Alternate Picking beginners Scale exercise lesson

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This simple alternate picking exercise employs a C major scale starting with the note G on the sixth string of the guitar that ascends to the C note on the 1st string of the guitar. This scale then descends back to the G note on the 6th guitar string.

You can think of this scale as G mixolydian or C major starting on the note of G. But, in this lesson it is just a convenient way to cross all 6 strings of the guitar to gain fluency.

Alternate picking beginners newbies Scale exercise lesson

Another useful way to create forward movement is to accent the 5th note of each 6 note [or 2 triplets] groupings.

Alternate picking beginners guitarScale exercise lesson

Lastly, we can double the scale and create a longer line.

Alternate picking beginners guitar Scale exercise lesson

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Visualisation for Music

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Visualisation for Music/Inner game of Music

In this video I talk about musical visualisation and internalisation and how it helps me. The internalisation of music helps with the external performance of music by directing the music out from inside ourselves so that we can articulate it through the external instrument we are playing.

In terms of solo performance this is an invaluable concept.

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A Response: to “MAJOR” Modal transposition and improv:Parent Key

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“MAJOR” Modal transposition and improv:Parent Key

The idea that starting on a different note/degree of the C major scale gives you the modes of C is not correct.

"MAJOR", Modal, transposition, and improv,,Parent, Key,
Modes of the Major Scale

As I have written about in many other posts and Vlogged in many other videos the modes have to be transposed. The parent key or root note will then be C. So for example.

[C] D E F G A B C D =D dorian and NOT C dorian

To transpose this we can say if D is the second note of C [or two 1/2 steps up from C] then what is C the second note of [or two 1/2 steps up from]? Well, it would be Bb

So we have the Bb major scale starting on C

C D Eb F G A Bb C

Now, lets take 4 chords to play over with C as the parent key or root note. Notice that C ionian [Major] only exists in one bar [Bar 3]

"MAJOR", Modal, transposition, and improv,,Parent, Key,
Modes of the Major Scale

Now let’s put these chords into a chart and acknowledge the fast moving harmonic rhythm of 2 chords per bar and 2 chord changes per bar.

"MAJOR", Modal, transposition, and improv,,Parent, Key,
Modes of the Major Scale

We will now create an improvised line to play over these chords.

"MAJOR", Modal, transposition, and improv,,Parent, Key,
Modes of the Major Scale

Same line Double Timed

"MAJOR", Modal, transposition, and improv,,Parent, Key,
Modes of the Major Scale

The first 4 notes

"MAJOR", Modal, transposition, and improv,,Parent, Key,
Modes of the Major Scale

The second 4 notes

"MAJOR", Modal, transposition, and improv,,Parent, Key,
Modes of the Major Scale

The penultimate set of 4 notes

"MAJOR", Modal, transposition, and improv,,Parent, Key,
Modes of the Major Scale

The last 4 notes

"MAJOR", Modal, transposition, and improv,,Parent, Key,
Modes of the Major Scale
 George, Russell, "Lydian, Chromatic, Concept, of, Tona,l Organization,"

For further study: George Russell: “Lydian Chromatic Concept of Tonal Organization

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