Explanation – Page 2 – modern music theory and application

My Al di Meola Intervallic Picking Style “SHORTS” Explanation:

Posted on March 27, 2023March 30, 2023 by Modern Music Theory and Application

Al di Meola Intervallic Picking Style Explanation: Right Hand Technique

PLEASE WATCH VIDEO ABOVE FOR DETAILED ANALYSIS:

Hi Guys,

This is a response and explanation to the Youtube “Shorts” video I posted employing Al Di Meola’s wide intervallic string skipping right hand guitar technique.

The first part of the pattern is:

Down Down Up Up Up Down

al-di-meola-intervallic-string-skipping-guitar-explanation

But, why pick like this?

Surely, just stick to strict alternate picking?

In theory yes: But in practice there is a chance with alternate picking that open strings will get plucked/struck by mistake due to the down stroke.

The Upstroke means that this is cancelled out: [please see video above]

The next part employs:

Down Down Up:

Also notice the change in rhythm from 3/4 to 6/8. This is a simple concept that works really well with wide intervallic playing and composing.

BOTH PARTS: 3/4 and 6/8 Rhythmic Feel

Finally we finish with the “Down Down Up” pattern again.

al-di-meola-intervallic-right-hand-guitar-technique

Also an up-beat works well with this sort of playing: Here I pluck the low open E.

FULL PHRASE:

al-di-meola-intervallic-right-hand-guitar-technique-example-lesson

PDF DOWNLOAD:

al-di-meola-intervallic-string-skipping-lesson al di meola Download

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“EXTENDED” Alternate Picking Guitar Exercise:

Posted on February 20, 2023February 28, 2023 by Modern Music Theory and Application

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4 Positions Alternate Picking Guitar Exercise:

Please watch the video above for in depth detail:

Hi Guys,

Moving on from our last alternate picking video we will now extend this to 4 different positions on the guitar fingerboard.

As always for this mid tempo jazz/fusion [140-160 Bpm] style it’s essential to accent the [first] and third notes in each 4 note grouping.

“The third note being the most important to accent”

Without doing this, the rhythm, tempo and dynamic gets lost along with the timing and fluidity.

[1st] and 3rd notes Accented

Here is the alternate picking exercise: It is essential to watch the video above in order to understand the “Simple” concept of the guitar fingering as this is crucial for executing this exercise.

This starts on a “Downstroke” with strict alternate picking: