In order to play “Off” the beat you must first establish the “On” beat. This way you can anticipate or push the music/melody/riff or motif along and then return to the established “On” beat.
When beat one is established we can then push any beat from there on. The key is then to return to the “On” beat to start the next phrase or vamp or piece of music.
If you play “Off” the beat continuously the syncopation/anticipation will be lost.
In order to fully comprehend off-beat playing it is an extremely good idea to learn and practice the two most common essential rhythms in every way possible, both in the bar and across the bar line. But, always coming back to the “On” beat for the start of the new phrase.
Rhythm 1
Rhythm 2
You can change the harmonic rhythm or join the rhythms together and create vamps or phrases.
Example:
Example:
Mixing Both Rhythms Together:
Now we will add a bass push/anticipation: [Notice the BASS note is “Tied” across the bar line].
In this example we will add a short “Melody” to a chord:
Here are a set of variations on a chord change:
Variation 1:
Variation 2:
Variation 3:
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Clifford Martin is a trained classical musician and composer. His 1st study being piano and composition and a deep study into the meticulous world of modern music theory. He also studied jazz piano and jazz drums privately.
Clifford later came back to the guitar and studied in the jazz fusion style of John McLaughlin and Al di Meola. It was at this point that he put all of his years of learning together into one musical form
This website is a sort of cataloging of ideas and musical concepts for exploitation and development in the arts of musical composition and improvisation. What started out as a jazz improvisation site has grown into a full blown, harmony, timbre, pitch and rhythm library. Peace, Enjoy!
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