Alternate Picking Arpeggios Guitar [One note per string]John Mclaughlin

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Please watch video the for the John Mclaughlin fingering etc. I start all of these arpeggios on a down stroke with strict alternate picking for rhythmic precision. I am counting in 16ths 1 e and a etc. Most of the arpeggios are one note per string.

Example 1: John Mclaughlin D major 7th arpeggio.

John Mclaughlin D major 7th Alternate Picking Arpeggios Guitar [One note per string]

Example 2: Adding Lydian [and 9th and 13th] to John Mclaughlin’s D Major 7th alternate picking arpeggio

John Mclaughlin Alternate Picking Arpeggios Guitar [One note per string]

Example 3: Starting Arpeggio with Pentatonic John Mclaughlin style

Alternate Picking Arpeggios Guitar John Mclaughlin [One note per string]

Example 4: Pentatonic to Lydian John Mclaughlin guitar style

Alternate Picking Arpeggios John Mclaughlin Guitar [One note per string]

Example 5: Descending Arpeggio with simple John Mclaughlin fingering counting 1 e and a etc.

John Mclaughlin Alternate Picking Arpeggios Guitar [One note per string]

Example 6: Extension

Alternate Picking Arpeggios Guitar [One note per string]

Example 7: Variation

Alternate Picking Arpeggios Guitar [One note per string]

Example 8: Simple fingering descending concept.

Alternate Picking Arpeggios Guitar [One note per string]

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Alternate Picking 16th’s Mclaughlin/Coltrane jazz/fusionguitar “Tetrachord” Style.

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Alternate Picking 16hts Mclaughlin/Coltrane jazz/fusionguitar “Tetrachord” Style

In this final part of alternate picking guitar techniques for jazz fusion improvisation. We again look at the style of John Mclaughlin in order to play through the changes with 4 groups of 4, or 4 tetrachords per bar.

Alternate Picking 16ths Mclaughlin/Coltrane jazz/fusionguitar “Tetrachord” Style

Alternate picking tetrachords all start on a downstroke.

Alternate Picking 16ths Mclaughlin/Coltrane jazz/fusionguitar “Tetrachord” Style

First 4 note grouping[1st Tetrachord]:

Alternate Picking 4x4 Groupings Mclaughlin/Coltrane guitar "Tetrachord" Style
Alternate Picking 16ths Mclaughlin/Coltrane jazz/fusionguitar “Tetrachord” Style

Second 4 note grouping [2 Tetrachords]

Alternate Picking 4x4 Groupings Mclaughlin/Coltrane guitar "Tetrachord" Style
Alternate Picking 16ths Mclaughlin/Coltrane jazz/fusionguitar “Tetrachord” Style

Third 4 note grouping of 16ths alternate picking [3 Tetrachords]

Alternate Picking 4x4 Groupings Mclaughlin/Coltrane guitar "Tetrachord" Style
Alternate Picking 16hts Mclaughlin/Coltrane jazz/fusionguitar “Tetrachord” Style

Finally, 4 groups of 4 [or 4 Tetrachords].

Alternate Picking 4x4 Groupings Mclaughlin/Coltrane guitar "Tetrachord" Style
Alternate Picking 16ths Mclaughlin/Coltrane jazz/fusionguitar “Tetrachord” Style

We can now apply this to playing through complex chord changes at a fast tempo. In the example below we will take John Coltrane’s “Countdown” and play one chord per beat as an example for setting up these 4 x 4 note groupings [Tetrachords]for quick rapid improvisation at a super fast tempo.

Alternate Picking 4x4 Groupings Mclaughlin/Coltrane guitar "Tetrachord" Style
Alternate Picking 16ths Mclaughlin/Coltrane jazz/fusionguitar “Tetrachord” Style

Simple 4 note tetrachord pattern for reference:

Alternate Picking 16hts Mclaughlin/Coltrane jazz/fusionguitar “Tetrachord” Style

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Alternate Picking 16ths Mclaughlin/Coltrane jazz/fusionguitar “Tetrachord” Style

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John Mclaughlin “QUICK” Lick #1

Today we will take a look at a John Mclaughlin jazz fusion acoustic guitar lick in the style of the “Belo Herozonte” C.D/LP.

It consists of a “Pentatonic scale” and an “Arpeggio” fingering.

John Mclaughlin Quick Lick #1

alternate picking John Mclaughlin guitar lesson
“Belo Herozonte” John Mclaughlin style guitar lick #1

Notice the 2 finger Pentatonic ascending shape and the Arpeggio Descending shape

Shakti John Mclaughlin guitar lick lesson
“Pentatonic” 2 finger guitar shape and “Arpeggio” shape

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John Mclaughlin Guitar Jazz/Fusion Lick/Lesson

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John Mclaughlin Alternate Picking Jazz/Fusion Guitar Lick/Lesson

This John Mclaughlin Jazz/Fusion guitar lesson employs alternate picking for solid rhythmic fluidity. I start on the down stroke with the guitar plectrum.

Alternate Picking Mclaughlin Lick in Parts.

The first part is built from simple Pentatonic cells.

John Mclaughlin Guitar Lick
John Mclaughlin Guitar Lick

The second part uses scale fragments 4ths, and Arpeggios

John Mclaughlin Guitar Lick

The last part Uses 4ths and a Pentatonic Shape

John Mclaughlin Guitar Lick

Full Score of Lick:

Alternate Picking John Mclaughlin Guitar Lick
Alternate Picking John Mclaughlin Guitar Lick

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Alternate Picking 16ths Acoustic Jazz/Fusion Guitar Lesson

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THE FOUR MAIN ALTERNATE PICKING GUITAR RHYTHMS FOR CREATIVE ACOUSTIC GUITAR JAZZ/FUSION IMPROVISED LINE SET-UPS

John Mclaughlin right hand  alternate picking rhythms pattersns
Basic Rhythms

THE FIRST ALTERNATE PICKING RHYTHMIC SET-UP EMPLOYS THE 8TH NOTE AND TWO 16TH NOTES. THIS IS A USEFUL RHYTHM AS IT GIVES YOUR PICKING RIGHT HAND A MOMENT TO SET UP THE “UP STROKE” AND FIRE THE PHRASE FORWARD LEADING TO A  SMOOTH ALTERNATE PICKING LICK/LINE.

John Mclaughlin alternate picking guitar right hand patterns.
Alternate Picking Guitar Set-up

THE NEXT RHYTHMIC SET UP EMPLOYS A DOTTED 8TH NOTE AND A 16TH NOTE. AGAIN THIS SLIGHT DELAY BEFORE THE PHRASE TAKES OFF GIVES YOUR RIGHT HAND TIME TO FLICK UP AND FIRE OFF THE PHRASE WITH CONFIDENT ALTERNATE PICKING.

John Mclaughlin right hand alternate picking patterns for guitar
Alternate Picking Guitar Set-Up for Jazz/Fusion Improvisation

THE PHRASE BELOW IS THE “OFF-BEAT” PHRASE AND IS ONE OF THE MOST IMPORTANT BECAUSE IT CREATES ANTICIPATION AND SYNCOPATION IN YOUR ALTERNATE PICKING WHICH IS ESSENTIAL FOR JAZZ AND FUSION GUITAR PLAYING. [AS I SUGGEST IN THE VIDEO YOU WILL FIND THIS A LOT IN THE JOHN MCLAUGHLIN ALBUM/CD CALLED “BELO HEROZONTE]

John Mclaughlin off beat syncopated alternate picking guitar pattern
Off-Beat Alternate Picking Guitar Acoustic jazz/fusion set-up

FINALLY WE HAVE BASIC ALTERNATE PICKING 16THS STARTING ON THE BEAT. I SAT ON THE DOWN STROKE WITH THE PLECTRUM ON MY GUITAR FOR THIS PHRASE.

John mclaughlin alternate picking on the beat guitar pattern
Alternate Picking 16th’s Guitar Jazz/Fusion Rhythmic set-ups On the beat

ALL OF THESE PHRASES USE A SIMPLE PENTATONIC SCALE BECAUSE THIS IS THE BEST WAY TO GET THESE RHYTHMS PRECISE WHEN STARTING OUT WITH ALTERNATE PICKING.

ALL OF THESE PHRASES USE A SIMPLE PENTATONIC SCALE BECAUSE THIS IS THE BEST WAY TO GET THESE RHYTHMS PRECISE WHEN STARTING OUT WITH ALTERNATE PICKING.

Recommended listening:

“BELO HEROZONTE” JOHN MCLAUGHLIN THE TRANSLATORS

John_McLaughlin_Belo_Horizonte
John Mclaughlin “Belo” Acoustic alternate picking Jazz/Fusion Masterpiece!

“MUSIC SPOKEN HERE” JOHN MCLAUGHLIN THE TRANSLATORS

McLaughlin_Music_Spoken_Here

John Mclaughlin Acoustic Alternate Picking “Music Spoken Here” C.D. brilliant Compositions, Improvisations and Alternate Picking Guitar Technique.

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