robert fripp – Page 2 – modern music theory and application

Alternate Picking Groups of 6 notes for Jazz/fusion guitar

Posted on July 30, 2023August 10, 2023 by Modern Music Theory

Alternate Picking Groups of 6 notes for Jazz/Fusion Guitar

IMPORTANT: Please watch the video above for detailed info:

Hi Guys,

Today, a quick look at using groups of 6 notes for double timing in Jazz/Fusion.

Although these are sextuplets I am using them as a double timing musical tool and hence thinking of them slightly differently. This is because I am using a tempo marking of 100Bpm.

Why would I do this?

The reason being – Around this tempo demisemiquavers or 32nd notes might be too quick to play and offset the rhythm too much:

Alternate-Picking-Groups-6 notes-fusion-guitar

and 16th notes [tetrachords] may be too draggy and not pushy enough.

So, grouping 6 notes together over [1 crotchet] or 1 quarter note works really well rhythmically for clear cut phrasing. This is the sort of thing Al Di Meola or John McLaughlin would do.

You can count this how you want. Below are some common examples.

Alternate-Picking-Groups-6 notes-fusion-guitar-counting-time

In order to get forward momentum and shift the grouping along it is a really good idea to “Accent” the third note in each six note grouping: This also gives you a reference point and avoids muddying the groupings of notes.

Alternate-Picking-Groups-6 notes-accents-accenting

EXERCISE 1:

Here is the first exercise starting on a down stroke with strict alternate picking:

Alternate-Picking-Groups-6 notes-fusion-guitar-exercise

EXERCISE 2:

In the next exercise the second part goes the other way on the guitar fingerboard.

EXERCISE 3: EXTENDED LONG LINE:

This is an extended exercise with strict alternate picking : Remember to count the groupings as you play to begin with so that you internalise them.

PDF DOWNLOAD:

groups-6 GUITAR Download

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Alternate Picking Guitar Technique: The Plectrum/Pick Grip

Posted on July 9, 2023July 17, 2023 by Modern Music Theory

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Alternate Picking: Essential Grip for fast articulated picking

IMPORTANT: Please watch video above for detailed info:

Hi Guys,

Today, a quick look at alternate picking plectrum/pick grip.

It’s not so important how you hold the pick or what finger you use. But, it is essential not to have a wobbly thumb and/or finger .

A lot of guitar players when they start out with alternate picking often change the grip just as they are about the pluck the string! This makes it impossible to gauge distance.

When the thumb is rigid and the grip is solid, distance, articulation and timing fall into place automatically.

Pic 1: Good solid grip

Pic 2: Pick confidently plucks string

Below [Pic 3]: BAD! At the last moment the pick is turned as it is about to pluck the string and the thumb and finger wobble/collapse:

2 BASIC EXERCISES:

Here are a couple of exercises for practicing whilst getting the feel of gripping the pick firmly.

The first is a simple A minor Pentatonic scale in sextuplets. Counting basic 1 2 3 4 5 6

This starts on a down stroke:

alternate-picking-guitar-techniques-exercise

Next we have the same thing but in groups of four 16th notes.

It’s a good idea to play around with these two exercises by mixing the groups of 4 and 6 together and create little phrases out of them.

PDF DOWNLOAD:

alt-pick-guitar-grip Download

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Scale Application for Guitar Improvisation

Posted on February 3, 2023February 14, 2023 by Modern Music Theory

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Guitar scales made easy!

Please watch video above for detailed analysis

Hi Guys,

Many players ask, “How do I apply scales”?????

Many people get shred guitar mixed up with improvisational styles especially in regards to alternate picking.

Then, when improvisational chord changes appear the scalic structure, guitar fingering, rhythm and phrasing go out of the window. Because, the clumpy classical fingering impedes the rhythmic flow needed to weave in and out of rapid chord changes.

So what to do?

The key is to make simple fingerings with pentatonics, triad pairs, arpeggios, and chromatic passing notes and target tone set ups.

In the example for this blog/video we will go to the absolute basics and create a very simple scale. [please watch video above for more detail]

So, let’s look at the example of a simplified scale built from the basic major scale. [This could be seen as Phrygian but it is just exploiting a simple fingering]

This Ascends and Descends starting on a “Downstroke” with strict alternate picking.

For most players the most awkward part is descending on the last 2 strings the A and the E string.

Here is the same scale but with an even easier final 4 notes on the E and A strings:

Next we will apply this concept of breaking up scales and apply it to a bit of John Coltrane’s “Countdown”.

Notice the “Tetrachords” and 2 beat phrases through the rapid changes of harmony.

countdown-guitar-tab-improvisation-example

With the chords moving so quickly and the harmony changing in this manner you can easily hear, see and feel how important it is to be able to improvise with simple broken up scales that inevitably result in simple fluid fingering.

PDF: DOWNLOAD:

scale-fingering Download

“Countdown” Example: PDF DOWNLOAD:

countdown-scales Download

IF THIS LESSON WAS OF USE TO YOU THEN PLEASE SUBSCRIBE TO US BELOW ON YOUTUBE, THANKS!