Alternate Picking Guitar Technique: The Plectrum/Pick Grip

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Alternate Picking: Essential Grip for fast articulated picking

IMPORTANT: Please watch video above for detailed info:

Hi Guys,

Today, a quick look at alternate picking plectrum/pick grip.

It’s not so important how you hold the pick or what finger you use. But, it is essential not to have a wobbly thumb and/or finger .

alternate-picking-guitar-techniques

A lot of guitar players when they start out with alternate picking often change the grip just as they are about the pluck the string! This makes it impossible to gauge distance.

When the thumb is rigid and the grip is solid, distance, articulation and timing fall into place automatically.

Pic 1: Good solid grip

alternate-picking-guitar-techniques

Pic 2: Pick confidently plucks string

alternate-picking-guitar-techniques

Below [Pic 3]: BAD! At the last moment the pick is turned as it is about to pluck the string and the thumb and finger wobble/collapse:

alternate-picking-guitar-techniques

2 BASIC EXERCISES:

Here are a couple of exercises for practicing whilst getting the feel of gripping the pick firmly.

The first is a simple A minor Pentatonic scale in sextuplets. Counting basic 1 2 3 4 5 6

This starts on a down stroke:

alternate-picking-guitar-techniques-exercise

Next we have the same thing but in groups of four 16th notes.

alternate-picking-guitar-techniques-exercise

It’s a good idea to play around with these two exercises by mixing the groups of 4 and 6 together and create little phrases out of them.

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MINOR TOPIC-EASIER WAY TO IMPROVISE WITH MODES

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minor topic-an easier way to improvise with modes of music

IMPORTANT: Please watch video above for detailed info:

Hi Guys,

Today, a quick look at another way of exploiting modes/improvisation on the guitar fingerboard.

We will be creating music via concepts/musical tools based on this minor shape.

minor-topic-pat-martino
simplified-modal-guitar-explanation

Why do this?

Because with this 5 fret shape arpeggio we can easily create:

simplified-modal-guitar-explanation

So, for instance in C Major [Ionian] we can take chord iii and Vi arpeggio shapes as a solid base and create/develop improvisation-as opposed to learning millions of scale/mode shapes/patterns etc.

minor-topic-guitar-modes
simplified-modal-guitar-tablature

With this as a base we can develop proper musical lines and rhythmic phrasing

Before we start it’s important to see how easily chords iii and Vi link together:

simplified-modal-guitar-explanation

Example:

modes-guitar-simplified-tab

The first thing to be aware of is the basic pentatonic’s right under our fingertips with this arpeggio shape:

[These pentatonic’s give us some basic building blocks from the outset]:

guitar-modes-pentatonics
guitar-modes-pentatonics
guitar-modes-pentatonics
guitar-modes-pentatonics-simplified

QUARTAL SOUNDS

Next let’s add some 4ths for a Quartal jazz/fusion-esque sound:

Descending:

guitar-modes-4ths-jazz-simplified

Ascending:

guitar-modes-4ths-jazz-simplified

With extension

guitar-modes-4ths-jazz-simplified

Basic Quartal fingerboard movement:

guitar-modes-4ths-jazz-simplified

CYLE OF 4THS

Another thing to take into consideration is the cycle of 4ths under our fingertips:

cycle-4ths-guitar-modes

Remember that we can also make these, major, minor, diminished or augmented:

For instance all major:

cycle-4ths-guitar-modes

All minor

cycle-4ths-guitar-modes

[This gives us even more colour and choices for chromaticism/chromatic movement right under our fingertips once again]

TARGET TONES/APPROACH NOTES [JAZZ CHROMATICS]

Below, we can see the set-up for target tones with this Em arpeggio shape:

target-tones-modal-guitar-explained

We can also add some chromatic notes to this to create a longer jazzy-esque line:

target-tones-modal-guitar-explained

String Skipping Petnatonic’s

String skipping works well because it removes familiarity/cliches from the ear:

Here are two examples:

modal-guitar-string-skipping

Example 2:

modal-guitar-string-skipping

PAIRING TRIADS

Lastly pairing triads works really. Here is a Lydian example:

triad-pairs-modes-guitar-simplified

conclusion

This blog has only really touched on this way of thinking, but, you can see how easy it is to make connecting lines and musical phrasing and how to exploit improvisation tools from this simple minor arpeggio shape.

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John McLaughlin Altered Guitar Lick [YT SHORTS]

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Short McLaughlin-esque ii V7 I guitar lick

IMPORTANT: Please watch video above for Guitar Lick:

Hi Guys

Just a short John Mclaughlin jazz fusion acoustic guitar lick from my youtube shorts. This, as per usual, employs strict alternate picking starting on a “Down stroke”.

john-mclaughlin-guitar-technique

Also notice that the phrase starts in the bar with an anacrusis:

john-mclaughlin-guitar-technique

The Dominant chord G7 has been altered and resolves nicely to the tonic chord via the notes Eb to E natural.

john-mclaughlin-guitar-technique

 Full Lick:

john-mclaughlin-guitar-technique-tablature
John Mclaughlin Altered style ii V7 I alternate picking guitar lick

 

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