How to-Jazz Guitar “outside” Playing with Chromatic enclosure [Target Tones].

yt_logo_rgb_light CLICK SUBSCRIBE!

Alternate Picking jazz Chromatics [Enclosure/Target Tones]

Please watch video above for detailed analysis:

PDF DOWNLOAD:

Example 1:

Notice the anacrusis/upbeat. See how the note C is targeted with the three chromatic notes starting on an “Up” stroke for alternate picking. It is essential to count time in order to carry the rhythmic phrasing as you connect it all together.

jazz-guitar-how-to-chromatics

Notice that the “Target Tones” [Enclosure] are now in the bar as part of the line, but the set up remains the same.

jazz-guitar-how-to-chromatics

Example 2:

This time we have an upbeat with 4 [even notes] grouping. Again, the target tones are set up in the bar as part of the line. Notice, how the chromatic notes set up the key notes on the “Strong” beat.

jazz-guitar-how-to-chromatics

The next part employs pentatonic tetrachords [4 note groupings]. These are easy to play at a quick tempo on the guitar and work well to connect the next bars chromatic content.

jazz-guitar-how-to-pentatonics

We finally finish with chromatic notes in even alternate picking groupings outlining B7+

jazz-guitar-how-to-chromatics

EX.1

jazz-guitar-how-to-chromatics

EX.2

jazz-guitar-how-to-chromatics

IF THIS LESSON WAS OF VALUE TO YOU THEN PLEASE SUBSCRIBE TO US ON YOUTUBE BELOW, THANKS!

“Jazz Target Tones”- Alternate Picking Guitar Set-Ups Technique

yt_logo_rgb_light CLICK SUBSCRIBE!

Target Tones- Alternate Picking Guitar Set-Ups Technique

Please watch video above for in depth analysis:

Hi Guys!

Today we will have a look at setting up “Jazz Target Tones” with alternate picking guitar technique for fast fluid improvising lines.

target, tones, jazz, guitar,
Target Tones- Alternate Picking Guitar Set-Ups Technique

The example above is the most common and best example of how target tones work and how they are set up. Notice that the weak beat or off beat is the starting note. So, we have [4] e and a as an “Up Beat” [or Anacrusis]. This leads to the strong beat 1 in bar 1.

Now, for alternate picking we need to be aware of what picking stroke we will start on for this weak “Off” beat. Being the “Off” beat and syncopated it will be the “Up Stroke” as in [Down] Up down Up.

target, tones, jazz, guitar,
Target Tones- Alternate Picking Jazz Guitar Set-Ups

In the Exercise below we will now employ Target Tones within the improvised line itself from the second beat. Again, notice that the target tones start on the “Up Stroke” and resolve to the on [1st] beat of the next chord smoothly with the down stroke.

target, tones, jazz, guitar,
Target Tones- Alternate Picking Jazz Guitar Set-Ups

With this method you will always know where you are in the bar rhythmically, when you are on the off beat [Up Stroke] and what stroke you will start the next “On” beat with [Down stroke].

Here’s another example:

target, tones, jazz, guitar,
Target Tones- Alternate Picking Jazz Guitar Set-Ups

It’s also helpful to accent the 1st note in each four note grouping as this will create the jazz feel and thrust the target tones along rhythmically whilst moving your fretting hand into position.

target, tones, jazz, guitar,
Target Tones- Alternate Picking Jazz Guitar Set-Ups

Exercise 1: Ascending Line:

target, tones, jazz, guitar,
Target Tones- Alternate Picking Jazz Guitar Set-Ups

Exercise 2: Descending Line:

target, tones, jazz, guitar,
Target Tones- Alternate Picking Jazz Guitar Set-Ups

Exercise 3: Extended Line: [Ascending and Descending]

target, tones, jazz, guitar,
Target Tones- Alternate Picking Jazz Guitar Set-Ups

IF THIS LESSON WAS OF USE TO YOU THEN PLEASE SUBSCRIBE TO US BELOW ON YOUTUBE, THANKS!

Enclosure/Target Tones Jazz chromatics for the improvised line

The key to understanding this is to look where the little target tones/enclosure motif/melody starts.

Here we have two.

The first is “OFF” the BEAT

and the second is “ON” the beat

Example 1: “Off Beat” classic target tone/enclosure set-up

Jazz chromatic target tones explained

Example 2: “On the beat” and in the bar set-up in the improvised line [Target tone/Enclosure]

On the beat jazz Target tone/Enclosure for improv

THEORY:

What you will notice is that the Chord tones are “on” the beat [Strong] whilst the chromatic or unessential notes are “Off” the beat.  

This is the key to how it works and how to create beautiful flowing lines easily!

Bebop target tones enclosure jazz improvisation explanation
Chord tones on the “Strong” Beats for jazz enclosure

Full Target tones/Enclosure Jazz Chromatics improvisation lick/line

Target tones/Enclosure Jazz Chromatics improv lick/line

Thanks for viewing this post, I hope it was interesting and useful? If so then Please Subscribe to us on youtube!

yt_logo_rgb_light CLICK SUBSCRIBE!