MICHAEL BRECKER JAZZ IMPROVISATION Lick Quick Analysis

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CHROMATICS AND CELL [TETRACHORD] REPLICATION 

Michael brecker  jazz improvisation part 2 replicated cells

In this example can see how Michael Brecker weaves in and out of the harmony with a replicated cell that descends in minor 3rds.

4 note  cell

Michael brecker  jazz improvisation part 2 replicated cells

2 cells descending in minor 3rds replicated

replicated cells in minor 3rds for jazz improvisation

We can now look at the whole line and see and hear where the descending replicated  cells in minor 3rds start and how they serve their purpose.

Michael brecker  jazz improvisation part 2 replicated cells

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PAT MARTINO JAZZ GUITAR GUITAR LESSONS

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Pat-Martino-jazz-Guitar-Tribute--Minor-Topic-Linear-Expressions-subject-of-blog-picture
Tribute to Pat Martino jazz guitar legend BLOG : With Pat Martino Guitar lesson in jazz improvisation

PAT MARTINO JAZZ GUITAR FREE PDF DOWNLOAD #1

TRIBUTE TO JAZZ GUITAR VIRTUOSO LEGEND PAT MARTINO: JAZZ EXAMPLES

Example 1-Minor Topic. In this line we move via D Dorian and D melodic minor. Interest is created by employing some colourful chromaticism that also gives continuity to the line. These long fluid lines employ a double timed 16ths feel with an upbeat that creates/anticipates forward movement.

Pat-Martino-Jazz-Guitar-Lesson-Examples-Minor-Topic-Example in tab-notation
Pat Martino Minor Topic Jazz Guitar Chromatic lines lesson

Example 2-This is an outside sounding line that exploits chromaticism with E whole tone and A altered scales.

Pat-Martino-Jazz-Guitar-Lesson-Examples-Minor-Topic-Whole-Tone-Scale-Example-in tab-music notation
Pat Martino “Whole Tone Scale” jazz outside approach [Guitar lesson]

Example 3-In this line we can see Pat Martinio’s unique use of Arpeggios, Intervals and Scales.

Pat-Martino-jazz-Guitar-Lesson-Examples-arpeggios-scales-Linear-expressions-intervals-Example-in tab-music notation
Pat Martin Jazz guitar arpeggio, intervals and scale example lesson

Example 4- In this last example we delve into another one of Pat’s long fluid 16th jazz lines. This time there are two bars played over a static C7 chord. In this line we find, Mixolydian, Lydian Dominant, triad inversions, dyad/ 3rds and chromatic resolution.

Pat-Martino-jazz-Guitar-Lesson-Examples-Mixolydian-Lydian-Dominant-Linear-Expressions-Example
Pat Martino Mixolydian/Lydian Dominant Chromatic jazz guitar example. [Lesson]

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Robert Fripp Cross Picking Guitar craft Technique Lesson

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All of the Picking Patterns consist of “Down Down Up” with the guitar plectrum. Below you will see this basic pattern in a repeated loop.

Robert Fripp Cross picking “Down Down Up” Guitar Technique Lesson

In the next exercise we will move this basic “Down Down Up” Cross Picking guitar pattern along the fingerboard

Robert Fripp Cross picking “Down Down Up” Guitar Technique Lesson

Next, we can employ Augmented and Diminished triads in triplets which is a very King Crimson Frippesque 70’s guitar sound/technique.

Robert Fripp Cross picking “Down Down Up” Guitar Technique Lesson

We will now cross pick with the plectrum and employ an “Open string” concept.

Robert Fripp Cross picking “Down Down Up” Guitar Technique Lesson

Now, we will develop this open string cross picking with a variation exercise

Robert Fripp Cross picking “Down Down Up” Guitar Technique Lesson

This last pattern doesn’t employ any open string play but is useful in regards to the string crossing movement.

Robert Fripp Cross picking “Down Down Up” Guitar Technique Lesson

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