tri-Chords” method for 12 tone harmony and dynamic chordal sounds

Tri-chord outline chord tones

12 tone row tri chord tone outline

Tri-chord extension from 12 tone row

12 tone row tri chord extension

Tri-chord outline number 2

12 tone row tri chord outline

Tri-chord extension from 12 tone row [Number 2]

12 tone row tri chord extension

Combining Tri-Chords

Tri-Chord Combinations

Tri-Chords combination number 2

Tri-chord 12 tone row combinations

12 tone row as “Tetrachords” [4 note groupings]

12 tone row as “Tetrachords”

12 tone row employing triplet figure

12 tone row using triplets as the rhythmic unit for improvisation and composition
All four bars of 12 tone row development in Hexachords

If you enjoyed this blog/vlog then please subscribe to us on youtube below! Thanks!

yt_logo_rgb_light CLICK SUBSCRIBE!

Robert Fripp Contrapuntal guitar plectrum technique

yt_logo_rgb_light CLICK SUBSCRIBE!

Robert Fripp Contrapuntal guitar plectrum technique

More Mirroring contrapuntal effect of Robert Fripp and Messiaen by employing the 6th mode from the 7 modes of limited transposition [“Revisited” from previous Blog Messiaen 6th Mode Lesson CLICK ]

Below is the Music Notation and Guitar Tablature for Fripp/Messiaen 6th mode contrapuntal guitar crafted plectrum technique effect

Robert, Fripp, Contrapuntal, guitar, plectrum, technique, Example, Lesson,
Fripp/Messiaen similarities for guitar picking contrapuntal effect 6th mode
Fripp/Messiaen 6th mode similarities for guitar picking contrapuntal effect

IF THIS LESSON WAS OF USE TO YOU THEN PLEASE SUBSCRIBE TO US BELOW ON YOUTUBE, THANKS!

yt_logo_rgb_light