PAT MARTINO JAZZ GUITAR GUITAR LESSONS

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Tribute to Pat Martino jazz guitar legend BLOG : With Pat Martino Guitar lesson in jazz improvisation

PAT MARTINO JAZZ GUITAR FREE PDF DOWNLOAD #1

TRIBUTE TO JAZZ GUITAR VIRTUOSO LEGEND PAT MARTINO: JAZZ EXAMPLES

Example 1-Minor Topic. In this line we move via D Dorian and D melodic minor. Interest is created by employing some colourful chromaticism that also gives continuity to the line. These long fluid lines employ a double timed 16ths feel with an upbeat that creates/anticipates forward movement.

Pat-Martino-Jazz-Guitar-Lesson-Examples-Minor-Topic-Example in tab-notation
Pat Martino Minor Topic Jazz Guitar Chromatic lines lesson

Example 2-This is an outside sounding line that exploits chromaticism with E whole tone and A altered scales.

Pat-Martino-Jazz-Guitar-Lesson-Examples-Minor-Topic-Whole-Tone-Scale-Example-in tab-music notation
Pat Martino “Whole Tone Scale” jazz outside approach [Guitar lesson]

Example 3-In this line we can see Pat Martinio’s unique use of Arpeggios, Intervals and Scales.

Pat-Martino-jazz-Guitar-Lesson-Examples-arpeggios-scales-Linear-expressions-intervals-Example-in tab-music notation
Pat Martin Jazz guitar arpeggio, intervals and scale example lesson

Example 4- In this last example we delve into another one of Pat’s long fluid 16th jazz lines. This time there are two bars played over a static C7 chord. In this line we find, Mixolydian, Lydian Dominant, triad inversions, dyad/ 3rds and chromatic resolution.

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Pat Martino Mixolydian/Lydian Dominant Chromatic jazz guitar example. [Lesson]

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Robert Fripp Cross Picking Guitar craft Technique Lesson

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All of the Picking Patterns consist of “Down Down Up” with the guitar plectrum. Below you will see this basic pattern in a repeated loop.

Robert Fripp Cross picking “Down Down Up” Guitar Technique Lesson

In the next exercise we will move this basic “Down Down Up” Cross Picking guitar pattern along the fingerboard

Robert Fripp Cross picking “Down Down Up” Guitar Technique Lesson

Next, we can employ Augmented and Diminished triads in triplets which is a very King Crimson Frippesque 70’s guitar sound/technique.

Robert Fripp Cross picking “Down Down Up” Guitar Technique Lesson

We will now cross pick with the plectrum and employ an “Open string” concept.

Robert Fripp Cross picking “Down Down Up” Guitar Technique Lesson

Now, we will develop this open string cross picking with a variation exercise

Robert Fripp Cross picking “Down Down Up” Guitar Technique Lesson

This last pattern doesn’t employ any open string play but is useful in regards to the string crossing movement.

Robert Fripp Cross picking “Down Down Up” Guitar Technique Lesson

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John Mclaughlin Guitar Jazz/Fusion Lick/Lesson

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John Mclaughlin Alternate Picking Jazz/Fusion Guitar Lick/Lesson

This John Mclaughlin Jazz/Fusion guitar lesson employs alternate picking for solid rhythmic fluidity. I start on the down stroke with the guitar plectrum.

Alternate Picking Mclaughlin Lick in Parts.

The first part is built from simple Pentatonic cells.

John Mclaughlin Guitar Lick
John Mclaughlin Guitar Lick

The second part uses scale fragments 4ths, and Arpeggios

John Mclaughlin Guitar Lick

The last part Uses 4ths and a Pentatonic Shape

John Mclaughlin Guitar Lick

Full Score of Lick:

Alternate Picking John Mclaughlin Guitar Lick
Alternate Picking John Mclaughlin Guitar Lick

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