Steely Dan Chords:How to Play/Use Them

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Steely Dan Chords/Harmony Analysis and the Subject of this Blog

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Classic Steely Dan Chord Sequencing with the “Top down” approach for each bar.

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Steely Dan Chords/Harmony. How to sound, play and compose like Steely Dan with musical Analysis and Examples

Two common rhythmic devices from Steely Dan:

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Steely Dan Chords/Harmony. How to sound, play and compose like Steely Dan with musical Analysis and Examples

Steely Dan chord Substitutions: How to do it:

C Major Substitutions for Composition/Chord Colouring:

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Steely Dan Chord Substitutions for Composition and song writing

C7 Dominant: [Going to FMaj7]

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Steely Dan Chord Substitutions for Composition and song writing

C Minor: [Dorian Flavour]

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Steely Dan Chord Substitutions for Composition and song writing

C m7b5: Substitution.

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Steely Dan Chord Substitutions for Composition and song writing

Next we have the “Dan” chord a trademark sound of Steely Dan:

Steely Dan, Chords, the  Dan Chord, example,

The “Dan” chord is a 1st inversion chord with an added 9th

The “Dan” chord in pracitce: Steely Dan:

Steely Dan, The Dan, Chord, example,
Steely Dan the “Dan” chord example in a chord sequence

Lastly, we have another melodic implication through colourful harmony flowing effortlessly in the Steely Dan syncopated rhythmic style.

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Steely Dan Rhythmic variations with melodic inflections example

ABOUT STEELY DAN:

Steely Dan is an American rock band founded in 1971 at Bard College in Annandale-on-Hudson, New York by core members Walter Becker (guitars, bass, backing vocals) and Donald Fagen (keyboards, lead vocals). Blending elements of rock, jazzLatin musicR&Bblues[5] and sophisticated studio production with cryptic and ironic lyrics, the band enjoyed critical and commercial success starting from the early 1970s until breaking up in 1981.[5] Initially the band had a core lineup, but in 1974, Becker and Fagen retired the band from live performances altogether to become a studio-only band, opting to record with a revolving cast of session musiciansRolling Stone has called them “the perfect musical antiheroes for the Seventies”.[6]

After the group disbanded in 1981, Becker and Fagen were less active throughout most of the next decade, though a cult following[5] remained devoted to the group. Since reuniting in 1993, Steely Dan has toured steadily and released two albums of new material, the first of which, Two Against Nature, earned a Grammy Award for Album of the Year. They have sold more than 40 million albums worldwide and were inducted into the Rock and Roll Hall of Fame in March 2001.[7][8][9][10] VH1 ranked Steely Dan at No. 82 on their list of the 100 Greatest Musical Artists of All Time.[11] Rolling Stone ranked them No. 15 on its list of the 20 Greatest Duos of All Time.[12] Founding member Walter Becker died on September 3, 2017, leaving Fagen as the sole official member.

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MORE ON CHORDS CLICK

Jazz Fusion Chords Part 2 From Steely Dan to Complex Slash Chords;

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Clifford Martin Article Writer

PART 2:

Simple 1st inversion 9th “Dan”chords: [Steely Dan] example.

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“Dan” chord [Steely Dan] descending chords with 1st inversion 9th chords

Variation with melody notes and the usual “Steely Dan” rhythmic syncopation movement:

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Steely Dan Chords example. Syncopated rhythmic harmonic movement example

STATIC CHORDING TO BASS MOVEMENT:

Bass Walk down technique: Minorising-Dm9 extended vamp with the harmony held in the top with a bass walking down: [More aggressive and not really swung in fusion]

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Jazz Fusion chordal vamp Bass walk down. Harmony held in top.

MORE COMPLEX CHORDING

Diminished Scale: “Slash Chords”

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Diminished Scale Slash Chords for jazz/fusion improvising and composition. Modern Jazz/Fusion Chords

B and F Triad Pairs as Chords:

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Triad Pairs as Jazz Fusion chords example lesson. Modern Jazz Fusion Chords

Whole Tone Scale Chord Movement: 20 c Classical meets Jazz Fusion.

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Whole Tone Scale Chords Example of Voicings. Modern Jazz Fusion Chords

TOP DOWN CHORD CONCEPT:

Exercise : “Top Down” Harmonisation. Chromatically Harmonising the top note A natural.

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“Top Down” Jazz/Fusion chord example/lesson and chromatic exercise for harmonising one note

CHORDS FOR HARMONISATION AND SONG DEVELOPMENT

Song Extended Endings: #1

Modern, Jazz fusion chords, Steely Dan and Chromatic complex re harmonisations
Extended Jazz/Fusion Song ending example of re harmonisation techniques

Song Extended Endings: #2

Jazz fusion chords, Steely Dan and Chromatic complex re harmonisations
Extended Jazz/Fusion Song ending example of re harmonisation techniques

CLICK HERE FOR MODERN JAZZ FUSION CHORDS PART 1

MORE ON “STEELY DAN” CHORDS CLICK HERE!

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Modern Jazz Fusion Chords part 2. Steely Dan, Dan Chord and Slash Chords

“joy” by shakti- question-answer from different cultural perspectives

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“Joy” by Shakti/John Mclaughlin analysis from different cultural perspectives

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The first part of “Joy” as a Four bar 16 Beat “Teen Taal” Fusion Cycle

First Bar

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“Joy” by Shakti/John Mclaughlin analysis from different cultural perspectives

Second Bar

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“Joy” by Shakti/John Mclaughlin analysis from different cultural perspectives

Third Bar

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“Joy” by Shakti/John Mclaughlin analysis from different cultural perspectives

Fourth Bar

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“Joy” by Shakti/John Mclaughlin analysis from different cultural perspectives

Full 4 Bars

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“Joy” by Shakti/John Mclaughlin analysis from different cultural perspectives

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“Joy” Shakti/John Mclaughlin Classic Album

Shakti (Shakti album)

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Shakti with John McLaughlin
Live album by Shakti
Released1976
RecordedJuly 5, 1975, at Southampton CollegeLong Island
GenreWorld fusion
Length52:00
LabelColumbia
ProducerJohn McLaughlin
Shakti chronology
Shakti with John McLaughlin
(1976)A Handful of Beauty
(1976)
John McLaughlin chronology
Inner Worlds
(1976)Shakti with John McLaughlin
(1976)A Handful of Beauty
(1976)
Review scores
SourceRating
Allmusic [1]
The Penguin Guide to Jazz Recordings[2]
The Rolling Stone Jazz Record Guide[3]
“Joy” Shakti/John Mclaughlin Classic Album http://www.jazzimproviser.com

Shakti with John McLaughlin is the first album by Shakti, described as “another brain blowing achievement” by Agha Yasir [1].

Track listing

Side one

  1. “Joy” (John McLaughlin/L. Shankar) – 18:13
  2. “Lotus Feet” (McLaughlin) – 4:44

Side two

  1. “What Need Have I for This–What Need Have I for That–I Am Dancing at the Feet of My Lord–All Is Bliss–All Is Bliss” (McLaughlin/Shankar) – 29:03

Personnel

Personnel – Production (Record)

  • John McLaughlin – Producer
  • Nathan Weiss – Manager
  • Joseph D’Anna – Engineer
  • Stan Tonkel – Engineer
  • Apeksha Bacciagallupi
  • Pranavanada – Photos
  • Gregory diGiovine – CBS Records
  • Danny Wong – Lettering
  • Marie de Oro – Design

Personnel – Production (CD)

  • Mike Berniker – Producer, Coordination
  • Larry Keyes – Digital Remastering
  • Gary Pacheco – Coordination
  • Penny Armstrong – Coordination
  • Tony Tiller – Package Coordination
  • Pete Cenedella – Package Coordination

Chart performance

YearChartPosition
1976Billboard 200194[4]
1976Billboard Jazz Albums37[4]
“Joy” Shakti/John Mclaughlin Classic Album http://www.jazzimproviser.com

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