Modern Music Theory Improvisation and Application
Lessons from Jazz/World to 20 Century Classical Music Harmony Rhythm and Theory
PDF: BRECKER JAZZ LICK DOWNLOAD
Hi Guys,
In the first part of this line we see target tones and side stepping two classic characteristics of Michael Brecker’s jazz sax style.
In the next two bars notice the “Chromatic” movement:
Michael Brecker “LICK/LINE” in Full:
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Hi Guys!
Just a quick look at two Chick Corea “Dominant” piano licks applied to the guitar.
[Please watch the video above for a deeper analysis].
LICK 1:
3/4 VARIATION LICK: 2
PDF CHICK COREA LICKS:
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Hi Guys,
Just another “Quick” fire lick today from legendary guitar great John Mclaughlin!
This is a short lick doubled in unison with strings [or synth] and played in double time. It employs strict alternate picking starting on a down stroke. The lick exploits two “Dominant” chords, D7#9 and D7#9#11.
John Mclaughlin Guitar Lick:
Ascending John employs a simple pentatonic scale that exploits both the #9 [F natural] and the Major 3rd [F#]. Descending he employs the F melodic [jazz] minor scale.This is because the second dominant chord exploits the #11 [Ab]. It also creates an augmented flavour with the #5 [Bb] note]. This finally resolves to GMaj7#11 with an F#m9 arpeggio that finishes on the C# note [#11 of Gmaj7#11].
Although this line follows musical logic it is also slightly ambiguous which in turn creates an interesting and more original sound:
LICK:
VARIATION with Chromaticism:
PDF FILE:
PDF 2:
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