Indian-esque “Style” Octave Raga Strumming

Modern Jazz Fusion Chords part 2. Steely Dan, Dan Chord and Slash Chords

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Hi Guys,

Today, a quick blog on using octaves and open strings on the guitar to create Raga style compositions.

This is not “Classical” Indian” music but a means of adding an implication and fusing western guitar strumming with the Indian scale sound.

Below, we can see the scale we will employ. This is the Lydian mode. Here we have D lydian in a Hexatonic format.

indian-guitar-strumming-octaves-raga-example

Now, instead of using single notes we will double them creating octaves.

Adding to this we will employ the open strings of the guitar as we strum to create interesting rhythms. [See video above].

indian-guitar-strumming-octaves-raga-example

We can also use quick slurs and slides to create a dynamic Indian-esque effect

indian-guitar-strumming-octaves-raga-example

Now, let’s move over to the 4th and 2nd strings and do the same thing with the lydian octaves and open guitar strings. [see video above]

indian-guitar-strumming-octaves-raga-example

Finally, we will move over to the 3rd and 1st guitar strings and do the same thing. This time creating the C lydian mode.

indian-guitar-strumming-octaves-raga-example-c-lydian

Due to the guitars tuning you will notice that we are moving up in 4ths or down in 5ths.

This works well for composing becasue it creates a strong pull in terms of movement and power that can then be manipulated by percussive rhythmic strumming on the guitar.

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Modern Jazz Fusion Chords part 2. Steely Dan, Dan Chord and Slash Chords

Shakti: Indian Raga alternate picking and fretting hand technique[Development]

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Hi Guys,

Today, a quick look at developing Shakti style Fusion guitar Raga’s from the Mixolydian mode.

Below, is the mode in a Pentatonic form:

shakti-indian-raga-guitar-lesson

Next, we have a phrase that is developed from this mode. In order for it to be smooth and fluid at a “Fast” tempo we will change the fingering:

shakti-indian-raga-guitar-lesson

So, here the 2nd finger comes into play. This makes connecting the phrase easy and smooth to execute with alternate picking.

shakti-indian-raga-guitar-lesson

Notice: I am starting on an upstroke. This is because it is a very smooth “Scalic” and mostly step-wise passage.

shakti-indian-raga-guitar-lesson

Below, we are starting with an anacrusis [Up Beat]. Because of this I am starting on a downstroke.

This means that the actual phrase [1st beat of the bar] will start on the upstroke for smooth step-wise scalic movement.

shakti-indian-raga-guitar-lesson

Below, we have the same thing. This time it starts on the off beat in the bar and employs the same concept:

Start on the down so the up carries the smooth scalic movement:

shakti-indian-raga-guitar-lesson

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“joy” by shakti- question-answer from different cultural perspectives

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“Joy” by Shakti/John Mclaughlin analysis from different cultural perspectives

PLEASE WATCH VIDEO ABOVE FOR DETAILED INFO:

The first part of “Joy” as a Four bar 16 Beat “Teen Taal” Fusion Cycle

First Bar

Joy, shakti, john mclaughlin, lesson, tab
“Joy” by Shakti/John Mclaughlin analysis from different cultural perspectives

Second Bar

Joy, shakti, john mclaughlin, lesson, tab
“Joy” by Shakti/John Mclaughlin analysis from different cultural perspectives

Third Bar

Joy, shakti, john mclaughlin, lesson, Raga, Indian, tab
“Joy” by Shakti/John Mclaughlin analysis from different cultural perspectives

Fourth Bar

Joy, shakti, john mclaughlin, lesson, tab
“Joy” by Shakti/John Mclaughlin analysis from different cultural perspectives

Full 4 Bars

joy, shakti, john, mclaughlin, guitar, technique, lesson, tab, music, notation
“Joy” by Shakti/John Mclaughlin analysis from different cultural perspectives

Joy, shakti, john, mclaughlin, lesson, guitar, technique, album, cover
“Joy” Shakti/John Mclaughlin Classic Album

Shakti (Shakti album)

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Shakti with John McLaughlin
Live album by Shakti
Released1976
RecordedJuly 5, 1975, at Southampton CollegeLong Island
GenreWorld fusion
Length52:00
LabelColumbia
ProducerJohn McLaughlin
Shakti chronology
Shakti with John McLaughlin
(1976)A Handful of Beauty
(1976)
John McLaughlin chronology
Inner Worlds
(1976)Shakti with John McLaughlin
(1976)A Handful of Beauty
(1976)
Review scores
SourceRating
Allmusic [1]
The Penguin Guide to Jazz Recordings[2]
The Rolling Stone Jazz Record Guide[3]
“Joy” Shakti/John Mclaughlin Classic Album http://www.jazzimproviser.com

Shakti with John McLaughlin is the first album by Shakti, described as “another brain blowing achievement” by Agha Yasir [1].

Track listing

Side one

  1. “Joy” (John McLaughlin/L. Shankar) – 18:13
  2. “Lotus Feet” (McLaughlin) – 4:44

Side two

  1. “What Need Have I for This–What Need Have I for That–I Am Dancing at the Feet of My Lord–All Is Bliss–All Is Bliss” (McLaughlin/Shankar) – 29:03

Personnel

Personnel – Production (Record)

  • John McLaughlin – Producer
  • Nathan Weiss – Manager
  • Joseph D’Anna – Engineer
  • Stan Tonkel – Engineer
  • Apeksha Bacciagallupi
  • Pranavanada – Photos
  • Gregory diGiovine – CBS Records
  • Danny Wong – Lettering
  • Marie de Oro – Design

Personnel – Production (CD)

  • Mike Berniker – Producer, Coordination
  • Larry Keyes – Digital Remastering
  • Gary Pacheco – Coordination
  • Penny Armstrong – Coordination
  • Tony Tiller – Package Coordination
  • Pete Cenedella – Package Coordination

Chart performance

YearChartPosition
1976Billboard 200194[4]
1976Billboard Jazz Albums37[4]
“Joy” Shakti/John Mclaughlin Classic Album http://www.jazzimproviser.com

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