Alternate Picking 16th’s Mclaughlin/Coltrane jazz/fusionguitar “Tetrachord” Style.

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Alternate Picking 16hts Mclaughlin/Coltrane jazz/fusionguitar “Tetrachord” Style

In this final part of alternate picking guitar techniques for jazz fusion improvisation. We again look at the style of John Mclaughlin in order to play through the changes with 4 groups of 4, or 4 tetrachords per bar.

Alternate Picking 16ths Mclaughlin/Coltrane jazz/fusionguitar “Tetrachord” Style

Alternate picking tetrachords all start on a downstroke.

Alternate Picking 16ths Mclaughlin/Coltrane jazz/fusionguitar “Tetrachord” Style

First 4 note grouping[1st Tetrachord]:

Alternate Picking 4x4 Groupings Mclaughlin/Coltrane guitar "Tetrachord" Style
Alternate Picking 16ths Mclaughlin/Coltrane jazz/fusionguitar “Tetrachord” Style

Second 4 note grouping [2 Tetrachords]

Alternate Picking 4x4 Groupings Mclaughlin/Coltrane guitar "Tetrachord" Style
Alternate Picking 16ths Mclaughlin/Coltrane jazz/fusionguitar “Tetrachord” Style

Third 4 note grouping of 16ths alternate picking [3 Tetrachords]

Alternate Picking 4x4 Groupings Mclaughlin/Coltrane guitar "Tetrachord" Style
Alternate Picking 16hts Mclaughlin/Coltrane jazz/fusionguitar “Tetrachord” Style

Finally, 4 groups of 4 [or 4 Tetrachords].

Alternate Picking 4x4 Groupings Mclaughlin/Coltrane guitar "Tetrachord" Style
Alternate Picking 16ths Mclaughlin/Coltrane jazz/fusionguitar “Tetrachord” Style

We can now apply this to playing through complex chord changes at a fast tempo. In the example below we will take John Coltrane’s “Countdown” and play one chord per beat as an example for setting up these 4 x 4 note groupings [Tetrachords]for quick rapid improvisation at a super fast tempo.

Alternate Picking 4x4 Groupings Mclaughlin/Coltrane guitar "Tetrachord" Style
Alternate Picking 16ths Mclaughlin/Coltrane jazz/fusionguitar “Tetrachord” Style

Simple 4 note tetrachord pattern for reference:

Alternate Picking 16hts Mclaughlin/Coltrane jazz/fusionguitar “Tetrachord” Style

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Alternate Picking 16ths Mclaughlin/Coltrane jazz/fusionguitar “Tetrachord” Style

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Alternate Picking jazz fusion Guitar “Nailing the changes” 7’s into 4+3 [Mclaughlin/Meola]

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Alternate Picking jazz fusion Guitar “Nailing the changes” 7’s into 4+3 improvisation lesson [Meola/Mclaughlin]

To begin with we will use our group of 5 notes starting with an up stroke [from our previous video] alternate picking and add 2 extra notes to make our group of 7.

Alternate, Picking ,jazz, fusion, Guitar ,"Nailing, the, changes," 7's, into 4+3,
John, Mclaughlin, Al di, Meola, Lesson, technique
John Mclaughlin 5+2 Alternate Picking Guitar Rhythms [Mclaughlin/Meola]

Next rather, than count 7 we will break the group of 7 up into semiquavers [16ths] making a group of 4+3 and a rest.

Alternate, Picking ,jazz, fusion, Guitar ,"Nailing, the, changes," 7's, into 4+3,
John, Mclaughlin, Al di, Meola, Lesson, technique
John Mclaughlin 5+2 Alternate Picking Guitar Rhythms Mclaughlin/Meola]

We will now make logical musical phrasing with 16ths and add notation. Counting 1 e and a 2 e and [Rest]starting with an “Upstroke” alternate picking.

Alternate, Picking ,jazz, fusion, Guitar ,"Nailing, the, changes," 7's, into 4+3,
John, Mclaughlin, Al di, Meola, Lesson, technique
Alternate Picking jazz fusionGuitar “Nailing the changes” 7’s into 4+3

If we look at the chord bar below we will see that the chord changes are 1 chord per beat. Harmonically this is moving at a very fast rate.

Alternate, Picking ,jazz, fusion, Guitar ,"Nailing, the, changes," 7's, into 4+3,
John, Mclaughlin, Al di, Meola, Lesson, technique
John Mclaughlin 5+2 Alternate Picking Guitar Rhythms

Now, we will apply two groups of 7’s broken up into 16ths so that we can play rhythmically through this ambiguous set of chord changes.

Alternate, Picking ,jazz, fusion, Guitar ,"Nailing, the, changes," 7's, into 4+3,
John, Mclaughlin, Al di, Meola, Lesson, technique
Alternate Picking jazz fusionGuitar “Nailing the changes” 7’s into 4+3

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Sextuplets John Mclaughlin guitar style into 4+2 Alternate Picking

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Sextuplets John Mclaughlin guitar style into 4+2 Alternate Picking

In this post we will go one further than the last post. This time we will take a group of six [Sextuplets] and make a tetrachord and a half from it.

This will make 4+ 2 which will make us nail the changes with 4 notes on the first chord and 2 notes on the second chord with a short rest to reset our fretting hand to repeat the pattern again on the next two chords.

Alternate picking exercise warm up in Sextuplets/Triplets

Sextuplets John Mclaughlin guitar style into 4+2 Alternate Picking

Why do this?

Because the groups of six are quite easy to play on the guitar and there a heaps of variations on each pattern. They flow easily and can be alternate picked rhythmically to create musical phrasing.

The first pattern for playing through the changes in Sextuplets

Sextuplets John Mclaughlin guitar style into 4+2 Alternate Picking

The first pattern is now changed into 16ths. From 1 2 3 4 5 6 into 1 e and a 2 e

Sextuplets John Mclaughlin guitar style into 4+2 Alternate Picking

The second part of the chord sequence in sextuplets

Sextuplets John Mclaughlin guitar style into 4+2 Alternate Picking

The second pattern is now changed into 16ths. From 1 2 3 4 5 6 into 1 e and a 2 e

Sextuplets John Mclaughlin guitar style into 4+2 Alternate Picking

Finally, the full one bar alternate picking chord sequence nailing the changes

Sextuplets John Mclaughlin guitar style into 4+2 Alternate Picking

VARIATION:

Sextuplets John Mclaughlin guitar style into 4+2 Alternate Picking

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