Modern Music Theory and Application

King Crimson/Fripp Guitar Cross Picking Sequence technique

Posted on November 2, 2022November 7, 2022 by Modern Music Theory and Application

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King Crimson/Fripp Guitar Cross Picking Sequence Technique

Please watch the above video for detailed analysis:

PDF DOWNLOAD:

king-crimson-fripp-guitar-technqie DOWNLOAD CLICK HERE!

Hi Guys,

This sequence uses our old friend, the “Down Down Up” Cross Picking Guitar Pattern:

Although, the pattern is 1 2 3 1 2 3 I am counting 3/4 as in – 1 and 2 and 3 and for rhythmic momentum and only 1 2 3 in the 3/8 bar.

The fretting hand shapes are mainly Quintal and Quartal moving around in the cycle of 4ths. Although, there is some flattened 5th and Major 3rd movement.

Part 1:

Part 2:

Last Bar:

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How to-Jazz Guitar “outside” Playing with Chromatic enclosure [Target Tones].

Posted on October 31, 2022November 2, 2022 by Modern Music Theory and Application

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Alternate Picking jazz Chromatics [Enclosure/Target Tones]

Please watch video above for detailed analysis:

PDF DOWNLOAD:

alternate-pick-jazz-chromatic alternate pick Download 1

alternate-pick-jazz-guitar jazz chromatics sDownload 2

Example 1:

Notice the anacrusis/upbeat. See how the note C is targeted with the three chromatic notes starting on an “Up” stroke for alternate picking. It is essential to count time in order to carry the rhythmic phrasing as you connect it all together.

Notice that the “Target Tones” [Enclosure] are now in the bar as part of the line, but the set up remains the same.

Example 2:

This time we have an upbeat with 4 [even notes] grouping. Again, the target tones are set up in the bar as part of the line. Notice, how the chromatic notes set up the key notes on the “Strong” beat.

The next part employs pentatonic tetrachords [4 note groupings]. These are easy to play at a quick tempo on the guitar and work well to connect the next bars chromatic content.

We finally finish with chromatic notes in even alternate picking groupings outlining B7+

EX.1

EX.2

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John Mclaughlin 2 5 1 Jazz Guitar alternate picking explanation

Posted on October 23, 2022October 31, 2022 by Modern Music Theory and Application

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John Mclaughlin 2 5 1 Jazz Guitar alternate picking

Please watch video above for detailed explanation:

The key to alternate picking with this sort of basic John McLaughlin mid tempo ii V7 I is to divide the groupings into 4 notes [Tetrachords] and count the time as you pick the notes.

john-mclaughlin-guitar-lesson — John Mclaughlin 2 5 1 Jazz Guitar alternate picking

In the video you will see how the fretting hand plays and then releases in order to connect the line together so that the fretting hand is not stuck or tense, but relaxed and always ready to make the next connection.

Playing: