MR P.C. Coltrane Backing Track and Chord Chart!

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MR P.C. Coltrane Backing Track and Chord Chart!

Mr P.C. Chart PDF Download:

Chord Chart:

MR-P.C.- Chord- Chart-John Coltrane
MR P.C. Chord Chart by John Coltrane

AUDIOTRACK

MR P.C. Coltrane Backing Track

Mr P.C History

Mr PC” is a 12 bar jazz composition in a minor blues form. The piece was composed by John Coltrane in 1959. The song is named in tribute to the bass player Paul Chambers who had accompanied Coltrane for years. It first appeared on the album Giant Steps where it was played with a fast swing feel.

Form and changes

Mr PC” is a simple 12 bar minor blues.

||: Cmin7 | Cmin7 | Cmin7 Bb/C Cmin7 | Cmin7 (C7) | Fmin7 | Fmin7 | Cmin7 Bb/C Cmin7 | Cmin7 | Ab7 | G7+9 | Cmin7 Bb/C Cmin7 | Cmin7 :||

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Sextuplets John Mclaughlin guitar style into 4+2 Alternate Picking

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Sextuplets John Mclaughlin guitar style into 4+2 Alternate Picking

In this post we will go one further than the last post. This time we will take a group of six [Sextuplets] and make a tetrachord and a half from it.

This will make 4+ 2 which will make us nail the changes with 4 notes on the first chord and 2 notes on the second chord with a short rest to reset our fretting hand to repeat the pattern again on the next two chords.

Alternate picking exercise warm up in Sextuplets/Triplets

Sextuplets John Mclaughlin guitar style into 4+2 Alternate Picking

Why do this?

Because the groups of six are quite easy to play on the guitar and there a heaps of variations on each pattern. They flow easily and can be alternate picked rhythmically to create musical phrasing.

The first pattern for playing through the changes in Sextuplets

Sextuplets John Mclaughlin guitar style into 4+2 Alternate Picking

The first pattern is now changed into 16ths. From 1 2 3 4 5 6 into 1 e and a 2 e

Sextuplets John Mclaughlin guitar style into 4+2 Alternate Picking

The second part of the chord sequence in sextuplets

Sextuplets John Mclaughlin guitar style into 4+2 Alternate Picking

The second pattern is now changed into 16ths. From 1 2 3 4 5 6 into 1 e and a 2 e

Sextuplets John Mclaughlin guitar style into 4+2 Alternate Picking

Finally, the full one bar alternate picking chord sequence nailing the changes

Sextuplets John Mclaughlin guitar style into 4+2 Alternate Picking

VARIATION:

Sextuplets John Mclaughlin guitar style into 4+2 Alternate Picking

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Chromatic Displacement?

As an antidote to enclosure here we look at some easy developing chromatic ideas for improvisation.

These ideas follow a basic 4 note D chromatic scale to an F arpeggio. They then move into a variation.

Idea 1

chromatic displacement for jazz improvisation

Idea 2

chromatic displacement for jazz improvisation

Idea 3

chromatic displacement for jazz improvisation

Idea 4

chromatic displacement for jazz improvisation
chromatic displacement for jazz improvisation

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