Alternate Picking “Off beat” Jazz Fusion Guitar Lesson

The key to alternate picking with the guitar pick when dealing with jazz improvisation and jazz fusion improvisation is to be aware of the off -beat. In these two little examples we simply miss the 1st beat.

Remember that the 2nd note of a group of 16ths will be an “Off-beat” and an “Upstroke”. But, if you start on the “Off-beat” with a down stroke then the patterns will be opposite to what they would be starting on the beat. This may sound confusing but is “paradoxically” natural and an easy way to create and control ‘syncopation”, literally cutting off the first note.

You can do this anywhere in the bar, but to begin with it is best explained through the two short example alternate picking exercises.

This phrase below is a little “Off-beat” phrase found in the John Mclaughlin album/CD called “Belo Herozonte.

off beat alternate picking john Mclaughlin guitar exercise
Silent “Off-Beat” alternate picking guitar exercise

 

Below we use sextuplets and miss out the first beat. [Count the silent beat but pluck the string starting on the 2nd off beat].

Sextuplets alternate picking guitar exercise "Off-Beat"
Sextuplets off-beat alternate picking guitar exercise

 

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Diminished scale for jazz Improvisation licks and application

The most common concept for the diminished scale is to sequence or repeat a motif by a minor 3rd. Below is an example of this.

Below we see and hear “Tetrachords” repeated or sequenced descending with the minor 3rd interval creating a beautiful flowing jazz double timed improvised line.

the diminished scale descending in minor 3rds jazz improvisation

Guitar Tablature and notation of the above diminished scale motif descending in minor 3rds.

Guitar  diminished scale descending in minor 3rds in jazz improv

diminished lick number 2

Below is another set of four note “Tetrachord” groupings descending in minor 3rds from the diminished scale.

diminished scale jazz improvisation lick descending in minor 3rds

Guitar Tablature for the above diminished scale jazz lick

Guitar diminished scale jazz improvisation lick

DIMINISHED CLICHES FOR JAZZ IMPROVISATION

The next lick is a bit of a diminished cliche but it always works and is very useful when improvising in a jazz context.

Again, notice the descending minor 3rds and 4 note tetrachord groupings which is very common in jazz improvisation when doubling the time from 8ths into 16ths.

diminished scale jazz cliche lick in minor 3rds

Guitar tab and notation for the above diminished cliche jazz improvisation lick

Guitar  diminished scale jazz lick descending in minor 3rds

ascending minor 3rds diminished jazz lick

Lastly, we have a diminished scale idea/lick “Ascending” in minor 3rds. Again, a bit of a cliche but very useful for jazz improvisation.

diminished scale ascending in minor 3rds

Guitar tablature and notion of the above diminished scale jazz lick

Guitar diminished scale ascending in minor 3rds

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John Mclaughlin Jazz/Fusion Improvisation Guitar Line

A short line from jazz fusion pioneer and guitar great john mclaughlin

John Mclaughlin Jazz fusion guitar improvisation tab and music notation

John Mclaughlin Improvisation guitar lick
John Mclaughlin Alt Dom jazz fusion guitar lick/line

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