In this riff/line I employ alternate Picking but I start with an upstroke for the first phrase. After that I start the remaining phrases on a down stroke.

Although this line is D altered in terms of scalic concept it could also be thought of as shifting between D minor, D Dorian and Eb Melodic Minor.
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C DORIAN MODE BROKEN UP INTO 4THS
C DORIAN MODE “CHORDAL PICKING” IN 4THS
For more on the dorian mode, quartal harmony and modal jazz in general take a listen to the great Jazz pianist Mcoy Tyner.


