John Mclaughlin ii v7 i chromatic jazz lick guitar lesson

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John Mclaughlin Jazz ii V7 I Guitar Lick Lesson

PLEASE WATCH VIDEO ABOVE FOR EXAMPLES:

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John Mclaughlin establishes the Dm7 tonality and then chromatically slips into the altered sound with the EbmMaj7. The Eb note then resolves up to the E natural. The resolution is finally established the F major arpeggio to create Dm7.

John, Mclaughlin, ii V7 I, jazz, guitar, lick, tab
John Mclaughlin Jazz ii V7 I Guitar Lick Lesson

In the next bar John employs Db Lydian Harmony over the G7b5 chord. [The b5 of G7 of course being the Db note]. John keeps the G natural note to establish G7 and at the same time establish the #11 of Db harmony.

John, Mclaughlin, ii V7 I, jazz, guitar, lick, tab
John Mclaughlin Jazz ii V7 I Guitar Lick Lesson

Full Lick:

John, Mclaughlin, ii V7 I, jazz, guitar, lick, tab
John Mclaughlin Jazz ii V7 I Guitar Lick Lesson

LICK VARIATION:

John, Mclaughlin, ii V7 I, jazz, guitar, lick, tab
John Mclaughlin Jazz ii V7 I Guitar Lick Lesson

John Mclaughlin Short ii V I Jazz GuitarLick:

John, Mclaughlin, ii V7 I, jazz, guitar, lick, tab
John Mclaughlin Jazz ii V7 I Guitar Lick Lesson

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Basic ii V7 I Licks examples for improvisation lesson [2 5 1’S]

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Basic ii V7 I music cadence lesson/examples

Please watch video above for detailed analysis:

PDF OF ii V7 I Examples:

This first short ii V7 I is built on 4 note groupings called tetrachords. These employ scale fragments and arpeggios:

Example 1: Short ii V7 I example

ii V7 I, music, cadence, Tetrachords, examples
Basic ii V7 I music cadence lesson/examples

The next example is a longer ii V7 I and again employs tetrachords. The first bar employs pentatonic movement whilst the second bar resolves 4-3 and employs arpeggios and scale fragments.

ii V7 I, music, cadence, Tetrachords, examples
Basic ii V7 I music cadence lesson/examples

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