JOE PASS JAZZ GUITAR IMPROVISED LINES IN TAB AND NOTATION

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Joe Pass Jazz Guitar the subject of this improvisation blog

Joe Pass “Rhythm Changes” Lick 1

Joe, Pass, guitar, jazz, lesson, lines, licks, rhythms, changes, turn, arounds, improvisation, examples, tab,
Joe Pass Guitar Rhythm Changes jazz examples lesson

Joe Pass “Rhythm Changes” Lick 2

Joe, Pass, guitar, jazz, lesson, lines, licks, rhythms, changes, turn, arounds, improvisation, examples, tab,
Joe Pass Guitar Rhythm Changes jazz examples lesson

Joe Pass “Rhythm Changes” Lick 3

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Joe Pass “Rhythm Changes” Lick 3

Joe Pass” ii V7 I” Lick

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Joe Pass ii V7 I jazz guitar improvisation lick

Joe Pass Quick “Turn Around’

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Joe Pass Quick “Turn Around’ triplets rhythm jazz guitar improvising example

For a larger collection of Tab/Notation images please click the download button for the PDF with all of these examples in it.

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Shakti Guitar Line RAGA FUSION EXAMPLE JOHN MCLAUGHLIN

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Shakti Guitar Line RAGA FUSION EXAMPLE JOHN MCLAUGHLIN alternate picking

SHAKTI GUITAR LINE: Raga/Taal Style

Shakti Guitar Line RAGA FUSION EXAMPLE JOHN MCLAUGHLIN alternate picking

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LINK https://youtu.be/dxpXAp2uzsM

JULIAN LAGE JAZZ GUITAR HARMONY, TRIADS, INVERSIONS AND CHORDS.

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Julian, Lage, Guitar, Lesson, Jazz, improvisation, substitutions, Part 3
Julian Lage Jazz Guitar Lesson, Triads,Inversions and harmony http://www.jazzimproviser.com

Today we will look at a couple of unique ways that Julian Lage exploits jazz chords and their extended sequences. His style in regards to chords is reminiscent of the great jazz guitarist Jim Hall at times.

Example 1: Julian’s use of chord inversion. This goes back to Bach and creates a beautiful sound from simple triads. By inverting them [starting on a different note of the triad each time] Julian creates clear harmonic movement

Julian, Lage, Guitar, Lesson, Jazz, improvisation, substitutions, chordal, harmony, Part 3
Julian Lage’s use of chord inversion: Julian Lage jazz guitar improvisation chords/progressions lesson

These simple chordal inversions of C major also make beautiful sounding triad arpeggios and really stand out on the guitar fingerboard.

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In this next example Julian employs a “TOP DOWN” Harmonisation concept. Julian Lage keeps the top note A throughout and harmonises with chords below it. This way of harmonising a top note is a great challenge and a really useful way to practice and develop chord substitution.

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In this next example we have an ending where Julian takes the basic ii V and extends the progression. This is a very playful way to end a solo guitar performance to keep the audience guessing when the final cadence will come.

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Finally we have a Substitution for a iii vi ii V. Julian employs b5 substitutions which in turn create a descending chromatic progress that again plays with the audience until the final ii V I.

Eb as b5 of Am and Db [Enharmonically C#] as b5 of G

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LINK J LAGE #2 https://jazzimproviser.com/2021/11/21/julian-lage-jazz-guitar-style-breakdown-and-analysis-part-2/

Link J Lage #1 https://jazzimproviser.com/2021/11/18/julian-lage-jazz-guitar-style-examples-and-lessons-1/