“Jazz Target Tones”- Alternate Picking Guitar Set-Ups Technique

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Target Tones- Alternate Picking Guitar Set-Ups Technique

Please watch video above for in depth analysis:

Hi Guys!

Today we will have a look at setting up “Jazz Target Tones” with alternate picking guitar technique for fast fluid improvising lines.

target, tones, jazz, guitar,
Target Tones- Alternate Picking Guitar Set-Ups Technique

The example above is the most common and best example of how target tones work and how they are set up. Notice that the weak beat or off beat is the starting note. So, we have [4] e and a as an “Up Beat” [or Anacrusis]. This leads to the strong beat 1 in bar 1.

Now, for alternate picking we need to be aware of what picking stroke we will start on for this weak “Off” beat. Being the “Off” beat and syncopated it will be the “Up Stroke” as in [Down] Up down Up.

target, tones, jazz, guitar,
Target Tones- Alternate Picking Jazz Guitar Set-Ups

In the Exercise below we will now employ Target Tones within the improvised line itself from the second beat. Again, notice that the target tones start on the “Up Stroke” and resolve to the on [1st] beat of the next chord smoothly with the down stroke.

target, tones, jazz, guitar,
Target Tones- Alternate Picking Jazz Guitar Set-Ups

With this method you will always know where you are in the bar rhythmically, when you are on the off beat [Up Stroke] and what stroke you will start the next “On” beat with [Down stroke].

Here’s another example:

target, tones, jazz, guitar,
Target Tones- Alternate Picking Jazz Guitar Set-Ups

It’s also helpful to accent the 1st note in each four note grouping as this will create the jazz feel and thrust the target tones along rhythmically whilst moving your fretting hand into position.

target, tones, jazz, guitar,
Target Tones- Alternate Picking Jazz Guitar Set-Ups

Exercise 1: Ascending Line:

target, tones, jazz, guitar,
Target Tones- Alternate Picking Jazz Guitar Set-Ups

Exercise 2: Descending Line:

target, tones, jazz, guitar,
Target Tones- Alternate Picking Jazz Guitar Set-Ups

Exercise 3: Extended Line: [Ascending and Descending]

target, tones, jazz, guitar,
Target Tones- Alternate Picking Jazz Guitar Set-Ups

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Brecker Chromatic Jazz Guitar Line Exercise

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Michael Brecker Chromatic Jazz Guitar Line Exercise

PLEASE: Watch video above for detailed analysis:

This Michael Brecker sax line is an excellent exercise for alternate picking guitar technique. The key is to accent the 1st and 3rd notes [Downstrokes] as this will keep the chromatic 4 note “Even” groupings smooth.

brecker-guitar-lesson-jazz-tab
Michael Brecker Chromatic Jazz Guitar Line Exercise

The employment of chromaticism and target tones [deliberately “Even” for alternate picking] scale fragments and an arpeggio makes this an extremely useful exercise for linking together improvising ingredients.

brecker-guitar-lesson-jazz-tab
Michael Brecker Chromatic Jazz Guitar Line Exercise

VARIATION: At End

brecker-guitar-lesson-jazz-tab

Michael Brecker Chromatic Jazz Guitar Line Exercise

Michael Brecker Chromatic Jazz Guitar DOWNLOAD:

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Jazz improviser approaches King Crimson/Fripp with Guitar Lesson

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King Crimson/Fripp Polytonal Guitar Lesson for the jazz improviser

Please watch video above for in depth analysis:

PDF FILE KING CRIMSON FRIPP GUITAR EXAMPLE:

In this short study/etude the jazz improviser looks at how to compose in the style of Robert Fripp and King Crimson with the whole tone scale’s major 3rds and employing polytonality with a polytonal picking guitar turn around:

HERE IS THE NOTATION/TAB:

king-crimson-guitar-lesson-tab
King Crimson Guitar Polytonal and Whole tone scale 3rds
king-crimson-guitar-lesson-tab
King Crimson Guitar Polytonal and Whole tone scale 3rds

king-crimson-polytonal-guitar-lesson-tab
King Crimson Guitar Polytonal and Whole tone scale 3rds

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