Please watch video above for detailed info:
Hi Guys,
Today, a short “Mid-Tempo” [around 140bpm] JohnMcLaughlin/Shakti style alternate picking guitar exercise for scale connections in the fretting hand.
This is in regard to crossing the strings and connecting different scale fragments together.
BAR 1:
The first concept is that of employing the open string. This gives the fretting hand a hundredth of a second to rest and hence easily get into position to fret the next note at a mid and fast tempo.
Note: fourth 16th note = Open String
In the next part, we can see both open strings employed to make it easy for the fretting hand to get into position and connect to the next scale fragment.
The last note in the bar, the open B natural, makes it easy for us to cross the string smoothly.
Here, is the first bar complete:
BAR 2:
In this bar, we employ semitones as they are easy to finger/fret, and, also to cross the guitar strings when descending.
Extended Variation:
Here, is an extended variation that employs the same alternate picking John McLaughlin concepts that we have just looked at:
IN CONCLUSION:
These simple concepts for the fretting hand when alternate picking might not seem much, but, they are the little hinges that swing the big door when holding the tempo together. Especially, when playing with a tabla/drum.
It also makes it easier for the right picking hand to pluck the strings as the fretting hand is not under pressure, and, there are spaces for the fretting hand to rest and get into position.
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