Alternate Picking Guitar Tetrachords Part 2

Modern Jazz Fusion Chords part 2. Steely Dan, Dan Chord and Slash Chords

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alternate-picking-jazz-guitar-tetrachords-example

Hi Guys,

This is a response video to the previous video/blog. This is to explain and demonstrate the application of “Tetrachords” a bit further.

Here, I will add the video examples in Tab/Notation:

RECAP= What are Tetrachords:

“Tetrachords” are 4 note groupings to connect harmony/lines together for improvisation [and composition]

alternate-picking-jazz-guitar-tetrachords-example

When mastered they can be broken up into musical phrasing/punctuation:

Broken up/Shifted: Thus creating an upbeat

alternate-picking-jazz-guitar-tetrachords-example

Notes chopped off in the bar: Creating space and rhythmic interest.

alternate-picking-jazz-guitar-tetrachords-example

Breaking up the tetrachords like this helps to create smooth syncopations, anticipations or go the other way and play on the beat:

Now, let’s follow this through to a short extension of the phrase

tetrachords-guitar-improvising-lesson

As always it’s essential to count the time when doing this so that you know where you are in the phrase.

alternate-picking-jazz-guitar-tetrachords-example

In this video and for these examples I am employing strict alternate picking starting on a “Down Stroke”. Down Up Down Up etc.

alternate-picking-jazz-guitar-tetrachords-example

Practicing ii V7 I’s and iii Vi ii V7 I’s in various guises will really help you connect and nail the changes with your alternate picking: Below is an example with II V7 I:

alternate-picking-jazz-guitar-tetrachords-example

Now, let’s connect the harmony/chords together via tetrachords: This first example is in the style of John McLaughlin.

alternate-picking-jazz-guitar-tetrachords-improvisation-example

Notice, how smoothly the pentatonic 4 note groupings connect together

This time we will take a more basic approach with very simple fretting/fingering:

alternate-picking-jazz-guitar-tetrachords-improvisation-example

So, even through these basic examples it’s easy to see how to exploit these 4 note groupings to nail the changes and then break them up into musical phrasing/punctuation: As a further resource I would recommend John McLaughlin excellent DVD called “This is the way I do it”

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Modern Jazz Fusion Chords part 2. Steely Dan, Dan Chord and Slash Chords

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