PLEASE WATCH VIDEO ABOVE: [For Detailed Explanation]
FREE Pdf of all 3 Examples:
Example 1:

Example 2:

Example 3:

IF THIS LESSON WAS OF VALUE TO YOU THEN PLEASE SUBSCRIBE TO US ON YOUTUBE BELOW, THANKS!

Modern Music Theory Improvisation and Application
Lessons from Jazz/World to 20 Century Classical Music Harmony Rhythm and Theory
PLEASE WATCH VIDEO ABOVE: [For Detailed Explanation]
FREE Pdf of all 3 Examples:
Example 1:

Example 2:

Example 3:

IF THIS LESSON WAS OF VALUE TO YOU THEN PLEASE SUBSCRIBE TO US ON YOUTUBE BELOW, THANKS!

PLEASE WATCH VIDEO ABOVE FOR EXAMPLES:
FREE PDF DOWNLOAD
John Mclaughlin establishes the Dm7 tonality and then chromatically slips into the altered sound with the EbmMaj7. The Eb note then resolves up to the E natural. The resolution is finally established the F major arpeggio to create Dm7.

In the next bar John employs Db Lydian Harmony over the G7b5 chord. [The b5 of G7 of course being the Db note]. John keeps the G natural note to establish G7 and at the same time establish the #11 of Db harmony.

Full Lick:

LICK VARIATION:

John Mclaughlin Short ii V I Jazz GuitarLick:

IF THIS LESSON WAS OF VALUE TO YOU THEN PLEASE SUBSCRIBE TO US ON YOUTUBE BELOW, THANKS!

PLEASE WATCH VIDEO ABOVE:
Frevo Variation alternate picking guitar lick PDF DOWNLOAD:
This is the same as the “Frevo” intro from the guitar trio [Friday night in San Francisco].
The fingering is the same throughout. It is a simple repeated pattern of a 6 note grouping.

You can count this easily as 1 2 3 4 5 6 or in Triplets or as Ta ki ta Ta ki ta.
The lick starts on a “Down Stroke” and employs strict “Alternate Picking” guitar technique throughout:

IF THIS LESSON WAS OF USE TO YOU THEN PLEASE SUBSCRIBE TO US BELOW ON YOUTUBE, THANKS!
