Modern Music Theory Improvisation and Application
Lessons from Jazz/World to 20 Century Classical Music Harmony Rhythm and Theory
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Lick 1: Altered Harmony [John Mclaughlin] ii V7alt I
Lick 2: Pat Martino “Minor Topic” Guitar Line played over Dm7:
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Example 1:
Example 2:
Example 3:
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John Mclaughlin establishes the Dm7 tonality and then chromatically slips into the altered sound with the EbmMaj7. The Eb note then resolves up to the E natural. The resolution is finally established the F major arpeggio to create Dm7.
In the next bar John employs Db Lydian Harmony over the G7b5 chord. [The b5 of G7 of course being the Db note]. John keeps the G natural note to establish G7 and at the same time establish the #11 of Db harmony.
Full Lick:
LICK VARIATION:
John Mclaughlin Short ii V I Jazz GuitarLick:
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