Dennis Sandole [Guitar] SCALE LORE-Poly/multi scales:

Modern Jazz Fusion Chords part 2. Steely Dan, Dan Chord and Slash Chords

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Hi Guys,

In this blog we will have a brief look at scales from a different perspective.

These ideas/concepts mainly come from Dennis Sandole and his development of poly/multiple scales.

This [Guitar] scale lore as an approach is extremely useful for both composition and improvisation.

Below, we have the B Altered scale. Notice that half of it contains a Whole tone scale whilst the other half contains a Diminished scale: This creates its exotic beauty.

Next let’s look at the Diminished scale: Here we find two Mixolydian Tetrachords. The first with [C] as the root and the second with [F#] a tritone away.

Next, we will create a “Never ending” scale with Tetrachords and you will see how easy it is to be creative with a basic scale cell.

 Dennis Sandole Polytonal scales for SCALE LORE Music Theory TETRACHORDS INTERWEAVING

From the above example notice the Lydian movement that is created in the cycle of 5ths:

dennis-sandole-scale-lore-guitar-example

PolyScales and Bi-Tonal Scales:

Below we have an example of “Blending” scales. Notice how the scale connects with semitones [in blue circles] and the movement follows that of Sandoles student John Coltrane.

dennis-sandole-scale-lore-guitar-example

Now, we will mix it all up in a much more random manner:

dennis-sandole-scale-lore-guitar-example

In this next example we will go the opposite way and create smooth connecting scale fragments by employing triplets:

Now we will use this concept and create a superimposed arpeggio.

SUPER-ULTRA-HYPER-MEGA-META  "Lydian" and Multi Octave Extended Scales Lesson Explanation

Note the intervals as the two Maj7th chords/arpeggios connect:

Lennie Tristano Cmaj7.Dmaj arpeggios. #11 #15th diagram lesson
SUPER-ULTRA-HYPER-MEGA-META  "Lydian" and Multi Octave Extended Scales Lesson Explanation

SCALE COMBINATIONS

We will now join two common scales together. For this we will employ the Lydian Dominant scale and connect it with the Enigmatic scale

SUPER-ULTRA-HYPER-MEGA-META  "Lydian" and Multi Octave Extended Scales Lesson Explanation

Example 1:

Chord to short run.

dennis-sandole-scale-lore-guitar-example

Example 2:

“Double time” 16th’s ascending and descending:

dennis-sandole-scale-lore-guitar-example

Example 3:

In this last example we will employ triplets once again and create arpeggio/triads from the two connected scales:

Multi scales as arpeggios/triads:

dennis-sandole-scale-lore-guitar-example

To finish with here are a couple of examples written by Dennis Sandoles own hand:

Example 1:

Example 2:

Modern Jazz Fusion Chords part 2. Steely Dan, Dan Chord and Slash Chords

Dennis Sandole Guitar Lore/ Scale Lore

In this Vlog/Blog we will take some inspiration from Dennis Sandole’s guitar lore/scale lore concepts.

If we look below we will see an example of a polytonal scale chromatically linking together through different keys,

DENNIS SANDOLE EXAMPLE:

dennis sandole guitar lore

We also see this in common scales too although not to such a degree.

For Instance:

ALTERED

Screen Shot 2020-06-11 at 13.41.24

DIMINISHED

Screen Shot 2020-06-11 at 13.41.34

OKAY, SO LET’S MAKE SOME IMPROVISED  MUSIC OUT OF IT ALL!

HEXACHORDS:

Below is a chromatic linking idea counting in groups of 6 notes over an A7 Alt chord.

Hexatonic DENNIS SANDOLE GUITAR LORE

CHROMATIC RESOLUTIONS ON The OFF BEAT:

This idea relies upon starting the alternate picking by playing off the beat [Missing the first semiquaver]. This creates “Forward Momentum” and puts most of the chromatic notes on the off beat, and at other times creates the illusion of it.

DENNIS SANDOLE off beat CHROMATIC SCALE

DENNIS SANDOLE’S LEGENDARY BOOK GUITAR LORE: Click Image for Amazon:

Guitar Lore Dennis Sandole

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