Fripp, Mclaughlin, Messiaen,Stockhausen,Schoenberg jazz guitar improvisation lines

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Modern jazz fusion chromatic improvisation licks, Brecker, Liebman, Mclaughlin and Fripp etc

Lick lines from modern jazz fusion improvisation guitar:

LINE 1

Guitar Licks ONLY from Modern chromatic jazz/fusion improv

LINE 2

Target Tones Chromatic Jazz improvisation Modern approach

LINE 3

Chromatic Jazz improvisation Modern approach

LINE 4

Melodic Minor Chromatic Jazz improvisation Modern approach

LINE 5

Melodic Minor Chromatic Jazz improvisation Modern approach

LINE 6

Flat 5 Modern jazz improvisation chromatic example

As requested, I have made a video and blog page with guitar lines only;

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I Vi ii V7 I in all 12 keys backing track and chord chart

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I Vi ii V7 I in all 12 keys backing jam track

I Vi ii V7 I in all 12 keys chord chart and Backing Track Jazz

Jazz “Chord Chart” for improvisation practice: 120 Bpm I Vi ii V7 I in all 12 keys

I Vi ii V7 I in all 12 keys chord chart and Backing Track Jazz
I Vi ii V7 I in all 12 keys chord chart and Backing Track Jazz

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John Mclaughlin Jazz Fusion Chromatic guitar alternate picking Lick

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John Mclaughlin Chromatic Guitar alternate picking Jazz Fusion Licks Lesson

This blog takes a brief look at John Mclaughlin’s use of Chromaticism in regards to Jazz Fusion Guitar lines. The 2 licks are also from a video I did on Dave Liebman’s Chromatic approach to jazz. They both share the same concepts. The licks are riffs doubled up with piano.

John Mclaughlin Guitar Lick 1 -Employ strict alternate picking starting on a “Downstroke”

Chromatic, John, Mclaughlin, Lick, Alternate Picking, guitar, technique, lesson, example
John Mclaughlin Chromatic Guitar Licks Lesson

John Mclaughlin Guitar Lick 2 -Again, employ strict alternate picking starting on a “Downstroke”

Chromatic, John, Mclaughlin, Lick, Alternate Picking, guitar, technique, lesson, example
John Mclaughlin Chromatic Guitar Licks Lesson

The key is to pick each 4 note grouping [Tetrachord] in time with your foot tapping the 1/4 note.

So you have:

“1 e and a 2 e and a 3 e and a 4 e and a”

This will give you a smooth alternate picking sound and hold time with the piano [or doubling instrument].

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