Fripp/King Crimson style Guitar Picking Exercise:

Modern Jazz Fusion Chords part 2. Steely Dan, Dan Chord and Slash Chords

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Robert Fripp/King Crimson Style Guitar Picking Exercise: Alternate Picking/Cross Picking

Hi Guys,

Today, a “Quirky” Fripp-esque/Crimson-esque guitar picking exercise.

Here is the first part:

fripp-king-crimson-guitar-techniques-lesson-example

As you can see this is very intervallic and as Robert Fripp might call it, “Finickity” picking pattern.

Alternate picking starting on an upstroke works really:

fripp-king-crimson-guitar-techniques-lesson-example

Also, the pattern “Down Down Down Up” works well: [with a short amount of alternate picking on the C B E notes in the bass]

Fripp-king-crimson-cross-picking-guitartechnqiue-example-lesson

Moving on from this we have chromatic movement: So from here on in we employ strict alternate picking starting on an “Upstroke”:

fripp-king-crimson-guitar-techniques-lesson-example

In this next phrase we have a contrapuntal effect with arpeggio and scale movement put to good use.

fripp-king-crimson-guitar-techniques-lesson-example

We finish the first part with more descending chromatic movement with the last line imitating the phrase before it.

fripp-king-crimson-guitar-techniques-lesson-example

  

In the 2nd part we exploit whole tone scale movement:

fripp-king-crimson-guitar-techniques-lesson-example

We will decorate this by employing 4ths:

fripp-king-crimson-guitar-techniques-lesson-example

Now we will dismantle the whole tone scale by making a chordal quartal melody and strum this up a semitone and back to create a colourful sound:

fripp-king-crimson-guitar-techniques-lesson-example

This is then repeated up in Major thirds.

fripp-king-crimson-guitar-techniques-lesson-example

Up another Major third:

fripp-king-crimson-guitar-techniques-lesson-example

Finally we descend from the 12th fret with this little motif:

fripp-king-crimson-guitar-techniques-lesson-example

Modern Jazz Fusion Chords part 2. Steely Dan, Dan Chord and Slash Chords

As Requested: Youtube Shorts and Tab/Notation

Modern Jazz Fusion Chords part 2. Steely Dan, Dan Chord and Slash Chords

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youtube-guitar-shorts-tab-example

Hi Guys,

As requested here are the 5 Youtube Shorts and their Notation/Tab.

Shakti/McLaughlin short lick

Tab/Notation a] Strict alternate picking starting on a down stroke:

youtube-guitar-shorts-tab-example

Tab/Notation b] Strict alternate picking starting on a down stroke:

youtube-guitar-shorts-tab-example

A Harmonic minor idea for E7

Tab/Notation a] A Harmonic minor scale over a Dominant E7 chord. Strict alternate picking starting on a down stroke:

harmonic-minor-scale-guitar-lick

Tab/Notation b] Extension

harmonic-minor-scale-guitar-lick

Tab/Notation c] Longer Extension/Connection

harmonic-minor-scale-guitar-lick

Repeated Scale fragments

Tab/Notation: Repeated Scale/Motif. Strict alternate picking starting on a down stroke:

repeated-guitar-scale-fragments

Alternate Picking guitar technique lick

Tab/Notation: Strict alternate picking starting on a down stroke:

mclaughlin-john-guitar-lick

Tab/Notation: Strict alternate picking starting on a down stroke:

Modern Jazz Fusion Chords part 2. Steely Dan, Dan Chord and Slash Chords

Alternate Picking Guitar Tetrachords Part 2

Modern Jazz Fusion Chords part 2. Steely Dan, Dan Chord and Slash Chords

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alternate-picking-jazz-guitar-tetrachords-example

Hi Guys,

This is a response video to the previous video/blog. This is to explain and demonstrate the application of “Tetrachords” a bit further.

Here, I will add the video examples in Tab/Notation:

RECAP= What are Tetrachords:

“Tetrachords” are 4 note groupings to connect harmony/lines together for improvisation [and composition]

alternate-picking-jazz-guitar-tetrachords-example

When mastered they can be broken up into musical phrasing/punctuation:

Broken up/Shifted: Thus creating an upbeat

alternate-picking-jazz-guitar-tetrachords-example

Notes chopped off in the bar: Creating space and rhythmic interest.

alternate-picking-jazz-guitar-tetrachords-example

Breaking up the tetrachords like this helps to create smooth syncopations, anticipations or go the other way and play on the beat:

Now, let’s follow this through to a short extension of the phrase

tetrachords-guitar-improvising-lesson

As always it’s essential to count the time when doing this so that you know where you are in the phrase.

alternate-picking-jazz-guitar-tetrachords-example

In this video and for these examples I am employing strict alternate picking starting on a “Down Stroke”. Down Up Down Up etc.

alternate-picking-jazz-guitar-tetrachords-example

Practicing ii V7 I’s and iii Vi ii V7 I’s in various guises will really help you connect and nail the changes with your alternate picking: Below is an example with II V7 I:

alternate-picking-jazz-guitar-tetrachords-example

Now, let’s connect the harmony/chords together via tetrachords: This first example is in the style of John McLaughlin.

alternate-picking-jazz-guitar-tetrachords-improvisation-example

Notice, how smoothly the pentatonic 4 note groupings connect together

This time we will take a more basic approach with very simple fretting/fingering:

alternate-picking-jazz-guitar-tetrachords-improvisation-example

So, even through these basic examples it’s easy to see how to exploit these 4 note groupings to nail the changes and then break them up into musical phrasing/punctuation: As a further resource I would recommend John McLaughlin excellent DVD called “This is the way I do it”

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Modern Jazz Fusion Chords part 2. Steely Dan, Dan Chord and Slash Chords