PAT MARTINO JAZZ GUITAR GUITAR LESSONS

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Tribute to Pat Martino jazz guitar legend BLOG : With Pat Martino Guitar lesson in jazz improvisation

PAT MARTINO JAZZ GUITAR FREE PDF DOWNLOAD #1

TRIBUTE TO JAZZ GUITAR VIRTUOSO LEGEND PAT MARTINO: JAZZ EXAMPLES

Example 1-Minor Topic. In this line we move via D Dorian and D melodic minor. Interest is created by employing some colourful chromaticism that also gives continuity to the line. These long fluid lines employ a double timed 16ths feel with an upbeat that creates/anticipates forward movement.

Pat-Martino-Jazz-Guitar-Lesson-Examples-Minor-Topic-Example in tab-notation
Pat Martino Minor Topic Jazz Guitar Chromatic lines lesson

Example 2-This is an outside sounding line that exploits chromaticism with E whole tone and A altered scales.

Pat-Martino-Jazz-Guitar-Lesson-Examples-Minor-Topic-Whole-Tone-Scale-Example-in tab-music notation
Pat Martino “Whole Tone Scale” jazz outside approach [Guitar lesson]

Example 3-In this line we can see Pat Martinio’s unique use of Arpeggios, Intervals and Scales.

Pat-Martino-jazz-Guitar-Lesson-Examples-arpeggios-scales-Linear-expressions-intervals-Example-in tab-music notation
Pat Martin Jazz guitar arpeggio, intervals and scale example lesson

Example 4- In this last example we delve into another one of Pat’s long fluid 16th jazz lines. This time there are two bars played over a static C7 chord. In this line we find, Mixolydian, Lydian Dominant, triad inversions, dyad/ 3rds and chromatic resolution.

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Pat Martino Mixolydian/Lydian Dominant Chromatic jazz guitar example. [Lesson]

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ERIC JOHNSON MODERN PENTATONIC GUITAR LINES LESSON/EXAMPLES

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Eric Johnson the Subject of this blog: Modern Pentatonic Guitar Lines for Improvisation

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Today we will look at 4 interesting concepts that Eric Johnson employs with his modern pentatonic guitar approach. We will concentrate on the major pentatonic in this blog.

Example 1 : Employing 5ths

The employment of perfect 5ths is a brilliant way to create a new and modern sound that adds spark and life into any dull overused pentatonic cliche’s.

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ERIC JOHNSON MODERN PENTATONIC GUITAR LINES: Major Pentatonic Perfect 5ths example

Example 2: String Skipping:

This example employs the technique of skipping the strings to create a unique and fresh sounding guitar line that exploits the intervals.

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ERIC JOHNSON MODERN PENTATONIC GUITAR LINES: Major Pentatonic String Skipping example

Example 3: Rhythmic Displacement:

This line is really in groups of three, but the way the tetrachords/Cells [4 note groupings] work creates a rhythmic displacement that adds an interesting rhythmic forward momentum.

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ERIC JOHNSON MODERN PENTATONIC GUITAR LINES: Major Pentatonic Rhythmic Displacement example

Example 4: Rhythmic displacement #2.

Lastly we have a five note grouping that once again exploits not only the pentatonic scale but also the rhythmical aspect of it. This in turn creates a brilliant original sounding rhythmic displaced line.

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ERIC JOHNSON MODERN PENTATONIC GUITAR LINES: Major Pentatonic Rhythmic Displacement example

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“SUMMERTIME” BACKING TRACK AND CHORD CHART [GERSHWIN]JAZZ TRIO

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“SUMMERTIME” BACKING TRACK AND CHORD CHART [GERSHWIN]JAZZ TRIO

“SUMMERTIME” CHORD CHART [GERSHWIN]

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“SUMMERTIME” BACKING TRACK AND CHORD CHART [GERSHWIN]JAZZ TRIO

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